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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Bannister"/1) | (@(roleclean,performerclean) "Mr John Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9843 matches on Author, 5302 matches on Event Comments, 4517 matches on Performance Comments, 988 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Performance Comment: Walmsley-Bannister Jun; Captain Wattle and Miss Roe-Bannister Jun; The Country Club-Bannister Jun; The Advantage of Toping-Bannister Jun.; Captain Higgins-Dignum; The Sailor's Journal-Dignum; Lovely Nan-Dignum; Buntline-Suett; Toll de Roll-Suett; Cudgo-Wathen; Kickaraboo-Wathen; Binns-Trueman; Hewit-Holland; Hannah Hewit-Miss DeCamp; The Complaint-Miss DeCamp; Virtue-Miss DeCamp; Anna-Miss Leak; True Glory-Miss Leak; Mrs Binns-Miss Heard.

Afterpiece Title: The Inconstant

Performance Comment: Old Mirable-Aickin; Young Mirable-Wroughton; Captain Duretete (1st time)-Bannister Jun.; Petit-R. Palmer; Oriana-Mrs Goodall; Lamorce-Miss Tidswell; Bisarre (1st time)-Mrs Jordan.
Related Works
Related Work: The Inconstant: or, The Way to Win Him Author(s): John Fletcher

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Suett; Vinegar-Aickin; Bouquet-Dignum; Bowkit-Bannister Jun.; Arionelli-Miss DeCamp; Idle-R. Palmer; Orator Mum-Wewitzer; Cecilia-Miss Leak.
Cast
Role: Bowkit Actor: Bannister Jun.
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Bannister. Morning Chronicle, 9 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Bannister (last appearance in that character); Peachum-Davenport; Lockit-R. Palmer; Mat o'th'Mint-Trueman; Wat Dreary-Clarke; Harry Paddington-Lyons; Ben Budge-Abbot; Jailor-Ledger; Drawer-Chippendale; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Jenny Diver-Mrs Edward; Mrs Coaxer-Mrs Jones; Mrs Vixen-Mrs Benson; Mrs Slammekin-Mrs Cuyler; Molly Brazen-Mrs Haskey; Betty Doxey-Mrs Mills; Polly-Miss Griffiths.
Cast
Role: Macheath Actor: Bannister
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: Fortune's Frolick

Dance: In III: Hornpipe in character-a Young Gentleman (1st appearance on any stage [unidentified])

Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Cast
Role: Sir John Actor: Bowen
Related Works
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver
Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: King Arthur Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): John Philip Kemble
Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe and Charles Bonnor; later (see 29 Jan. 1784) altered as Harlequin Rambler. MS: Larpent 642; not published; synopsis of action in Public Advertiser, 24 Dec]: The Overture and all the Music new, with entire new Scenery, Machinery, Dresses, Decorations and New Performers. The Pantomime invented by O'Keeffe, the Music composed by Shield, the Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. Nothing under Full Price will be taken. Books of the Songs (T. Cadell, 1783) [which list no cast] to be had at the Theatre. Receipts: #288 1s. (277/18; 10/3)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c

Performance Comment: Cast not listed. [Partial cast from Morning Chronicle and from Morning Herald, both 24 Dec: Friar Bacon-Reinhold; Friar Bungay-Bannister; Harlequin-Chalmers; Boy in Brobdignag-Edwin; Girl in Brobdignag-Miss Stewart; Colombine-Mrs Chalmers. Other parts from Larpent MS and from Morning Chronicle, 24 Dec.: Head, Councillors in Lilliput, Cryer, Lord Mayor, Alderman, Clerk, Lawyer, Judge, Sailor, Country Squire, Watchman, Clown, Father; Old Woman.] hathi. Old Woman.] hathi.
Cast
Role: Friar Bungay Actor: Bannister
Related Works
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): John O'Keeffe
Related Work: Neptune's Address to His Most Sacred Majesty Charles the Seond: King of England, Scotland, rance and Ireland &c. Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661 Author(s): John Tatham
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: [In mainpiece the playbill assigns Lord Lumbcrcourt to Wilson, but "Lee Lewes was the substitute for Wilson, and far indeed better than the man he appeared for" (Public Advertiser, 31 Jan.).] Afterpiece [1st time; P 2, by John O'KeerFe]: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. The 1st Part of this Pantomime is an Alteration of the Last New One [Friar Bacon (see 23 Dec. 1783)], and the 2nd Part entirely new and never before exhibited. Nothing under Full Price will be taken. "If Macklin once loses the Catch Word he is gone irretrievably." At the end of the 3rd act, at half price, some apprentices coming into the pit talked so loudly that "Macklin stopped; he lost himself. ... He came to the Side of the Stage, and stooping down to the Talkers, said, 'Gentlemen, I must beg you to be silent; my Hearing and Recollection are not so perfect as they were; I cannot proceed for your Talking'" (Public Advertiser, 5 Feb.). Receipts: #286 14s. (282/15; 3/19)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Rambler; or, The Convent in an Uproar

