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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Jewell"/1) | (@(roleclean,performerclean) "Mr Jewell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5743 results for: Keyword - Mr Jewell
We found 4274 matches on Event Comments, 1234 matches on Performance Comments, 534 matches on Performance Title, 18 matches on Author, and 2 matches on Roles/Actors.

951
08 September 1800 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Morning Chronicle, 1 Sept.: Tickets to be had of Jewell, No. 26, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Castle of Sorrento

Song: As18000725

952
22 December 1674 @ Whitehall or St. James's

Event Comment: [Evelyn, Diary: [I] was at the repetition of the Pastoral, on which [occasion] my friend Mrs Blagg, had about her neere 20.000 pounds worth of Jewells, of which one she lost, borrowed of the Countesse of Suffolck, worth about 80 pounds, which the Duke made good; & indeede the presse of people was so greate, that it was a wonder she lost no more. There is some doubt that this was a full performance of the work, for Evelyn refers to it as "the repetition" and other evidence points to 15 Feb. 1674@5 as the first complete production. See Boswell, Restoration Court Stage, pp. 180-81. It is probable that Mrs Blagge's loss of jewels occurred, not on this date, but on 15 Feb. 1674@5. For a more complete account of that incident, see The Life of Mrs Godolphin by John Evelyn of Wotton, ed. Samuel Lord Bishop of Oxford (London, 1874), pp. 97-101. See also 15 Feb. 1674@5

Performances

Mainpiece Title: A Rehearsal Of Calisto

953
10 November 1677 @ Whitehall or St. James's

Event Comment: Sir Charles Lyttleton, 10 Nov. 1677: [The Princess of Orange] is gone to ye play to-night in these and all ye Duchesses jewells (Hatton Correspondence, Camden Society, 1878, XXII, 155). The Prince and Princess had been married on 4 Nov. 1677

Performances

954
08 August 1765 @ Haymarket Theatre

Event Comment: Benefit for Davis, and Jewell, the treasurer

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Citizen

Dance: I: The Dutchman, as17650719

Song: II, IV: The British Fair, Through the Wood, Laddie-a young Lady

Entertainment: CComic Post Haste Observations in his Journey to Paris-Shuter; followed by Dance The English Sailor at Marseilles-Mas. Clinton, Miss Street

955
14 August 1767 @ Haymarket Theatre

Event Comment: Benefit for Jewell, Treasurer. Afterpiece: A Farce (for that Night only) taken from Congreve's Play of the Old Batchelour. Neville MS Diary: Half past six went to the Haymarket...out could not get into the Pit, Boxes or Galleries

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Fondlewife and Laetitia

Song: II: DuBellamy

Dance: IV: Fingalian-; End: Italian Peasants, as17670805

Entertainment: PPost@Haste Observations from his Journay to Paris-Shuter (for that Night only)

956
19 August 1768 @ Haymarket Theatre

Event Comment: Benefit for Jewell (treasurer). Afterpiece: Reviv'd, a Pastoral Ballad of one act. By Particular Desire

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: Damon and Phillida

Dance: I: By Desire, Double Hornpipe-Vandermere, Miss Street

957
12 June 1769 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17690517, but Principal Characters-Mrs Jewell, Mrs _Arthur.
Cast
Role: Principal Characters Actor: Mrs Jewell, Mrs _Arthur.

Afterpiece Title: The Vintner Trickd

Dance: As17690515

958
21 June 1769 @ Haymarket Theatre

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Performance Comment: Parts by Bannister, DuBellamy, Arthur, Mrs Jewell. Prologue-Foote; Epilogue-Miss Rose, her first appearance on any stage; The Cadi-Bannister; Ferdinand-DuBellamy; Fatima-Mrs Arthur; Zorayda-Mrs Jewel (Edition of 1769).

Dance: As17690515

959
03 June 1771 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17710515, but Parts-Mrs _Didier, Mrs Jewell.
Cast
Role: Parts Actor: Mrs _Didier, Mrs Jewell.

Afterpiece Title: The Virgin Unmasked

Dance: The Nosegay, as17710531

960
03 August 1772 @ Haymarket Theatre

Event Comment: [N.B. Cupid's Revenge postponed on account of Mrs Jewell's indisposition.

