SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Milward"/1) | (@(roleclean,performerclean) "Mr Milward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4248 matches on Event Comments, 1754 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggars Opera

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son in Law

Song: In III 1st piece: song-Dignum

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

Event Comment: Benefit Milward, Mrs Herold, Mrs Bryan, and Mrs Smith. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: Venice Preservd

Dance: Pierro Courting a Bottle or The Drunken Pierro-Russau; Shepherd and Shepherdess-Two Scholars of Russau

Event Comment: Benefit Milward. [Announced in Daily Journal, 5 Aug., not later.

Performances

Mainpiece Title: Love For Love

Event Comment: Receipts: #91 2s. [For a discussion of this performance, especialy the acting of Milward and Chapman, see Universal Spectator, 11 March.

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit Milward. For the Entertainment of the Grand Master and the Antient and Honourable Society of Free and Accepted Masons. At the Desire of the Brethren, four Rows of the Pit will be railed, at the Price of the Boxes, and kept for Masons only. Those Brethren who design to attend the Grand Master, are desired to meet by 5 o'clock, at farthest, at the Bear and Harrow in the Butcher-Row, and to come Cloath'd. Receipts: money #39 3s. 6d.; tickets #95 19s. [The Epilogue (spoken by Mrs Younger) is in Daily Post, 29 April.

Performances

Mainpiece Title: The Recruiting Officer

Dance: I: Two Pierrots-Salle, Pelling; III: Hornpipe-Jones, Mrs Ogden; V: The Baulk-

Song: II: Laguerre; IV: Salway

Performances

Mainpiece Title: The Mother in law Or The Doctor The Disease

Performance Comment: Parts by Johnson, Cibber, Miller, Harper, Griffin, W. Mills, Milward, Shepard, Oates, Winstone, Mrs Heron, Mrs Butler, Mrs Pritchard, Miss Robinson; but edition of 1734 lists: Sir Credulous Hippish-Griffin; Heartwell-Mills Sr; Beaumont-W. Mills; Dr Mummy-Johnson; Dr Diascordium-Miller; Looby Headpiece-Cibber; Galleypot-Harper; Cranny-Sheppard; Joseph-H. Tench; Poet-Oates; Constable-Hallam Sr; Lady Hippish-Mrs Butler; Belina-Mrs Pritchatd; Agnes-Mrs Robinson; Primrose-Mrs Heron. Prologue spoken by Mills Sr Epilogue spoken by Cibber, Griffin, Mrs Heron .
Event Comment: WWinston MS. lists All's Well, which had been announced, but Milward was sick. Receipts: #60

Performances

Mainpiece Title: The Busy Body

Song: I: A Ballad-Lowe; IV: The Early Horn-Lowe

Dance: II: La Foullies, as17420125

Ballet: V: Les Satires Puny. As17420106

Event Comment: RRylands: William Milward died. Receipts: #30

Performances

Mainpiece Title: The Rehearsal

Dance: I: A Concerto, as17420105; II: The Drunken Peasant-Phillips; III: A Dutch Dance, as17411114; IV: Les Matelotes, as17411208

Ballet: V: Les Satires Puny. As17420106

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Receipts: #90. Rylands MS.: Milward bury'd. Duke &c [attended theatre]

Performances

Mainpiece Title: The Busy Body

Song: I: Was Ever Nymph like Rosamond-Beard; III: a Ballad-Lowe; IV: a Song-Mrs Arne

Dance: II: La Foullies, as17420125

Ballet: V: Les Satires Puny. As17420106

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performances

Mainpiece Title: The Careless Lovers

Performances

Mainpiece Title: Alphonso King Of Naples

Performances

Mainpiece Title: The Husband His Own Cuckold

Performances

Mainpiece Title: Neglected Virtue Or The Unhappy Conquerors

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Measure For Measure Or Beauty The Best Advocate

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Performances

Mainpiece Title: Parnasso In Festa

Performances

Mainpiece Title: Love And Friendship