SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Powells House"/1) | (@(roleclean,performerclean) "Mr Powells House")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5723 matches on Event Comments, 2063 matches on Performance Comments, 745 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Altered from Dryden by Colley Cibber....a Man who was in the Upper Gallery...threw an apple from thence, with an intent, as is suppos'd to hit some person who was looking through the Curtain, but struck a Lady of Quality in the face, who sat in the stage box; upon which the manager order'd the Constable attending the House to make inquiry after the person who did it, and he was immediately apprehended, on the information of several people who sat near him, and was, by the Lady's desire carried before a Justice, who would have committed him for the assault; but on his begging Pardon, and promising never to offend in the like manner, she was pleas'd to forgive him, and he was discharg'd.--As it was a Publick Affront some Gentlemen would have had him brought on the stage to make a Public acknowledgment of his folly;--and tis hop'd that will be the punishment hereafter, for those who offend in the like manner.--General Advertiser, 3 Nov

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: The Double Disappointment

Song: III: Lowe

Event Comment: [T+The Merchant of Venice had been announced for today in the General Advertiser of 5 Nov., but the house was dark.

Performances

Event Comment: Attendance will be given this and every Day from Ten in the Morning 'till Three in the Afternoon, at the Opera House in the Haymarket, in order to take in Subscriptions for the Second Subscription to Operas; and whereas the number of Representations for the first Subscription has not been compleated; This is to give notice to the Subscribers, that by sending to the Office, they will have the Money for the deficient Number of Representations returned them; or if they please to go on with the Second Subscription, the Deficiency of the first which ends this Night will be made up to them in the Price of the Tickets for the Second Subscription

Performances

Mainpiece Title: Annibale In Capua

Dance:

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Event Comment: Benefit for the author of the Dramatic Entertainment. [Afterpiece written by Joseph Dorman.] Never before performed. [See 18 Nov. 1740.] Tickets to be had of the Author at Pons Coffee House in Cecil Court, St. Martin's Lane. Tickets deliver'd out for Monday the 22nd Instant will be taken. Ladies send servants by three

Performances

Mainpiece Title: The Miser

Afterpiece Title: Sir Roger de Coverly; or, the Merry Christmas

Song: III: Lowe

Event Comment: [The House this night carried a profitable balance of #1015 5s.] Receipts: #157 10s

Performances

Mainpiece Title: The Miser

Afterpiece Title: Miss in Her Teens

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition (General Advertiser). [The House this night carried on its books a profitable balance of #2416 6s. 8d.] Receipts: #100 9s

Performances

Mainpiece Title: The Beggar's Opera

Dance: As17461231

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit Mrs Clive. Mainpiece written by Beaumont and Fletcher, never acted there. Servants allow'd to keep places on the stage which will be form'd into front and side boxes, and so commodiously enclos'd as to prevent the Ladies from taking cold. Ladies send servants by three. Tickets of Mrs Clive at her House in Great Queen Street, Lincoln's Inn Fields, and of Hobson at the stage door

Performances

Mainpiece Title: The Wild Goose Chase

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Event Comment: Benefit Smith, Carpenter to the House. [Prices 2s. 6d., 2s., 1s.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Miss in Her Teens

Dance: As17461124, but Drunken Peasant-Miles

Song: Brett

Event Comment: At the particular Desire of several Persons of Quality. Benefit Mrs Giffard. Tickets to be had of her at her house, No 11 in Craven Buildings, Drury Lane, and of Hobson at the stage door where places may be taken

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Dragon of Wantley

Dance: Salomon, Sga Padouana, Muilment, Salomon's Son, the Mechels

Event Comment: Benefit Macklin. Mainpiece: By Particular Desire. The Farce never before acted. Tickets to be had of Macklin at his House in Bow St; and of Hobson at the stage door where places may be taken for the Boxes.--General Advertiser. [Afterpiece by Charles Macklin.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Suspicious Husband Criticized; or, The Plague of Envy

Event Comment: Adapted for the stage, as alter'd from Milton's Masque at Ludlow Castle (General Advertiser). Benefit for Beard. Ready Money #94 15s., plus #102 9s. from tickets. Charges #60. Paid Mrs Lane for Rent of Cowley in full to Michaelmas last #41. (Account Books, Egerton 2268) [Cowley was Rich's estate at Uxbridge. Notice about Amphitheatre (see 23 March) repeated.] Tickets of Beard at his house in Red Lyon Square

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Event Comment: Benefit Reinhold and Mrs Furnival (General Advertiser). This day agreement was signed between Lacy and Garrick as new partners in the patent for Drury Lane theatre. The total present liabilities of the theatre, including the mortgage to Green and Amber, the mortgage to Hutchinson Meure, with the arrears due to actors and tradesmen, were calculated at about #12,000. It was besides burdened with an annuity to Calthorpe of #300, and another of #500 to Fleetwood. Of this #12,000 Garrick, helped by his friends found eight. Each party was to draw #500 a year as manager, and Garrick was to received besides #500 a year salary for his acting; but was restrained from playing at any other house, except on terms of dividing profits with his fellow manager.--Fitzgerald, Life of Garrick, p. 112

