SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Laguerre"/1) | (@(roleclean,performerclean) "Mr John Laguerre")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9843 matches on Author, 5149 matches on Event Comments, 2918 matches on Performance Comments, 1043 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Sylvia-Mrs Younger; Balance-Quin; Plume-Ryan; Worthy-Walker; Brazen-Chapman; Kite-Hall; Bullock-Bullock; Melinda-Mrs Buchanan; Rose-Mrs Laguerre; Lucy-Mrs Egleton; Welsh Collier-Hippisley.
Cast
Role: Rose Actor: Mrs Laguerre

Afterpiece Title: Flora

Performance Comment: Hob-Laguerre; Sir Thomas-Hippisley; Old Hob-Hall; Roger-Clarke; Dick-H. Bullock; Flora-Mrs Cantrell; Betty-Mrs Kilby; Hob's Mother-Mrs Egleton.
Cast
Role: Hob Actor: Laguerre
Related Works
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Related Work: Hob's Opera Author(s): John Hippisley

Dance: TTwo Pierrots-Poitier, Nivelon; Fingalian-Newhouse, Mrs Ogden

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: As at lif, 22 Nov. 1732, but Sylvia-Mrs Laguerre.
Cast
Role: Sylvia Actor: Mrs Laguerre.

Dance: TTwo Pierrots-Nivelon, Poitier; Saraband-LeSac, Miss LaTour; Fingalian-Newhouse, Mrs Ogden; Sicilian-Glover, Mrs Pelling

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Double Dealer-Quin; Touchwood-Milward; Mellefont-Walker; Brisk-Chapman; Careless-Ryan; Froth-Neale; Saygrace-Houghton; Lady Touchwood-Mrs Hallam; Lady Froth-Mrs Bullock; Lady Plyant-Mrs Egleton; Cynthia-Mrs Laguerre; Sir Paul-Hippisley.
Cast
Role: Cynthia Actor: Mrs Laguerre

Dance: TTwo Pierrots-Poitier, Nivelon; Fingalian-Newhouse, Mrs Ogden; Saraband-LeSac, Miss LaTour; Sicilian-Glover, Mrs Pelling

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Old Batchelor-Quin; Fondlewife-Hippisley; Bellmour-Walker; Vainlove-Ryan; Sharper-Salway; Bluff-Hall; Setter-Chapman; Laetitia-Mrs Bullock; Araminta-Mrs Cantrel; Sylvia-Mrs Laguerre; Lucy-Mrs Stevens; Belinda-Mrs Younger; Sir Joseph-Neale .
Cast
Role: Sylvia Actor: Mrs Laguerre

Dance: As17330925

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): John Thurmond

Afterpiece Title: Cephalus and Procris

Performance Comment: As17331113, but Sea-God-Mountier. The Double Dealer. Double Dealer-Quin; Touchwood-Aston; Mellefont-Walker; Brisk-Chapman; Careless-Ryan; Froth-Neale; Saygrace-Houghton; Lady Touchwood-Mrs Hallam; Lady Froth-Mrs Bullock; Lady Plyant-Mrs Cantrel; Cynthia-Mrs Laguerre; Sir Paul-Hippisley .
Cast
Role: Cynthia Actor: Mrs Laguerre

Dance: Scotish Dance, as17330922 The Nassau, as17331112

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Flora

Performance Comment: See17360917, but Hob-Laguerre.
Cast
Role: Hob Actor: Laguerre.
Related Works
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Related Work: Hob's Opera Author(s): John Hippisley

Dance: FFrench Peasant, as17361109; Hornpipe-Ferguson

Performances

Mainpiece Title: Henry The Fourth, Part I

Performance Comment: Hotspur-Delane; King-Johnson; Prince-Ryan; Worcester-Rosco; Glendower-Chapman; Westmoreland-Aston; Douglas-Hale; Mortimer-Stevens; Vernon-Hallam; Blunt-Salway; Poins-A. Ryan; Gadshill-Bencraft; Bardolph-W. Hallam; Francis-Hippisley; Carriers-Mullart, James; Kate-Mrs Ware; Hostess-Mrs Martin; Falstaff-Bridgwater.
Cast
Role: King Actor: Johnson
Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne
Related Work: The Misery of Civil War Author(s): John Crowne