Performance Comment: Harlequin-Chalmers; Sea Captain-Bannister; Friar Bacon-Davies; Father-Fearon; Friar Bungy-Darley; Clown-Stevens; Sportsmen-Mahon, Booth; Hunchback Barber-Edwin; Abbess-Mrs Templeton; Mother-Mrs White; Waiting Woman-Mlle Semini; Columbine-Mlle Bithmere. Musical and Other Characters by Johnstone, Thompson, Doyle, Rayner, Jones, Helme, Bates, Ledger, Painter; Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Martyr. The Lilliputians, Blefuscudians and Brobdignagians by New Performers . Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Martyr. The Lilliputians, Blefuscudians and Brobdignagians by New Performers .
Related Works
Related Work: Harlequin Rambler; or, The Convent in an Uproar Author(s): John O'Keeffe
Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Arthur and Emmeline

Performance Comment: Arthur-Kemble; Oswald-Brereton; Merlin-Aickin; Conon-Packer; Osmond-Phillimore; Aurelius-R. Palmer; Grimbald-Bannister; Matilda-Miss Barnes; Emmeline-Miss Farren; Philidel-Miss Field; Venus-Miss Phillips. The rest of the Vocal Parts by Williames, Fawcett, Wilson, Chaplin, Alfred, Newbold; Miss Stageldoir, Miss Burnett, Miss Cranford, Mrs Love, Mrs Burnett, Mrs Booth, Miss George . Miss Stageldoir, Miss Burnett, Miss Cranford, Mrs Love, Mrs Burnett, Mrs Booth, Miss George .
Cast
Role: Grimbald Actor: Bannister
Related Works
Related Work: Arthur and Emmeline Author(s): John Philip Kemble
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Performance Comment: Principal Characters by Smith, Bensley, Barrymore, Fawcett, Chaplin, Spencer, Kemble; Miss Kemble, Miss Tidswell, Mrs Siddons. [Cast from text (T. Cadell, 1786): Erragon-Smith; Hidallan-Bensley; Connal-Barrymore; Everallin-Kemble; Minla-Miss Kemble; Virgin-Miss Tidswell; Malvina-Mrs Siddons. Fawcett, Chaplin, Spencer are unassigned.] Prologue spoken by Bannister Jun. Epilogue spoken by Mrs Siddons . Prologue spoken by Bannister Jun. Epilogue spoken by Mrs Siddons .
Related Works
Related Work: The Captive Author(s): John Dryden
Related Work: The Captives Author(s): John Gay
Related Work: The Imperial Captives Author(s): John Mottley

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

Event Comment: 2nd piece [1st time; F 1, by John Rose; in Town and Country Magazine, Aug. 1788, p. 374, said to be translated from a French farce]. "Edwin was too ill to sing, but went through the part [in Peeping Tom; see 16 Aug.]" (Public Advertiser, 4 Aug.)

Performances

Mainpiece Title: Ways And Means

Cast
Role: Sir David Dunder Actor: Bannister Jun.
Role: Roundfee Actor: Bannister
Role: unassigned Actor: Johnson

Afterpiece Title: A Quarter of an Hour before Dinner; or, Quality Binding

Performance Comment: Principal Characters by Aickin, R. Palmer, Kemble, Davies, Phillimore, Abbot, Williamson, Mrs Brooks. Cast from text (W. Lowndes, 1788): Mr Plainwell-Aickin; Lord Simper-R. Palmer; Sir William Wealthy-Kemble; Col. Modish-Davies; John-Phillimore; William-Abbot; Mr Level-Williamson; Mrs Level-Mrs Brooks.
Cast
Role: John Actor: Phillimore
Related Works
Related Work: A Quarter of an Hour before Dinner; or, Quality Binding Author(s): John Rose

Afterpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): John O'Keeffe
Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Barry; Lockit-Thompson; Mat-Bannister; Ben Budge-Palmer; Peachum-Shuter; Filch-Weston; Jemmy Twitcher-Smith; Crook@finger'd Jack-Lyngs; Wat Dreary-Newton; Robin o Bagshot-Gardner; Nymming Ned-Pynn; Harry Paddington-Loveman; Player-Strange; Beggar-Castle; Lucy-Mrs Mahon (being her first appearance on that Stage); Mrs Peachum-Mrs Johnson; Mrs Slammekin-Mrs Gardner; Molly Brazen-Mrs Burden; Dolly Trull-Mrs Kirby; Betty Doxy-Mrs Palmer; Polly-Mrs Dancer.
Cast
Role: Mat Actor: Bannister
Role: Mrs Peachum Actor: Mrs Johnson
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: A Duke and no Duke

