SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nat Lee"/1) | (@(roleclean,performerclean) "Mr Nat Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4403 matches on Event Comments, 1895 matches on Performance Comments, 624 matches on Author, 559 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Performance Comment: SCENE I. Morning, a Landscape. The Rising of the Sun. Hunters preparing for the Chace. When Phoebus the tops of the hills, as17810425; SCENE II. A View of the Rock of Gibraltar, with the Fleet sailing to its Relief; The Storm-Reinhold; [SCENE III. Thunderstorm, Tempest and Shipwreck. Stand to your guns my hearts of oak-Bannister [of dl]; [SCENE IV. A Town Besieged (Painted by Carver; taken from Harlequin Every-where). The Enemies' Attack; the Destruction of the Fort; and an Engagement of the Troops, represented by Moving Figures. O what a charming thing's a battle-Cubitt; [After which a Grand Transparency, representing the famous Battle of Cressy, with the taking of the Bohemian standard by Edward the Black Prince, painted by Cipriani. To conclude with a trio-Davies, Mrs Morton, Mrs Martyr.

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

Event Comment: Benefit for the Widow and Children of the unfortunate Mr Linton, late of this Theatre. [Linton, a musician belonging to the CG band, had been attacked and killed by footpads on 8 July.] "The band were all dressed in mourning, suited to the occasion, and are entitled to their share of applause" (Public Advertiser, 30 Sept.). Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Biondello-Chalmers; Music Master-Stevens; Hortensio-Helme; Tailor-Jones; Pedro-Gaudry; Haberdasher-Besford; Nathaniel-Ledger; Grumio-Quick; Bianca-Mrs Poussin; Curtis-Mrs White; Catherine-Mrs Bates .
Cast
Role: Nathaniel Actor: Ledger

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

Event Comment: [This was Henderson's last appearance on the stage. He died on 25 Nov. 1785. "He was the only performer, since the death of Mr Garrick, who could with any degree support the various characters of Shakespeare. His person approached the middle size, his voice was naturally thick, his judgment was strong, his attention great, and his sudden transition from one passion to another fully evinced his abilities; his chief excellence lay in strong colouring, in broken and abrupt speeches, especially in parts of tragic horror; his scale was so extensive that it included the extremes of Tragedy and Comedy" (Oulton, 1796, 1, 150-51).] Receipts: #258 6s. (250/14; 7/12)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Performances

Mainpiece Title: Sir John Cockle, At Court

Related Works
Related Work: Gloriana; or, the Court of Augustus Caesar Author(s): Nathaniel Lee

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328