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Pierrot-Lalauze; Endymion-Salway; Chasseurs-Vincent, Roberts; Nymphs of the Chace-Miss Brunette, Miss Rogers; Diana-Miss Hillyard; Merlin-Leveridge; Aerial Spirits: Cupid-Glover; Graces-Miss Moreau, Miss Norman, Mrs LeBrun; Hour-Miss Cantrell; Zephyrs-Tench, Desse, Richardson, Baudouin; Psyche-Mlle Roland; Jupiter-Lun; Pluto (Punch)-Baudouin; Neptune (Pantalon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Desse; Apollo (Mezzetin)-Glover; Mars (Leander)-Tench; Mercury-Laguerre; Country Lads-Dupre, Bencraft, Baudouin; Country Lasses-Miss Norman, Miss Dancey, Mrs LeBrun; Doctor-Nivelon; Doctor's Wife-Mrs Kilby.
Cast
Role: Mercury Actor: Laguerre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Dragon of Wantley

Performance Comment: More-Salway; Gubbins-Laguerre; Margarina-Mrs Lampe; Mauxalinda-Miss Younge.
Cast
Role: Gubbins Actor: Laguerre

Dance: Villeneuve, Desse, Miss Oates

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Performance Comment: Hob-Laguerre; Sir Thomas-Hippisley; Friendly-Beard; Old Hob-Dunstall; Dick-Anderson; Flora-Mrs Vincent; Betty-Miss Hippisley; Hob's Mother-Mrs Martin.
Cast
Role: Hob Actor: Laguerre
Related Works
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Related Work: Hob's Opera Author(s): John Hippisley

Dance: CComic Dance, as17450423 Scotch Dance, as17441012

Song: Scotch Ballad beginning And we are Gayly yet-Beard

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bruodin; Duke-Platt; Anthonio-Reynolds; Ferdinand-Walker; Gonzalo-Hall; Ventoso-Smith; Stephano-Massey; Mustachio-Green; Caliban-Machen; Sycorax-Mrs Miller; Trincalo-Morgan; Miranda-Mrs Sandum; Ariel-Miss Platt; Hippolita-Mrs Morgan; Dorinda-Mrs Laguerre (Hogan), but Mrs Phillips from the Theatre Royal in Covent Garden (Daily Advertiser).
Cast
Role: Dorinda Actor: Mrs Laguerre
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: The Harlot's Progress

Event Comment: Benefit Leveridge. At the Desire of several Persons of Quality. Written by the late Sir John Vanbrugh. Receipts: money #68 17s. 6d.; tickets #126 12s

Performances

Mainpiece Title: The City Wives Confederacy

Performance Comment: Clarissa-Mrs Bullock; Gripe-Penkethman; Moneytrap-Hippisley; Dick-Walker; Brass-Chapman; Araminta-Mrs Vincent; Corinna-Mrs Laguerre; Mrs Amlet-Mrs Egleton; Flippanta-Mrs Younger.
Cast
Role: Corinna Actor: Mrs Laguerre

Dance: I: Fingalian-Newhouse, Mrs Ogden; III: The Sicilians-Glover, Mrs Pelling; V: Hornpipe-Jones

Song: II: No Kissing At All-Leveridge, Salway; III: Bacchanalian Song-Leveridge; V: Pastoral Dialogue-Leveridge, Mrs Wright

Event Comment: For the Entertainment of the Free Masons Ladies. Receipts: #123 19s. 6d Rich's Register: Benefit John Rich

Performances

Mainpiece Title: Duke And No Duke

Related Works
Related Work: A Duke and No Duke Author(s): John Thurmond

Afterpiece Title: Perseus and Andromeda

Performance Comment: As17311118, but Colombine-Mrs Laguerre.
Related Works
Related Work: Perseus and Andromeda: With the Rape of Colombine; or, The Flying Lovers Author(s): John Weaver
Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the Sir John Vanbrugh. Afterpiece: Being the Sequel to the Dragon of Wantley. [It is difficult to determine whether this is the concluding performance of 1738-39 or the opening one of 1739-40.

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: Margery

Performance Comment: More-Salway; Margery-Mrs Lampe; Gubbins-Laguerre; Mauxalinda-Miss Young.
Cast
Role: Gubbins Actor: Laguerre
Event Comment: Benefit Laguerre. Tickets deliver'd by Miss Ferguson, Mrs Bland, and others will be taken

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Dragon of Wantley

Performance Comment: See17420428 but Gubbins-Laguerre.