Cast
Role: Conjurer Actor: Bannister
Related Works
Related Work: A Duke and No Duke Author(s): John Thurmond

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: Benefit for Bannister. Afterpiece: In Two Acts by Foote

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17700108, but Macheath-Bannister, first time; Polly-Mrs Scott.
Cast
Role: Macheath Actor: Bannister, first time
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Minor

Performance Comment: Shift, Smirk, Mrs Cole, with Imitations, Epilogue-Bannister; Richard Wealthy-Burton; Loader-Palmer; Sir William-Castle; Dick-J. Burton; Transfer-Weston; the Minor-J. Aickin; Lucy-Mrs Jeffries.
Cast
Role: Epilogue Actor: Bannister
Event Comment: Benefit for Bannister

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17710311 but Macheath-Bannister.
Cast
Role: Macheath Actor: Bannister.
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Author

Performance Comment: As17710314 but Cadwallader-Bannister; first time in that character on this Stage. Original Prologue=-_.
Cast
Role: Cadwallader Actor: Bannister

Dance: II: A Comic Dance-, as17701025, but the children here named as Miss Ross, Miss Armstrong

Entertainment: End Opera: A Variety of Imitations-Bannister

Event Comment: Benefit for Bannister

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Bannister; Peachum-Aickin; Lockit-Wilson; Mat-Fearon; Ben Budge-Carpenter; Beggar-Lloyd; Filch-Burton; first time; Diana Trapes-Weston, first time in that part; Lucy-Mrs Thompson; Mrs Peachum-Mrs Love; Mrs Slammekin-Mrs Johnston; Jenny-Miss Ambrose; Mrs Coaxer-Miss Platt; Polly-Mrs Jewell; A double hornpipe-; To conclude with a Country Dance-the Characters.
Cast
Role: Macheath Actor: Bannister
Role: Mrs Slammekin Actor: Mrs Johnston
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: A Trip to Portsmouth

Monologue: An Interlude,Piety in Pattens. As 1 June, but Mrs Candy-Mrs Love

Entertainment: After the Interlude: Abel Drugger's Return-Weston, as17740829; Imitations-Bannister

Dance: Giorgi's Scholars

Event Comment: Benefit for Bannister

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: MacHeath-Bannister; Peachum-Aickin; Lockit-Wilson; Mat-Griffith; Filch-Weston; Lucy-Mrs Wilson; Mrs Peachum-Mrs Love; Mrs Slammekin-Mrs Gardner; Diana Trapes-Mrs Williams; Jenny-Miss Ambrose; Polly-Miss Weller; In Act III a Hornpipe; To conclude with a Dance-the Characters.
Cast
Role: MacHeath Actor: Bannister
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Waterman

Dance: A Tambourine Dance-

Entertainment: End: A Variety of Imitations-Hutton, Bannister

Related Works
Related Work: Musick; or, A Parley of Instruments Author(s): John Bannister
Event Comment: Mainpiece: Not acted these 6 years [not acted since 30 May 1772]. [Bannister Jun. was from dl.

Performances

Mainpiece Title: Barbarossa

Performance Comment: Achmet-Bannister Jun. (1st appearance on this stage); Othman-Clarke; Sadi-Hull; Aladin-Robson; Officer-Thompson; Barbarossa-Aickin; Irene-Mrs Hartley; Female Slave-Miss Green; Zaphira-Mrs Yates.
Cast
Role: Achmet Actor: Bannister Jun.
Related Works
Related Work: Barbarossa Author(s): John Brown

Afterpiece Title: The Touchstone

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith
Event Comment: [Mrs Gibbs was from the hay.] Afterpiece: 21st time [i.e. in continuation of the reckoning for the previous season]. The Music composed, and selected from Cherubini, Kreutzer and Andreozzi, by Storace. An Accurate Edition of Lodoiska to be had at the Theatre. Powell, 26 Sept.: Provoked Husband rehearsed at 10; Lodoiska at 12 (for Palmer); 27 Sept.: Lodoiska rehearsed at 10 (for Bannister). Receipts: #433 19s. 6d. (296.14.0; 134.13.0; 2.12.6)

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wrongheard-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Waldron; Constable-Maddocks; Lady Townly-Mrs Goodall; Lady Grace-Miss Collins; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs (1st appearance on this stage); Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard.
Cast
Role: John Moody Actor: Moody
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh

