SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Lewis"/1) | (@(roleclean,performerclean) "Mr Lewis")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4331 matches on Event Comments, 2235 matches on Performance Comments, 1154 matches on Author, 536 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Irish Widow

Music: Incidental: Vocal Parts-Mrs Bland, Miss Leak; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Obi or Three Fingerd Jack

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Afterpiece Title: Obi

Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Event Comment: Benefit Mrs Lewis. Written by the Ingenious Sir George Etheridge. Note, The Moon shines and the Tide serves up to London after Play

Performances

Mainpiece Title: She Woud If She Coud

Dance: Thurmond Jr; particularly a Spanish Entry that he performed in the Opera at the Hay-Market last Winter with great Applause-Thurmond Jr; As also that excellent and much admired Scaramouch, as it was performed by the famous Monsieur duBrill from the Opera at Brussels-Thurmond Jr

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17350308 but Valentine, Harcourt, Horatio, Lewis, Diligence, Alamanzor, Lady Henpeck, Lisetta omitted .

Afterpiece Title: Harlequin Orpheus

Event Comment: Benefit for Foley & Veale (Mrs Yates dy'd) (Cross). Tickets deliver'd out by Lewis and Reygle will be taken, also those deliver'd by Clough for the Provok'd Wife will be admitted. Receipts: #210 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Double Disappointment

Song: II: Wilder

Dance: V: A Comic Dance, as17530514

Event Comment: [The Public Advertiser includes this day a 78-line poem in octasyllabic couplets on J. Lewis's portrait of Mrs Woffington: @Her Shape, her Features, and her Dress@As far as colour can express@Friend Lewis' pencil has design'd:@Poet 'Tis yours to paint her mind...@ And the versifier proceeds to describe her as she affects audiences in the theatre.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Event Comment: Benefit for Raftor, Morris, LeBrun, and Goodwin. No Building on Stage. Tickets deliver'd by Lewis will be taken. Receipts: #140 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Dance: II: Hornpipe-Morris; End: A Minuet-LeBrun, Miss Rousellet

Event Comment: Benefit for a Family Under Misfortunes (Public Advertiser). Benefit for Mrs Lewis. Receipts: #54 3s. 6d. Income from Tickets #82 17s. (boxes 195; pit 146; gallery 122). Charges #84. Paid Hardgreaves (Smith) for grates, &c. for the dancing room, #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman Returned from Paris

Dance: FFingalian Dance, as17571013

Event Comment: Benefit for Mrs Ward. [The Public Advertiser assigns Montague twice--to Redman and to Lewis. Redman probably correct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Citizen

Dance: TThe Calabrian Peasants, as17631222

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Minucius-Anderson; Sicinius-Bennet; Brutus-Davis; Plebeians-Barrington; Dunstall, Cushing, Costollo, Lewis; Tullus-Clarke; Volusius-Walker; Galesus-Hull; Titus-White; Volumnia-Miss Macklin; Veturia-Mrs Bellamy. In which will be introduc'd a Roman Ovation after the manner of the ancients.

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: As17661016, but Diego-Cushing (playbill); Public Advertiser assigns Diego-$Lewis.

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: Acted but once these 20 years. Rec'd of Condell on Acct of Fruit Rent #20; Paid Richards (painter) as per bill #115 15s.; Paid Partridge & Franks (hosiers) #60 5s.; Paid Lowe & Lewis (woolen drapers) #35 15s. (Account Book). Receipts: #207 10s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: By Particular Desire. Paid Partridge (hosier) #36 15s.; Lowe & Lewis (woollen drapers) #22 1s. (Account Book). Receipts: #167 16s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Sylphs

Event Comment: [The Gentleman who played Hamlet identified by Winston MS 11 (from O. Smith) as Lewis Hallam, from America, brother to Mrs Mattocks.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Druids

Performances

Mainpiece Title: Zenobia

Performance Comment: Rhadamistus-Wroughton; Pharasmanes-Aickin; Teribazus Lewis; Megistus-Hull; Zopiron-Whitefield; Tigranes-L'Estrange; Zelmira-Mrs Jackson; Zenobia-Mrs Barry.

Afterpiece Title: The Seraglio

Event Comment: [As mainpiece the playbill announces Percy, but "Lewis being suddenly taken extremely ill...Percy cannot be performed this Evening; instead of which Mrs Farrell will appear in the character of Macheath in The Beggar's Opera. The other characters as usual" (printed slip attached to BM playbill).]Receipts: #143 5s. (141.13; 1.12)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Event Comment: King Lear [announced on playbill of 31 Jan.] is obliged to be deferred on account of the Indisposition of Mrs Hartley and Lewis. The Rehearsal having been found too tedious in Representation, and Part of the Dialogue between Bayes and the two Gentlemen wholly obsolete, it has been thought advisable to...reduce the Piece to Three Acts [from the original five]. Receipts: #219 10s. [216.4.6; 3.5.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Rehearsal

Dance: As17780129

Event Comment: Mainpiece: Not acted these 4 years. [The playbill assigns Posthumus to Reddish, but "On Saturday afternoon, at four o'Clock, Notice was sent of the extreme illness of Reddish; and Lewis (on Application) finding it impossible to attempt the Character of Posthumus at that very short Notice [not having performed it for some Seasons) it was obligingly undertaken by Brereton of Drury-Lane Theatre" (Public Advertiser, 26 Oct.). Mrs Crawford, as Mrs Barry, had 1st acted Imogen at dl, 1 Dec. 1770.

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Cymbeline

Afterpiece Title: The Dutiful Deception

Dance: End III: As17780921

Song: II: Masquerade Scene, with Singing-Mrs Morton