Dance: CComic Dance, as17420505; Pantaloon and Enamorata, as17420510

Event Comment: At the Great Theatrical Booth, Bowling Green. By Permission. Benefit Laguerre and Boaman. By a Company from the Theatres-Royal, for their Diversion, a Concert...gratis, etc. Boxes 3s. 6d. First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m. Daily Advertiser lists Miss Hippisley for Miss Prue in mainpiece and for Kitty in afterpiece, and Mrs Yates for Melissa. In the London Daily Post and General Advertiser bill Mrs Dunstall doubles two roles

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson-Marten; Valentine-Gibson; Scandal-Ridout; Tattle-Woodward; Ben-Yates, with hornpipe; Foresight-Arthur; Jereny-Vaughan; Trapland-Laguerre; Buckram-Bencraft; Angelica-Mrs Mullart; Mrs Foresight-Mrs Dunstall; Mrs Frail-Mrs Yates; Miss Prue-Miss Bradshaw.
Cast
Role: Trapland Actor: Laguerre

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Telemachus

Performance Comment: Leveridge, Laguerre, Salway, Mrs Wright, Mrs Seedo; Telemachus-Rochetti.
Related Works
Related Work: Calypso and Telemachus Author(s): John HughesJohn Galliard

Dance: TTwo Pierrots-Poitier, Pelling; Hornpipe-Jones, Mrs Ogden

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Afterpiece Title: Flora's Hol1day; or, The Shepherds Welcome to the Spring

Performance Comment: Parts by Leveridge, Laguerre, Roberts, Stoppelaer, Mrs Wright, Miss Hillyard; with The Faithful Shepherd (a ballet) by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle De Lormc, Miss Norman, Mrs Kilby .

Music: Select Pieces on several Instruments

Dance: I: Clown by Nivelon. II: Tambourine by Miss Rogers. III: French Peasants by Lalauze, Mlle D'Hervigni, &c. IV: Harlequine by Mlle De L'Isle

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John FletcherJohn Vanbrugh

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Performance Comment: Parts by: King, Bensley, Palmer, Parsons, Brereton, Baddeley, Davies, Yates, Mrs Hopkins, Miss Sherry, Mrs Davies, Miss Platt, Mrs Millidge, and Mrs Siddons. With a New Occasional Prologue-Palmer; Morose-Bensley; Truewit-Palmer; Sir Amorous-King; Capt. Otter-Yates; Sir John Daw-Parsons; Cutbeard-Baddeley; Dauphine-Brereton; Clerimont-Davies; Mrs Otter-Mrs Hopkins; Lady Haughty-Miss Sherry; Centaur-Mrs Davies; Mavis-Miss Platt; Trusty-Mrs Millidge; Epicoene-Mrs Siddons (Genest, V, 484).
Cast
Role: Sir John Daw Actor: Parsons

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): John A. Fisher

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Mr John Dryden Actor: Mr Betterton
Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Election

Performance Comment: Parts by Vernon, Bannister, Davies, Mrs Love, Mrs Wrighten. John-Bannister; Richard-Vernon; Trusty-Davies; John's Wife-Mrs Love; Sally , his daughter-Mrs Wrighten (Genest, V, 441).
Cast
Role: John Actor: Bannister
Role: John's Wife Actor: Mrs Love

Afterpiece Title: The Genii

Dance: Giorgi's Scholars

Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross

Afterpiece Title: The Merry Wives of Windsor

Performance Comment: Sir John Falstaff-Palmer; Fenton-Trueman; Shallow-Waldron; Slender (1st time)-Russell; Mr Page-Packer; Mr Ford-Wroughton; Sir Hugh Evans (1st time)-Dodd; Dr Caius-Wewitzer; Host of the Garter-Moody; Bardolph-Hollingsworth; Pistol-R. Palmer; Nym-Webb; Robin-Master Kean; Simple-Burton; Mrs Page-Miss Pope; Mrs Ford (1st time)-Mrs Goodall; Mrs Ann Page (1st time)-Miss Heard; Mrs Quickly-Mrs Hopkins.
Cast
Role: Sir John Falstaff Actor: Palmer
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Gentle Shepherd

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Courtship A La Mode

Performance Comment: Edition of 1700: Prologue by Mr Farquhar-Mr Powell; Epilogue-Will. Pinkethman; Sir John Winmore-Powel; Capt. Bellair-Wilks; Sir Anthony Addle-Norris; Dick Addle-Pinkethman; Freelove-Mills; Alderman Chollerick-Johnson; Ned Chollerick-Toms; Willie-Bullock; Scowrer-Fairbank; Flora-Mrs Rogers; Melintha-Mrs Moor; Decoy-Mrs Powel; Timandra-Mrs Temple; Lucy-Mrs Kent; Betty-Mrs Baker.
Cast
Role: Sir John Winmore Actor: Powel
Role: Alderman Chollerick Actor: Johnson