SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Jefferson and Wife"/1) | (@(roleclean,performerclean) "Mr Jefferson and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4541 matches on Event Comments, 2818 matches on Performance Title, 1792 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Davies & Wife (Cross). Tickets at Davies's lodgings at Mr Evans, in Tavistock Row, Covent Garden; and at Stage Door. [The Bill announces Garrick as Lothario for last time this season.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Dance: III: Dutch Dance, as17521125; V: Country Amusements, as17530412

Song: I: A Cantata-Beard

Event Comment: Benefit for Mr Ross-Mlle Auguste had Tickets-(Cross). Tickets deliver'd out for the Provok'd Wife will be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: Virginia

Afterpiece Title: Lethe

Event Comment: Benefit for myself and Wife (Cross). Tickets at the Stage Door. N.B. At the desire of several Ladies and Gentlemen, Mr Cross has changed Virginia, which he had before advertised, to the above Play. Tickets delivered out for Virginia will be taken. Receipts: #147 (Cross)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Devil to Pay

Dance: As17550203

Event Comment: Benefit for the Lying In Hospital, Aldersgate St. Receipts: #76 15s. Income from Tickets #80 11s. (boxes 114; pit 273; gallery 111). Charges #84 (Account Book). Tomorrow the First Part of King Henry IV. [A long plea for attendance at this performance appeared in the Public Advertiser: "It affords me the greatest satisfaction when I peruse your paper, and find so many advertisements for charitable Benefits at the Theatres; which must greatly add to the Entertainment of the Stage, when we are sensible that the profits are to be appropriated towards the relief and support of the Indigent and distress'd; for the refief of whom, it must (at the same time it gives us secret pleasure) raise the astonishment of foreigners to see so many charitable piles raise their benevolent roofs in and about this great Metroplis. Amongst which I must beg leave to recommend to the Public, the City of London Lying In Hospital in Aldersgate Street (for the Benefit of which the Play of the Conscious Lovers will be performed this evening at Covent Garden); whose charitable doors have been opened for the relief of a much greater Number since the late dearth of Provisions, than its Annual Income (being supported by voluntary contributions) can possibly support, without further aid from the Public." The plea continues by emphasizing the need for expert and tender care for pregnant women, and by pointing out the satisfaction British sailors will have in knowing their wives may be delivered in this hospital.] [The Occasional Prologue (Written by Mr Lockman, Secretary to the Society of Free British Fisheries) was published in the Public Advertiser on 16 Dec.: @"Not sweeter Joy the wond'ring Indian feels,@When his far dazzling Glory Sol reveals@Than warms my heart at this auspicious Sight,@The splendid Audience of this cheerful night."@ Much emphasis on the misery of child-bearing, yet the need for a large population "to a commercial land." Also included was the Epilogue, by Lockman, "Intended for Mrs Hamilton," ending, "May each youth, here, breathe Bevil's gen'rous flame@Each virgin merit Indiana's fame."

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Sparks
Role: Humphrey Actor: Anderson
Role: Mrs Sealand Actor: Mrs Stephens

Afterpiece Title: Lethe

Dance: FFingalian Dance, by Desire, as17571013

Event Comment: On 21 March died of a Consumption, at Somerset House, Mrs George Garrick, wife of Mr George Garrick, a Lady in whom was united every amiable quality (Public Advertiser, 22 March.)

