SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Matthew Birkhead"/1) | (@(roleclean,performerclean) "Mr Matthew Birkhead")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4266 matches on Event Comments, 1292 matches on Performance Comments, 751 matches on Performance Title, 107 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Performance Comment: Sir Rowland-Johnson; Le Prate-Miller; Nincompoop-Norris; Jack Amorous-Mills; Wil Merriton-Williams; Old Brag-Shepard; Ned Brag-Wilks; Betty-Mrs Horton; Mirtilla-Miss Smith; Jenny-Miss Tenoe; Molly-Miss Willis; Lady Addleplot-Birkhead; Lady Straddle-Mrs Willis.
Cast
Role: Lady Addleplot Actor: Birkhead

Dance: Green Sleeves-Miss Lindar

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Performance Comment: Sir Rowland-Johnson; Le Prate-Miller; Nincompoop-Norris; Amorous-Mills; Merriton-Williams; Old Brag-Shepard; Ned Brag-Wilks Jr; Betty-Mrs Horton; Mirtilla-Miss Smith; Jenny-Miss Tenoe; Molly-Miss Willis; Lady Addleplot-Birkhead; Lady Straddle-Mrs Willis.
Cast
Role: Lady Addleplot Actor: Birkhead

Dance: Denoye, Boval, Mrs Bicknell, Mrs Younger, Mrs Bullock, Miss Lindar; particularly Whitson Holiday-

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Escapes of Harlequin

Performance Comment: Harlequin-Shaw; Doctor-Birkhead; Pierot-Denoye; Punches-Thurmond, Boval; Harlequin Woman-Mrs Booth; Colombine-Mrs Bicknell; Punch Women-Mrs Younger, Mrs Tenoe; Doctor's Wife-Mrs Willis.
Cast
Role: Doctor Actor: Birkhead
Event Comment: Benefit Birkhead. Written by the late Mr Dryden

Performances

Mainpiece Title: Amphitryon

Music: Between the Acts: Select Pieces-

Dance: Denoye, Thurmond Jr, Mrs Bullock, Miss Tenoe

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Garrick1st time; Aboan-Holland; Blandford-Palmer; Imoinda-Mrs Cibber; Stanmore-Packer; Driver-Bransby; Governor-Burton; Planters-Moody, Perry, Scrase, Atkins, Mrs Bradshaw; Hotman-Blakes; Slaves-Ackman, Clough, Fox; In Act II will be introduc'd an Entertainment of Singing-Champnes, Reinhold, Miss Young; The Music by Mr Stanley, with a proper Dance of the Slaves-Grimaldi, Noverre, Matthews.

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Jupiter (in the character of Harlequin)-W. Bates; Doctor-Baker; Mercury-Robson; Clown-Stevens; Old Woman-Mr Wewitzer; Colombine-Miss Matthews.
Cast
Role: Colombine Actor: Miss Matthews.

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Chasseur Royal (with The early Horn)-Mrs Kennedy; Harlequin Jupiter-W. Bates; Punch-Rayner; Mars-Cranfield; Hercules-Dumay; Leander-Ratchford; Pantaloon-Thompson; Mercury-Davies; Anatomist-Jones; Pierrot-Stevens; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .
Cast
Role: Columbine Actor: Miss Matthews

Dance: In Act III of mainpiece a Hornpipe by Miss Besford

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Performance Comment: Jupiter (in the character of Harlequin)-[W.] Bates; Chasseur Royal (with The Early Horn)-Brett; Mercury-Darley; Doctor-Thompson; Punch-Jackson; Hercules-Dumay; Apollo-Byrne; Scaramouch-Ratchford; Mars-Cranfield; Anatomist-Jones; Pierrot-Stevens; Highland Lad and Lassie (with a new Character Duet)-Mahon and Miss Satchell; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .
Cast
Role: Columbine Actor: Miss Matthews

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: Benefit for Matthews and James. Rec'd Cash #44 9s., plus #116 12s. from tickets. Total #161 1s. Paid Mr Barsanti for music by order of Garrick #1 11s. 6d. Paid Mr Williams 1!2 year's rent K: passage #11 15s. (Treasurer's Book). Mr Mills bury'd at St Marks [Cross). Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A Duke and no Duke

Dance: I: Fingalian Dance-McNeil; II: Black Joke-the Little Swiss, Miss Foulcade; III: Grand Scotch Dance, as17491031; IV: Hornpipe-Mathews; End of Play: Minuet-Mathews, Mad DeLaContri