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Event Comment: Benefit Woodward. [Receipts: #81 3s. 6d., plus #59 9s. from tickets. Charges #63.] Paid Servandoni #10 10s. Paid Price a bill for carpenter's work at Lincoln's Inn Fields Theatre last week #2 19s. 9d. Tickets to be had of Woodward at his lodgings in King St. (near the Churchyard Gate) Covent Garden; at the Bedford Coffee House; at the Salutation Tavern in Nicholas Lane; and of Page at the stage door. Tomorrow The Distress'd Mother and Miss in her Teens, the part of Fribble by Garrick.--General Advertiser. Daily Advertiser: By Particular Desire of several Persons of Quality. [On 13 April Woodward published a letter of thanks to the former schoolfellow who sent him this speech, promised to present it, and assured him that no copy would be made. See Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Afterpiece Title: Orpheus and Eurydice

Entertainment: Between Play and Afterpiece: An Alarm to Britons-the Spirit of King Henry V (After the manner of Shakespeare's Chorus) usher'd in with Trumpets, Kettle Drums and other Warlike Instruments

Event Comment: This Day at Noon, exactly at Twelve o'Clock...Mr Foote begs the favour of his Friends to come and drink a Dish of Chocolate with him; and 'tis hoped there will be a great deal of good company, and some joyous Spirits; he will endeavour to make the Morning as Diverting as possible. (Tickets for the Entertainment to be had at George's Coffee House, Temple Bar, without which no Person will be admitted.--Daily Advertiser, 24 April only.) Any Gentlemen or Lady, with or without Tickets, will be admitted. Sir Dilberry Diddle will be there and Lady Betty Frisk has absolutely promised. [Repeated 27 April.

Performances

Mainpiece Title: Diversions Of The Morning

Event Comment: Mainpiece by Particular Desire. Benefit Mrs Campioni. Receipts: #35 11s., plus #38 18s. in tickets. Charges #60. At her house at a Green Lamp, Leicester Fields

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Event Comment: [Illness of an actor is given as the reason for no performance on 1 May.] Repeated 4, 5, 6. 7, 8, 9, 11 (with a new Desert [i.e., a change in the afterpiece]), 12, 13 (a new character), 14 (Places to be taken at the House [a notice that supersedes that of 28 April]), 15, 16, 18, 19, 20, 21, 23, 25 (A Dialogue which is to pass for an Epilogue [repeated in the bills]), 26, 27, 28, 29, 30 (Last time of Breakfasting) May

Performances

Mainpiece Title: Diversions Of The Morning

Event Comment: Mainpiece: By Particular Desire. Powel: Rec'd of the Orange Woman for selling Fruit in the House, in part of #80 for the Season-#10. Receipts: #100 (Cross); #88 14s. (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens

Dance: IV: Dance-Cooke

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry the Sixthv; the Artful Acquistion of the Crown by King Richardv; the Cruel Murder of Prince Edwardv and his Brother in the Tower; the Landing of the Earl of Richmondv, and the death of King Richard in the Memorable Battle of Bosworth Fieldv; being the last that was faught between the Houses of York and Lancasterv. [A customary elaboration of the title, appearing at subsequent performances this season, but not repeated here.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Royal Chace

Event Comment: (great snow [show?] for ye Agreat snow [show?] for ye Author) (Cross). Benefit for the Author (General Advertiser). There was a new comedy last Saturday, which suceeds, call'd The Foundling. I like the old Conscious Lovers better, and that not much. The story is the same, only the Bevil of the New piece is in more hurry, and consequently more natural. It is extremely well acted by Garrick and Barry, Mrs Cibber and Mrs Woffington [Walpole to Sir Horace Mann, Walpole Letters (ed Cunningham, II, 105).] Receipts: #160 (Cross); house charges #63 (Powel); cash #119 5s. 6d.; tickets #32 (Clay MS)

Performances

Mainpiece Title: The Foundling

Event Comment: Cross: Benefit for ye Author. Receipts: #170 (Cross); house charges #63 (Powel); cash #139 3s. 6d.; tickets #29 5s. (Clay MS)

Performances

Mainpiece Title: The Foundling

Event Comment: PPowel: Lent being now beginning, the House leaves off playing Wednesdays and Fridays

Performances

Mainpiece Title: Ash Wednesday

Event Comment: Monday next Venice Preserved, for the Benefit of Mrs Cibber. N.B.: As many inconveniencies have arisen, from receiving Box Tickets in the Galleries, no Tickets will be admitted but in the Boxes, Pit and upon the Stage (General Advertiser). [The inconveniencies would seem to be connected with an overflow into the galleries of gentlemen with an animus towards The Foundling. Garrick was making an early managerial effort to control the house and render it quiet.] Receipts: #160 (Cross); #169 2s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Mrs Woffington. As ye Curtain was rising for ye farce a Gentleman's sword was taken out of ye Scabbard & carry'd up with ye Curtain & there Hung to ye terror of those under it (least it shou'd fall) & ye Mirth of ye rest of ye Audience--a Scene man fetch'd it down (Cross). Four rows of the Pit will be rail'd into the Boxes; and the stage form'd into front and side boxes. Tickets and places of Hobson at the stage door. Receipts: #240 (Cross); house charges, #50 (Powel).This was also in her agreement to pay no more than the above sum (Powel). Cash, #84 19s. 6d.; tickets, #100 3s. (Clay MS)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Tambourine-Anne Auretti; IV: New Comic Dance-Matthews, Mrs Addison; V: Dutch Dance, as17471128