SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Machin"/1) | (@(roleclean,performerclean) "Mr Machin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4224 matches on Event Comments, 1143 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Performances

Mainpiece Title: Albion And Albanius

Performances

Mainpiece Title: The Rehearsal

Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performances

Mainpiece Title: Cleomenes, The Spartan Heroe

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performances

Mainpiece Title: A Very Good Wife

Performances

Mainpiece Title: Oroonoko

Performances

Mainpiece Title: The Younger Brother; Or, The Amorous Jilt

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Performances

Mainpiece Title: Love's A Jest

Performances

Mainpiece Title: The City Lady; Or, Folly Reclaim'd

Performances

Mainpiece Title: Iphigenia

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: I: Le Tambourine-Mlle Chateauneuf; In IV: Muilment; V: Ballet-Denoyer, Mlle Chateauneuf

Song: III: Would You Taste the Noon@Tide Air (Comus)-Miss Edwards

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: Madrigal And Truletta

Performance Comment: Characters-Mr Cibber; & Co., with a Prologue-; Epilogue-; an Ode-; a Dirge-; a Funeralv and Processionv; With Proper Habits, Scenes, Machines, and All Heroic Decorations. Larpent MS 148 lists parts: Madrigal-; Buckramo-; Straspada-; Lyric-; Acrostic-; Fustiano-; Epigram-; Goosino-; Bodkinda-; Presboradalio-; Yardwandelli-; Buttonelli-; Thimbletorio-; Truletta-; Sculliona-; Scourella-; Ghosts of Cabbagino and Truletta-; Poets-; Taylors-; Drums-; Trumpets-.

Afterpiece Title: Sir ThomasCallico; or, The Mock Nabob

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Diversions of the Morning

Entertainment: S+Specialty.II: An Ode in Honour of the Anti@Gallicans written by Mr Boyce-Beard

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Rose

Performances

Mainpiece Title: The School For Arrogance

Afterpiece Title: The Picture of Paris

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd