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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Crown"/1) | (@(roleclean,performerclean) "Mr John Crown")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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15951 results for: Keyword - Mr John Crown
We found 9843 matches on Author, 5210 matches on Event Comments, 2753 matches on Performance Comments, 847 matches on Performance Title, and 0 matches on Roles/Actors.

15826
12 October 1767 @ Covent Garden

Event Comment: Paid John Sutherland for playing the Bagg Pipes 4 nights in Dr Faustus #1 (Account Book). Receipts: #190 3s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Dr Faustus

15827
06 November 1767 @ Covent Garden

Event Comment: Paid John Sutherland for playing Bagg Pipes 3 nights in Midas and 1 in Dr Faustus #1 (Account Book). Went into the Pit to see Woodward in the character of Brazen. He is a most inimitable fellow....This play is entertaining, but rather loose. End Act II, a pantomime Dance by Fishar and Manesiere. The entertainment was Harlequin Dr Faustus (Neville MS Diary). Receipts: #145 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance-Fishar, Sga Manesiere

15828
02 May 1768 @ Covent Garden

Event Comment: Benefit for Younger. Tickets deliver'd by Bryan and Branson will be taken. Tickets sold at doors will not be admitted. Charges #65 15s. Balance to Younger #58 10s. plus income from tickets. Younger 70 129 159 #52 15s. Bryan 4 49 61 #14 9s. Branson 26 102 134 #35 4s.@Total ticket value #102 8s. (Account Book).@ Rec'd #20 a year improv'd rent of the houses in Bow St. and part of the effects of the late John Rich...#250. Receipts: #124 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Dance: I: The Highland Reel, as17680307

15829
29 June 1768 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule, with the Early Horn-Mahoon; Jobson-Vandermere; Lady Loverule-Mrs Pitt; Nell-Mrs Saunders.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: As17680530

15830
03 December 1768 @ Covent Garden

Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Related Works
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks
Related Work: Cyrus Author(s): John Hoole

Afterpiece Title: Country Wife

Related Works
Related Work: The Country Wife Author(s): John Lee

15831
07 October 1769 @ Covent Garden

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

15832
29 December 1769 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years. [See 27 Nov. 1765. Hogan noted the following additions from the 1770 edn.: Mortimer-Lewes; Glendower-Morris; Prince John-Miss Cockayne; Northumberland-Redman; Gadshill-P. Smith; Peto-Wild.] Receipts: #149 17s. 6d

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Falstaff

Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne
Related Work: The Misery of Civil War Author(s): John Crowne
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Afterpiece Title: The Rape of Proserpine

Dance: II: The Merry Sailors, as17691018

15833
23 October 1771 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid John Doe for sticking black Bills #4 19s. (Account Book). Receipts: #101 16s. (Account Book)

Performances

Mainpiece Title: Measure For Measure

Related Works
Related Work: Measure for Measure Author(s): John Philip Kemble

Afterpiece Title: Midas

Dance: IV: The Jealous Woodcutters, as17711004

15834
02 January 1772 @ Covent Garden

Event Comment: Paid John Doe, Claridge, and Smith each 15s. for performing six nights in the Ass and Hog to 1 Jan. [i.e., in Mother Shipton]. Receipts: #176 4s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Mother Shipton

15835
21 March 1772 @ Covent Garden

Event Comment: Benefit for Mrs Yates. Mainpiece: Altered from Corneille [by Colley Cibber?]. Never Performed There. Pit and Boxes laid together (playbill). Charges #66 7s. 6d. Profit to Mrs Yates #39 7s. 6d., plus #179 from tickets (Box and Pit 716). Paid Younger a Bill for writing parts #5 19s. 9d. Paid John Smith for a Blue cloth suit lac'd with gold #9 9s. (Account Book). Receipts: #105 15s. (Account Book)

Performances

Mainpiece Title: Ximena; Or, The Heroic Daughter

Afterpiece Title: Man and Wife

Dance: End: The Whim, as17720312 End II Farce: A Comic Dance, as17711031

15836
26 March 1772 @ Covent Garden

Event Comment: Doe, Claridge and John Smith receiv'd 10s. apiece for performing 4 times in the Ass and Hog [Mother Shipton] to the 17th inst. (Account Book). Receipts: #231 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Lilt-Aldridge, Sga Manesiere. [See17701116.