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Anatomist

Dance: As17720615

961
03 September 1773 @ Haymarket Theatre

Event Comment: Afterpiece: A New Farce of 2 Acts [Francis Gentleman]. Benefit for Mrs Jewell

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Pantheonites

Entertainment: I: A Variety of Imitations-Hutton; II: O What a Charming Thing's a Battle-Bannister; Between Play and Farce: Dancing of The Tambourine-Giorgi's Scholars; End of Interlude: A New Tambourine-Giorgi's Scholars

Monologue: 1773 9 3 Also the Interlude, Piety in Pattens. As 23 Aug

962
16 May 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts-Foote, Kennedy Jun. (from Dublin, first time here), Fearon, Aickin, Davis, Jacobs, Bannister, Lloyd, Jones, Courtney, Everard, Johnson, Weston, Mrs Williams, Miss Ambrose, Miss Platt, Mrs Jewell; Prologue-Foote.

Afterpiece Title: The Mock Doctor

Dance: End: Giorgi's scholars

963
04 September 1775 @ Haymarket Theatre

Event Comment: Benefit for Jewell

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: A Trip to Portsmouth

Dance: A Dance-

Entertainment: Imitations Vocal and Rhetorical-Bannister

964
02 October 1775 @ Covent Garden

Event Comment: [The Westminster Magazine for October commented in a paragraph in general on ten new performers at Covent Garden this month: Mrs Jewell (?), Mrs Jackson, Mahon, Mrs Hunter, Wilson, Leoni, Mrs Barthelemon, Sheridan, and the dance team of the Zuchellis.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: St Patricks Day

965
19 June 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Cozeners

Performance Comment: Parts-Foote, Edwin (first time that stage), Aickin, Bannister, Griffith, Stephens, Parsons, Baddeley, Burton, Jackson, Miss Sherry, Miss Platt, Mrs Love, Mrs Jewell.

Afterpiece Title: The Lyar

Dance: The Merry Lasses-

966
21 August 1781 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Son in Law

Entertainment: Imitations End II: Vocal Imitations-Bannister Sen.; End: Rhetorical Imitations-Bannister Jun

967
17 November 1781 @ King's Theatre

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

968
22 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. 3rd piece [1st time; F 1, by Richard Paul Jodrell. Text 1st published (with cast for later season) by W. Lowndes and J. Barker, 1786]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing A Dramatic Proverb

Dance: As17830610

969
13 August 1784 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Mainpiece: Not acted these 4 years. [Hemsted is identified in European Magazine, Aug. 1784, p. 87.]

Performances

Mainpiece Title: Douglas

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Song: As17840730

970
04 August 1786 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer

Performances

Mainpiece Title: The Lawyers Panic Or Westminster Hall In An Uproar

Afterpiece Title: The Chapter of Accidents

Afterpiece Title: A Beggar on Horseback

971
07 January 1790 @ Haymarket Theatre

Event Comment: A new Comic Opera; the music by Cimarosa [with additions by Giardini]. Under the direction of Giardini. Pit 10s. 6d. Gallery 5s. The Doors to be opened at 6:30. To begin at 7:30 [see 18 May]. Subscriptions will be received at Mons Ransom, Mons Moreland and Mons Hammersley's, Pall-Mall; and of Jewell, Treasurer, No. 26, Suffolk-street, Haymarket

Performances

Mainpiece Title: Ninetta O Chi Dell Altrui Si Veste Presto Si Spoglia

Dance: End I: Divertisement-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro; End Opera: La Bergere des Alpes (composed by Blake)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro, Mlle Dorival

972
26 January 1793 @ King's Theatre

Event Comment: A Comic Opera; the music chiefly composed by Paisiello. Under the direction of Storace. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. The subscriptions are received at Messrs Ransoms, Morland and Hammersley's only, upon whose receipt the tickets will be immediately made out, and delivered at the office of Jewell, treasurer. And the subscribers at the head of Boxes are intreated to observe that if the subscription money is not paid into the hands of the Bankers, before the opening of the Theatre, his Box will be considered as relinquished. N.B. The seats of the Pit and the Boxes will be entirely new furnished on the Opera Nights; and Gentlemen are most respectively [sic] informed that they cannot be admitted, either into the Boxes or the Pit on those Nights, unless they are in Afternoon dress. The Nobility are intreated to give directions to their servants to set down and take up the at Theatre with the horses' heads towards Pall Mall. The door in Market-lane for Chairs only

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

973
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

974
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

975
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

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