SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Le Riche"/1) | (@(roleclean,performerclean) "Mr Le Riche")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tu Quoque Or The City Gallant

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: The Roman Virgin Or The Unjust Judge

Performances

Mainpiece Title: Henry The Third Of France Stabbd By A Fryer With The Fall Of The Duke Of Guise

Performances

Mainpiece Title: The Mans The Master

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: Love In The Dark Or The Man Of Busness

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Every Man Out His Humour

Performances

Mainpiece Title: Alcibiades

Performances

Mainpiece Title: Gloriana Or The Court Of Augustus Caesar

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performances

Mainpiece Title: The Virtuoso

Performances

Mainpiece Title: The Town fopp Or Sir Timothy Tawdry

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle Or The Witty False One

Performances

Mainpiece Title: Titus And Berenice

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: The Siege Of Babylon

Performances

Mainpiece Title: Sir Patient Fancy

Performances

Mainpiece Title: Mithridates King Of Pontus

Performances

Mainpiece Title: The Rambling Justice Or The Jealous Husbands With The Humours Of Sir John Twiford

Performances

Mainpiece Title: The Man Of Newmarket

Performances

Mainpiece Title: A True Widow

Performances

Mainpiece Title: Friendship In Fashion

Performances

Mainpiece Title: The Tragedy Of Sertorius