SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mills Sen"/1) | (@(roleclean,performerclean) "Mr Mills Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4442 matches on Event Comments, 3584 matches on Performance Comments, 821 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Musical Lady

Dance: II: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Daphne and Amintor

Dance: II: A New Pantomime Dance call'd The Millers and the Colliers-Grimaldi, Duquesney, Mons Rolle, Mrs King, Miss Tetley; End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Cunning Man

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire. Pit and Boxes will be laid together, where servants will be admitted to keep places. Ladies desired to send servants by 3 o'clock. Rec'd from Mr Stevens 1 yrs. rent due at Xmas #10; Paid Locke (hatter) for Garrick #1 4s. 6d.; Re-paid Garrick the cash advanced by Monet for Guidetti #21; Paid B. Johnson's Head bill #3 17s. 11d. (Treasurer's Book). Receipts: #98 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life Below Stairs

Dance: End: The Jealous Peasant, as17661111

Performances

Mainpiece Title: Medea

Afterpiece Title: The Guardian

Cast
Role: Clackit Sen Actor: Yates

Dance: End: A Comic Dance-Duquesney, Mrs King

Performances

Mainpiece Title: Comus

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Upholsterer

Dance: End: The Village Romps, as17661008

Performances

Mainpiece Title: Dido

Afterpiece Title: The Devil to Pay

Dance: End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Benefit for Miss Macklin. Afterpiece: For only time this season. Pit and Boxes to be laid together. Ladies send servants by 3 o'clock and to prevent disappointments come early themselves. Tickets to be had of Miss Macklin at the Golden Fan in Leicester Fields and of Mr Sarjant at the Stage-Door. Charges #64 12s. [Profit to Miss Macklin #90 2s. 6d., plus #165 from tickets (Box and Pit 648; Gallery 30).] (Account Book). Receipts: #154 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: I: A Minuet-Fishar, Miss Macklin; IV: The Female Archer, as17661215; End: The Village Romps, as17671008

Performances

Mainpiece Title: Cymon

Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Rosamond

Performances

Mainpiece Title: King Lear

Afterpiece Title: Flora

Dance: End: Hearts of Oak, as17670212

Performances

Mainpiece Title: The Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Midas

Dance: III: The Sicilian Peasants, as17670411

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Fairy Tale

Dance: End: Hearts of Oak, as17670212

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Contrivances

Dance: End: Comic Dance, as17670430

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Lethe

Dance: End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: All For Love

Afterpiece Title: Midas

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Dance: End: A Double Hornpipe, as17670511; End I Farce: The Louvre and Minuet-Giorgi, Miss Simson