Performances

Event Comment: Benefit for Capitani, now in the King's Bench, singer in the Opera for 20 years past. Boxes 10s. 6d. Pit 5s. Gallery 2s. 6d. To begin at 7 p.m. [A long note hn the Public Advertiser about the nature of Capitani's distresses--death of wife after an expensive illness loss of considerable sums in trade, now in debtor's prison. The Public Advertiser this day Published the following Sonnet V, seemingly a new sort of puff' for Foote]: @To Mr F-@While party rage, my F., distracts the state@And mutual lies contending parties raise,@As int'rest leads, or Pitt or Bute to praise,@Let vet'ran Tories with staunch Whigs debate.@With gen'rous Punch our spirits we'll dilate,@Laugh at those loud-tongued politicians' frays,@And to good Brookman's fame attune our lays,@Whose genial bowl all cares can dissipate.@Safely to Harrogate let Bute retire,@His gout at Hayes lett Pitt in quiet nurse,@And Wilkes at either Secretary rail:@These party feuds unsocial rage inspire,@Destroy all mirth, and all good humour curse,@But shall not o'er our joyous souls prevail.

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Miss in Her Teens

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Musical Lady

Event Comment: Books of the Entertainment [i.e., of The Spanish Lady] to be had at the theatre. The Comedy of Man and Wife cannot be perform'd, on account of Mr Shuter's hoarsness. Receipts: #202 6s. 6d
Event Comment: Man and Wife oblig'd to be deferr'd on account of Indisposition of Mrs Green. Paid Simpson for supper for the orchestra #8 1s.; Paid Mr Vincent for Music for the Orchestra #1 8s. 4d. (Account Book). Receipts: #161 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Cast
Role: Mandane Actor: Mrs Yates.

Afterpiece Title: The Apprentice

Event Comment: Man and Wife is deferr'd on account of Indisposition of a principal performer. Paid Mr Asselin for his performance #10 10s. (Account Book). [See Entertainments for 5 Nov.] Receipts: #120 4s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Deuce Is in Him

Dance: End Opera: The Recruits-Aldridge, Sga Manesiere, Miss Twist, Mas. Harris. [See17720501.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Deserter

Event Comment: King not being sufficiently recover'd the School for Wives deferr'd. Paid half year's rent to the Duke of Bedford to Mich. last #165 2d.; Insurance of theatre and New Building to Christmas 1774 from this day #51 10s. 6d.; Mr G. Garrick on acct #100. Receipts: #183 (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Gloster Actor: Jefferson

Afterpiece Title: High Life below Stairs

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Whitfield; Sotherton-Lamash; Cupid (with song)-Mas. Blanchard; Landlady-Mrs Love; Miss Griskin-Miss Jarratt; Chamberlain-Burton; Filagree-Mrs Bradshaw; Miss Flack-Mrs Davies; Chambermaid-Miss Platt; With a Postillion Dance incidental to the piece,-Giorgi, Lauchery, Mrs Sutton; To conclude with a Country Dance-.
Cast
Role: Landlady Actor: Mrs Love
Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

Event Comment: Receipts: #32 13s. [Prince of Wales and Princess Caroline present.

Performances

Mainpiece Title: The Fortune Hunters Or Two Fools Well Met

Afterpiece Title: The Dutch and Scotch Contention or Love and Jealousy

Performance Comment: Burgomaster-Nivelon; Burgomaster's Wife-Mrs Younger; Boor Servant-Ray; Highlander-Salle; Highlander's Wife-Mrs Laguerre; Scots Servant-Laguerre; others-DuPre, Pelling, Newhouse, DuPre Jr, Mrs Pelling, Mrs Ogden, Miss LaTour, Mrs Hill.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Comical Distresses of Pierot

Performance Comment: Pierot (Husband)-Roger; Pieret (his Wanton Wife)-Mrs Thurmond; Colombine (her Servant)-Mrs Heron; Countryman (Pierot's Friend)-Charke; Harlequin-Rainton; Harlequin's Sprite (Lawyer's Clerk)-Miss Robinson; Courtier-Roscoe; Lawyer-Oates; Squire-Miller; Trainband Officer-Berry; Judge-Harper; Wives-Mrs Shireburn, Mrs Grace.
Cast
Role: Trainband Officer Actor: Berry

Afterpiece Title: With the Scene of Apollo and Daphne

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Essex-Ryan; Southampton-Walker; Burleigh-Quin; Sir Walter-Hulett; Queen Elizabeth-Mrs Berriman; Rutland-Mrs Templer; Nottingham-Mrs Buchanan.
Cast
Role: Rutland Actor: Mrs Templer

Afterpiece Title: The Dutch and Scotch Contention or Love and Jealousy

Performance Comment: Burgomaster and Wife-Nivelon, Mrs Younger; Boor Servant-Ray; Highlander and Wife-Salle, Mrs Laguerre; Scots Servant-Laguerre; other parts-DuPre, Pelling, Newhouse, DuPre Jr, Mrs Pelling, Mrs Ogden, Miss LaTour, Mrs Bullock.

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: The Dutch and Scotch Contention or Love and Jealousy

Performance Comment: Burgomaster-Nivelon; His Wife-Miss LaTour; Boor Servant-Ray; Highlander and Wife-Salle, Mrs Laguerre; Scots Servant-Laguerre; other parts-DuPre, Pelling, Newhouse, DuPre Jr, Mrs Ogden, Mrs Bullock, Mrs Kilby, Miss Wherrit.

Performances

Mainpiece Title: Virtue Betrayed

Cast
Role: Northumberland Actor: Huddy

Ballet: MMasquerade by Thurmond. Petit Maitre-de Vallois; Mademoiselle-Mrs Bullock; Punches-J. Delagarde, Evans; Wives-Mrs Vallois, Miss Sandham; Peasant-Holt; His Wife-Miss Wherrit

Performance Comment: Petit Maitre-de Vallois; Mademoiselle-Mrs Bullock; Punches-J. Delagarde, Evans; Wives-Mrs Vallois, Miss Sandham; Peasant-Holt; His Wife-Miss Wherrit.
Cast
Role: Wives Actor: Mrs Vallois, Miss Sandham
Role: His Wife Actor: Miss Wherrit.

Performances

Mainpiece Title: Timon In Love Or The Innocent Theft

Afterpiece Title: The Country Revels With Harlequin Restord

Performance Comment: 1st Yeoman and Wife-Lally, Mrs Walter; 2d-Boval, Mrs D'Lorme; Milkmaids-Mrs Davenport, Miss Atherton, Miss Palms, Miss Anderson; Harlequin-Le Brun; Farmers-Stoppelaer, Nichols; Clowns-Jones, Burnet; Colin-Lally Sr; Phoebe-Mlle Grognet; Peasants-Davenport, Topham, Olbeldiston; Peasants' Wives-Mrs Davenport, Mrs D'Lorme, Miss Palms; Harlequin-Le Brun; Inchanter-Warwell; Colombine-Mrs Walter; Scaramouch-S. Lally; Punch-Topham; Pierrot-Davenport; Women-Mrs D'Lorme, Mrs Anderson, Mrs Davenport .

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: Harlequin in the City

Performance Comment: Colombine-Mrs Hamilton; Harlequin-Lun Jr; Colombine's Husband-Rosco; Clown-Penkethman; Yeoman-Wetherilt; Londoners-Hind, Topham; Yeoman's Wife-Miss Gerrard; Londoners' Wives-Mrs Woodward, Miss Sandham; Herb Woman-Norris; Egg Woman-Monlass; Porters-Pearce, Ayres; Basket Woman-Excell. Music by Seedo. See also Britannia, 25 Sept .

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Recruiting Serjeant

Performance Comment: Serjeant-Bannister; Countryman-Davies; Wife-Mrs Love; Mother-Mrs Hitchcock. These two parts are here transposed; correctly: Mother-Mrs Love; Wife-Mrs Hitchcock= [, as in all subsequent playbills.], as in all subsequent playbills.]
Cast
Role: Wife Actor: Mrs Love
Role: Wife Actor: Mrs Hitchcock

Dance: Afterpiece: with a Dance [incident to the Piece-. [This was danced in all subsequent performances.