Afterpiece Title: Lodoiska

Performance Comment: Polanders Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Suett; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson; Princess Lodoiska-Mrs Crouch; Captives-Miss DeCamp, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies; Tartars; Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison; The Horde-Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys.
Cast
Role: Japhis Actor: Bannister
Related Works
Related Work: Lodoiska Author(s): John Philip Kemble
Event Comment: Benefit for Johnstone. 1st piece: By permission of G. Colman, Esq.; never performed here. [Bannister Jun.'s 1st appearance at this theatre was on 2 Feb. 1779.] 3rd piece: Not performed here these 3 years. [No play of this title had been hitherto acted anywhere. But it appears to be the same as The Sailor's Prize, for which see cg, 1 May 1795.] Morning Chronicle, 22 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #478 (208.6.6; 13.17.6; tickets: 255.16.0)

Performances

Mainpiece Title: False And True

Performance Comment: Count Benini-Munden; Marchesi Caliari-Murray; Count Florenzi-H. Johnston; Lealto-Fawcett; Nicolo-Hill; Tomaso-Davenport; Malevole-Davenport [sic]; O'Raffarty-Johnstone; (with a new Planxty [in character, which includes Mr O'Raffarty's Parentage, Family Friend, Cheap Dinner or Pot Luck, and Joys of a Sun Shiny Night)-Johnstone; Marchesa Veteria-Mrs Davenport; Lauretta-Miss Wheatley; Juliana-Miss Sims; Janetta-Mrs Atkins.
Cast
Role: Count Florenzi Actor: H. Johnston
Role: O'Raffarty Actor: Johnstone
Role: Actor: Johnstone

Afterpiece Title: The Son-in-Law

Performance Comment: Bowkit (By Permission of the Proprietors of Drury-Lane Theatre)-Bannister Jun. (1st appearance on this stage); Cranky-Munden; Vinegar-Emery; Orator Mum-Knight (Their 1st apappearance in those characters); Bouquet-Hill; Idle-Farley; Signor Arionelli-Incledon; Cecilia-Mrs Atkins.
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Performance Comment: Sam Surge-Incledon; Tim Tingle-Townsend; Jacky Item-Simmons; Paddy O'Blarney-Johnstone; Nancy-Mrs Martyr.
Cast
Role: Paddy O'Blarney Actor: Johnstone
Related Works
Related Work: The Maid of the Mill; or, The Country Revels Author(s): John Fletcher
Related Work: The Maid of Honour Author(s): John FletcherJohn Philip Kemble
Related Work: The Maid in the Mill Author(s): John Fletcher
Related Work: The Maid's Tragedy Author(s): John Fletcher
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Maid of the Oaks Author(s): John Burgoyne
Related Work: The Maid's the Mistress Author(s): John O'Keeffe
Related Work: Joan of Arc; or, The Maid of Orleans Author(s): John Cartwright Cross

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performance Comment: Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone.

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performance Comment: [Altered from John Webster, Appius and Virginia, probably by ThomasBetterton.] Downes (Roscius Anglicanus, p. 30): Virginius-Betterton; Appius-Harris; Virginia-Mrs Betterton. [An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.
Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster
Event Comment: SSir John Brute, Mr Garrick (Cross Diary). The Fair Penitent was advertised for Wednesday the 11th: a Rehearsal was call'd on Tuesday the 10. About nine o'clock in the morning Mr Barry sent for & told me he was so ill that would be impossible for him to play for sometime & that he would give up his salary till he was able to play (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Aickin; Col. Bully (with songs)-Vernon; Lord Rake-Ackman; Justice-Bransby; Rasor-Baddeley; Lady Brute-Mrs Stephens; Mademoiselle-Miss Radley, first time; Belinda-Mrs Jeffries; Lady Fanciful-Mrs Abington.
Cast
Role: Sir John Brute Actor: Garrick
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Register Office

Event Comment: Benefit for Mr Love--Sir John Brute. A fat performance (and as Mr L--- says) he wanted breath to blow the Jokes out (Hopkins Diary). On 1 April 4 n[umbers] of Dramatic Censor published (Winston MS 10)

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: As17691010, but Sir John Brute-Love, first time; Razor-Parsons; Lady Brute-Mrs Barry, first time.
Cast
Role: Sir John Brute Actor: Love, first time
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Padlock

Cast
Role: Don Diego Actor: Bannister

Dance: II: The Rabbit Sellers, as17691228

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Cast
Role: Governor or Tyrant Actor: Johnson
Related Works
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks
Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

Related Works
Related Work: A Duke and No Duke Author(s): John Thurmond

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Garrick; Heartfree-Aickin; Constant-Cautherly; Razor-Baddeley; Lady Fanciful-Mrs Abington; Lord Rake-Ackman; Belinda-Mrs Robinson, first time; Lady Brute-Miss Younge; Col. Bully (with a Song)-Vernon; Justice-Bransby; Mademoiselle-Mrs Bradshaw.
Cast
Role: Sir John Brute Actor: Garrick
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: A Trip to Scotland