Performances

Mainpiece Title: Love And A Bottle

Afterpiece Title: The Imprisonment

Performance Comment: ..Release, Adventures, and Marriage of Harlequin. Harlequin-Mons L'Agile; Colombine-Mrs Dunstall; Florio-Marr; Father to Colombine-Julian; Dwarfs-Master Matthews, Master Shawford, Miss Naylor; Doctor Tackem-Hemskirk; Clerk-Vaughan; Mrs Drab-Mrs Jones; Lawyer-Nelson; Keeper-Dunstall; Turnkey-Crofts; Master of Punch House-Naylor; Porter-Charles; Clown-Shawford; with The Triumphs of Love: Hymen-Master Matthews; Followers of Hymen-Davenport; Shawford, Vaughan, Mrs Bullock, Mrs Davenport, Miss Hippisley; Priests-Hemmings, Hemskirk, Naylor; Priestesses-Mrs Jones, Mrs Steel, Mrs Yates.
Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Event Comment: Betterton's Company. This performance was probably the first day of this revival, for Matthew Prior wrote to Abraham Stanyan, 8 Jan. 1699@1700: To-morrow night Betterton acts Falstaff, and to encourage that poor house the Kit Katters have taken one side-box and the Knights of the Toast have taken the other (HMC, Bath MSS. [London, 1908], III, 394). See also 28 Jan. 1699@1700. The play was advertised in the London Gazette, No. 3601, 13-16 May 1700, and the title page states: Reviv'd, with Alterations. Written Originally by Mr Shakespear

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff

Event Comment: Benefit Carnaby and Birkhead. The Stage Coach by Way of Prologue (at the Desire of several Persons of Quality)

Performances

Mainpiece Title: The Stage Coach

Afterpiece Title: Love Makes a Man

Event Comment: Benefit Birkhead. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Royal Merchant; Or, Beggar's Bush

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: Scaramouch-Jubilee Dicky's Youngest Son [Norris, Jr]; Hornpipe-a Gentleman for his Diversion

Event Comment: Benefit Birkhead. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Timon Of Athens

Dance: As17151014; Lads and Lasses-; Dame Ragundy And Her Family-

Song: Turner, Renton, Mrs Willis

Event Comment: Benefit Birkhead. Written by Shakespear

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit Birkhead

Performances

Mainpiece Title: All For Love

Afterpiece Title: Hob

Dance: Thurmond Jr, Lally, Mrs Booth, Mrs Tenoe, Miss Smith

Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Performances

Mainpiece Title: An Oration

Performance Comment: On a Passage from St. Matthew-Lacy.
Cast
Role: Matthew Actor: Lacy.

Performances

Mainpiece Title: The New Oratory

Performance Comment: An Oration on St. Matthew-Lacy.
Cast
Role: Matthew Actor: Lacy.

Performances

Mainpiece Title: Julius Caesar: With The Death Of Brutus And Cassius

Performance Comment: Caesar-Mills; Calphurnia-Mrs Butler; Brutus-Quin; Cassius-Milward; Anthony-Wright; Octavius Caesar-Havard; Caska-Winstone; Trebonius-Ridout; Artemidorous-Shepard; Portia-Mrs Roberts; Citizens-Johnson, Griffin, Macklin, Woodward, Yates, Reed.*a1739 10 10 dl Robin Goodfellow. Robin Goodfellow-Miss Cole; Oberon-Master Ferg; Titania-Miss Wright; Puck-Master Matthews; Cobweb-Master Burgess; Moth-Master Donavan; Mab-Miss Morrison; Mustardseed-Miss Ferg; Peas Blossom-Miss Saunders; Harlequin-Woodward; 1st Colombine-Mrs Walter; 2d Colombine-Mrs Chetwood; Peasants-Davenport, Carney, Rector; Women Peasants-Mrs Vallois, Miss Woodman, Mrs Davenport; Dr Tackem-Taswell; Maid-Mrs Woodward; Old Woman-Ray; Bridemen-Carney, Leigh, Gray; Bridemaids-Mrs Vallois, Mrs Chetwood, Miss Thynne; Father to Colombine-Pelling; Freehold-Yates; Slouch-Penkethman; with a new Grand Ballet-Muilment.*c1739 10 10 dl By particular Desire. Mainpiece: Written by Shakespear.
Cast
Role: Puck Actor: Master Matthews

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Sir Charles-White; Morelove-Matthews; Foppington-Jones; Lady Easy-Mrs Spackman; Lady Graveairs-Mrs Montier; Edging-Mrs Barnard; Lady Betty-Mrs Cuthbert.
Cast
Role: Morelove Actor: Matthews

Afterpiece Title: The Mutineers; or, Love in Excess

Song: Mrs Hill

Music: Solo on violin-Foley

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Matthews.
Cast
Role: Sharp Actor: Matthews.

Song: WWelsh Song, Monmouth's Glory-Mathews