SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nat Lee"/1) | (@(roleclean,performerclean) "Mr Nat Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4403 matches on Event Comments, 1895 matches on Performance Comments, 624 matches on Author, 559 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: At Shuter's Booth, George Yard. At Shuter's Warehouse [in advance notices]; At Shuter's Theatrical Microcosm. [The English Mirror is not the name of a play.] Mr Shuter begs leave to acquaint the Public that his English Mirror is highly polished, and he hopes it will give the greatest Satisfaction, especially as it is the true English Manufacture reflecting the most striking Views of Modern Times and National Glory. He would be very far from imposing upon the Inhabitants of this great Metropolis, and, unconscious of a Puff, he takes upon him to say that the Gay and Learned will find his Piece ornamented with a Festoon of Flowers gathered by an admitted Genius on the Banks of Avon and enriched with Wreaths twined by the Fingers of the Muses. Here it may be said Pomona has given the Apple Wit, in which every agreeable Flavour is combined, and Bacchusr has sent a Store of genuine Falernian from a Receipt which anciently belonged to Homer, and has lately been discovered with the Ruins of Herculaneum. In fact we shall give a new Exhiliration to Mirth, and dilate the Sides of Laughter, make Vice bleed under the corrective Lash, and give a Lecture that shall stimulate Virtue to pursue the Road of Happiness. [Repeated.

Performances

Mainpiece Title: The English Mirror; Or, Fun At The Fair

Performances

Mainpiece Title: The Adventures Of Timur Koran

Afterpiece Title: The Heroic Taylors

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.
Cast
Role: A Concerto Actor: La Spoonatissiana

Afterpiece Title: Britannia's Triumph

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: Comment Continued

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Duke and no Duke

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Afterpiece Title: The Devil to Pay

Dance: II: Comic Dance call'd The Pedlar Trick'd-; End: The Cossacks-Sg Maranesi, Sga Maranesi, her 1st appearance there

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Harlequin Skeleton

Dance: As17601013

Performances

Mainpiece Title: The Stratagem

Cast
Role: Dorinda Actor: Mrs Lee

Afterpiece Title: Lethe

Dance: As17601014

Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014

Performances

Mainpiece Title: The Minor

Afterpiece Title: Catherine and Petruchio

Dance: As17601014

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally; or, The Sailor's Return

Performances

Mainpiece Title: Merope

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Comus

Dance: The Dances incident to the masque-Poitier Jr, Mlle Capdeville, Granier, Leppie, Desse, Rochford, Dumai, Gosley, Hussey, Balthazar, Mrs Granier, Mrs Jansolin, Mrs Mariane, Mrs Crawford, Mrs Welch, Miss Daw

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lethe

Dance: LLes Charboniers, as17601215

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Knights

Related Works
Related Work: The Knights of Malta Author(s): Nathan Field

Dance: II: Les Charboniers, as17601216; End: A New Rural Dance-Poitier Jr, Mlle Capdeville

Performances

Mainpiece Title: King John

Afterpiece Title: Love a-la-Mode

Dance: The Last New Dance-Poitier Jr, Mlle Capdeville

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Siege Of Damscus

Afterpiece Title: Love a-la-Mode

Dance: Dances-Poitier Jr, Mlle Capdeville [the particular ones unspecified]

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Lethe

Dance: AA Scaramouche-Philips; Les Charboniers, as17601216

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: Sg Maranesi, Mlle Capdeville

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: As17600924; and a New Comic Dance-Sg Maranesi, Mlle Capdeville