15837
22 January 1773 @ Covent Garden

Event Comment: Every Man in His Humour oblig'd to be Deferr'd. Paid Joseph Stephenson as per Certificate from Sir John Fielding, 10s. (Account Book). Receipts. #156

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Sorcerer

15838
19 April 1773 @ Covent Garden

Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028

15839
15 October 1773 @ Covent Garden

Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

15840
02 March 1774 @ Drury Lane Theatre

Event Comment: Oratorio by Benjamin Stillingfleet, words adapted from Milton, set to Music by John Christopher Smith (Biographia Dramatica)

Performances

Mainpiece Title: Paradise Lost

Music: As17740218

15841
29 October 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Medea

Performance Comment: Jason-Smith; Creon-Bensley; Aeson-Palmer; 1st Colchian-Packer; Lycander-Farren; Children-Miss Stageldoir, Master Pulley; Hecate-Bransby; Theano-Mrs Hopkins; Medea-Mrs Yates; Edition of 1792 (John Bell) adds: 1st Corinthian-Griffiths.
Related Works
Related Work: Medea Author(s): Charles Johnson

Afterpiece Title: A ChristmasTale

Cast
Role: in various characters Actor: Hurst, Burton, Wright, Carpenter, Miss Platt, Mrs Scott, Miss Jarratt, Mrs Johnston, Mrs Bradshaw

Song: Azure God-Mrs Wrighten

15842
14 November 1776 @ Covent Garden

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Afterpiece Title: The Seraglio

Music: V: the Original Music for the Sacrifice by Purcell-

15843
25 November 1776 @ Covent Garden

Event Comment: Benefit for Dibdin. In Act IV of mainpiece the Procession from the Abbey at the Coronation of Anne Bullenv. Paid John Doe for sticking Black Bills #6 3s. Receipts: none listed (charge: #84)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Seraglio

Dance: I: the Banquet, with Dancing-Dumay, Miss Matthews

15844
16 December 1776 @ Covent Garden

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Country Wife

Related Works
Related Work: The Country Wife Author(s): John Lee

15845
27 December 1776 @ Covent Garden

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

15846
28 December 1776 @ Drury Lane Theatre

Event Comment: Mainpiece: Altered [by Charlotte Lennox] from [Eastward Hoe, by] Ben Johnson, and others [George Chapman and John Marston]. Receipts: #128 7s. 6d. (100.11.0; 23.8.0; 4.8.6)

Performances

Mainpiece Title: Old City Manners

Performance Comment: Quicksilver-Dodd; Golding-Brereton; Sir Petronal Flash (1st time)-Farren; Security-Parsons; Captain Seagull (with a song)-Bannister; Fig-Norris; Bramble-Hurst; Scapethrift-Fawcett; Spendall-Follett; Wolf-Wrighten; Waterman-Wright; Holdfast-Griffiths; Constable-Carpenter; Drawer-R. Palmer; Coachman-Chaplin; Touchstone-Baddeley; Mildred-Miss Hopkins; Winifred-Miss Boyd; Mrs Touchstone-Mrs Johnston; Syndefy-Miss Platt; Gertrude (with songs)-Mrs Wrighten.
Cast
Role: Mrs Touchstone Actor: Mrs Johnston

Afterpiece Title: Selima and Azor

15847
24 February 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Altered from [The Relapse, by] Sir John Vanbrugh [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick (see edition of 1781)]. The Characters new dressed. Receipts: #229 7s. 6d. (217.13.0; 10.8.0; 1.6.6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Waterman

Dance: End III: The Triumph of Love, as17761107:

15848
12 March 1777 @ Drury Lane Theatre

Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Performances

Mainpiece Title: L'allegro Il Penseroso; Judas Maccabaeus

Afterpiece Title: The Song of Moses; Judas Maccabaeus

Music: As17770214

15849
29 September 1777 @ Covent Garden

Event Comment: [Nicoll, III, 280, 390, states that this was an alteration of Shakespear's play by John Lee.] Receipts: #174 5s. (173.10.6; 0.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Apprentice

Dance: I: Masquerade Scene incident to the Play-; I: Minuet-Dumay, Mrs Jackson

Song: End IV: the Funeral Procession of Juliet, with the Solemn Dirge. Vocal Parts-Mattocks, Reinhold, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Miss Green

15850
07 October 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson (1st time [at this theatre]); Richmond-Palmer; Buckingham (1st time)-Farren; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss Field; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-R. Palmer; King Henry-Aickin; Lady Anne-Mrs Robinson (1st appearance in that character); Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: Dutchess of York Actor: Mrs Johnston

Afterpiece Title: The Quaker

Performance Comment: Principal Characters by Vernon, Parsons, Wrighten, Bannister, Miss Walpole, Mrs Love, Mrs Wrighten. Cast from text (John Bell, 1777): Lubin-Vernon; Solomon-Parsons; Easy-Wrighten; Steady-Bannister; Gillian-Miss Walpole; Cicely-Mrs Love; Floretta-Mrs Wrighten.
Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe