SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nichol"/1) | (@(roleclean,performerclean) "Mr Nichol")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4230 matches on Event Comments, 1162 matches on Performance Comments, 537 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Irishman in London

Song: End II: Crazy Jane-Mrs Bland; End: a favorite Mock Italian Song-Fawcett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: The Moore Of Venice

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: The Step-mother

Related Works
Related Work: The Ambitious Step-mother Author(s): Nicholas Rowe

Performances

Mainpiece Title: Flora's Vagaries

Performances

Mainpiece Title: The Step Mother

Related Works
Related Work: The Ambitious Step-mother Author(s): Nicholas Rowe

Performances

Mainpiece Title: Pompey The Great

Performances

Mainpiece Title: Tu Quoque; Or, The City Gallant

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performances

Mainpiece Title: Henry The Third Of France Stabb'd By A Fryer: With The Fall Of The Duke Of Guise

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Every Man Out His Humour

Performances

Mainpiece Title: Alcibiades

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Augustus Caesar. See also Nicoll, Restoration Drama, p. 346. The music for a song in act I, scene I, was composed by Nicholas Staggins, and printed in Choice Ayres and Songs, The Second Book, 1679. There is no certainty that this was the premiere, but it may well have been. The play was entered in the Term Catalogues, May 1676

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter