SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr J Richard"/1) | (@(roleclean,performerclean) "Mr J Richard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4927 matches on Event Comments, 2569 matches on Performance Comments, 2049 matches on Author, 1313 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Lethe

Dance: IV: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Lethe

Performances

Mainpiece Title: Zara

Ballet: TThe Prussian Camp. As17571223

Performances

Mainpiece Title: Judas Maccabeus

Performances

Mainpiece Title: Judas Maccabaeus

Performances

Mainpiece Title: Semele

Music: As17620226

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb Winston MS 9

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Midas

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Election

Cast
Role: Richard Actor: Vernon

Afterpiece Title: The Elopement

Cast
Role: Richard Actor: Vernon
Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Genii

Dance: III: The Irish Fair, as17740917

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Guardian

Dance: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Sir John Cockle At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost or The Man Bewitchd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Absent Man

Dance: V: The Wake, as17680220

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: Vice Reclaim'd: or, The Passionate Mistress Author(s): Richard Wilkinson
Event Comment: Benefit Leveridge. Afterpiece: [By Richard Leveridge.] A Comic Masque, compos'd in the high Style of Italy. N.B. The Books of the Masque are just printed for W. Mears...and sold by him, and at Mr Leveridge's in Tavistock-street. Receipts: #37 10s. 6d. and tickets #75 4s

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Pyramus and Thisbe Lyon Moonshine and Wall

Music: With all New Musick (for that Night) both Vocal and Instrumental Musick-

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Event Comment: Afterpiece: Not acted these 7 years. [See 31 Dec. 1744.] The Tragedy of the Siege of Damascus is now in rehearsal at Covent Garden, in which Mr Barry will perform the part of Phocyas , being his first appearance in that character. And a Gentleman who never performed on any stage, will soon appear in the Character of Richard III

Performances

Mainpiece Title: The Drummer Or The Haunted House

Afterpiece Title: The Necromancer or Harlequin Dr Faustus

Event Comment: On Saturday 6 January will be performed for the benefit of Joseph Lowe, citizen of London under Misfortunes, the tragedy of King Richard III. The part of Richmond by Mr Joseph Lowe

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Merlins Cave or Harlequin Skeleton

Dance: As17521219

Event Comment: For the Benefit and Increase of a Fund established for the support of Decayed Musicians, or their Families. Boxes and Pit put together at Half a Guinea. Gallery 5s. To begin at 6:30 p.m. Tickets delivered to Subscribers to this Charity will admit one Person to any part of the House. Subscribers tickets may be had of Richard Dawson, near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them and receive Subscriptions. Tickets for the Performance are delivered by Mr Rash at the Prince of Orange Coffee-House, in the Haymarket. The tickets delivered for the 17th will be taken. (General Advertiser, 28 April, advance notice)

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Event Comment: PPublic Advertiser: In the afternoon died Mr Richard Cross, Prompter to the Theatre Royal in Drury Lane, whose Abilities in his Station were equal to any in the Theatre, and whose Integrity would have done credit to any Profession

Performances