SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Henry Roberts"/1) | (@(roleclean,performerclean) "Mr Henry Roberts")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4742 matches on Event Comments, 4375 matches on Author, 2752 matches on Performance Comments, 1775 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: At Hay The Jealous Wife

Afterpiece Title: The Mariners

Cast
Role: Henry Actor: Dignum
Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fools Preferment Or The Three Dukes Of Dunstable

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: Afterpiece: With New Habits, Scenes, Machines, and other Decorations. 5s., 3s., 2s., 1s. After Money will be taken. [See Daily Journal, 31 Dec., for a Letter from Henry Giffard, discussing his relations with dl and the disturbance at lif on 28 Oct.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Beggars Pantomime With New Scenes and several Alterations and Additions particularly a Sequel to the Contention calld Pistol in Mourning

Performance Comment: Polly-Mrs Roberts; Pretender to Polly-Mrs Hamilton; Ghost of Gay-Lyon; Squire-Yates; Constable-Dove; Ben-Richardson; Beggar-Hewitt; Molly-Mrs Haughton; Sukey-Miss Tollett; Jenny-Mrs Dove; Mrs Slammekin-Miss Thornowets; Harlequin-Lun Jr; Clown-Penkethman; Attendants on Polly-Kelly, Corfe, Richardson, Stitchbury, Mrs Marshall, Miss Tollet, Miss Wilson, Miss Thornowets; Manager-Cox; Pistol-Mrs Charke; Ballad Singers-Two Masters Hamilton; With a New Ballad Prologue to the Pantomime,-Mrs Roberts; To which (by Desire) will be prefix'd, The Landing of Prince Germanicus-, and his Reception.

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green Or The Woman Never Vexd With The Comical Humours Of Sir Timothy Sousecrown And His Man Gudgeon

Performance Comment: Sousecrown-Bridgewater; King-Huddy; Rakish-Williams; Montfort-Roberts; Lady Westford-Mrs Willis; Arabella-Mrs Morgan; Widow-Mrs Roberts; Gudgeon-Butcher.
Cast
Role: Montfort Actor: Roberts
Role: Widow Actor: Mrs Roberts

Entertainment: Vaulting-; Tumbling-; High Rope Walking-

Performances

Mainpiece Title: The History Of Bonduca Or The British Heroine With The Humours Of Corporal Macer

Performance Comment: Caratach-Bridgwater; Venutius-Cibber Jr; Suetonius-Roberts; Macer-Griffin; Hengo-Miss Robinson; Bonduca-Mrs Butler; Claudia-Mrs Cibber; Bonvica-Miss Raftor; The Original Epilogue-Miss Brett.
Cast
Role: Suetonius Actor: Roberts

Afterpiece Title: Phebe or The Beggars Wedding

Performance Comment: Hunter-Mrs Roberts; Quorum-Fielding; Grig-Berry; Chaunter-Bridgwater; Cant-Cibber Jr; Phebe-Miss Raftor; Tippet-Mrs Heron; Mrs Chaunter-Mrs Shireburn; Tit Tatter-Mrs Willis; but edition of 1729 adds: Gage-Lacy; Mump-Roberts; Scrip-Wright; Swab-Burnet; Constable-Grey.
Cast
Role: Hunter Actor: Mrs Roberts
Role: Mump Actor: Roberts

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Cupid and Psyche or Colombine Courtezan

Performance Comment: Cupid-Master Arne; Venus-Mrs Cantrell; Psyche-Mrs Cibber; Jupiter-Roberts; Bacchus-Topham; Sylvan-Essex; Pan-Thurmond; Swains-Chose, Pelling, Davenport; Pierot-Poitier; Spaniard-Salway; Nymphs-Mrs Pelling, Mrs Anderson, Mrs Davenport; Harlequin-Le Brun; Mynheer Bassoon-Rain ton; Trebelino-Roberts; Quadrille-Este; Plumb-Cross; Colombine-Mrs Clive; Colombine's Maid-Mrs Pritchard; Old Woman-Topham .
Cast
Role: Jupiter Actor: Roberts
Role: Trebelino Actor: Roberts

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-A. Hallam; Sir Jasper-Morgan; Leander-Stoppelaer; Robert-Hallam; James-Mullart; Harry-Ridout; Davy-James; Hellebore -Roberts; Dorcas-Miss Norsa; Charlotte-Miss Binks .
Cast
Role: Hellebore Actor: Roberts
Related Works
Related Work: The Mock Doctor; or, The Dumb Lady Cur'd Author(s): Henry Fielding

Dance: As17341009

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Johnson; Kings of Brentford-Arthur, Dunstall; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Marten; Lt General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Mrs Vaughan; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing/song Dancing Spirits-Mrs Lampe, Mrs Dunstall; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Roberts, Bencraft, Mrs Lampe, Mrs Dunstall.

Afterpiece Title: Orpheus and Eurydice

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Performances

Mainpiece Title: The Rape Or The Innocent Impostors

Related Works
Related Work: Rape Upon Rape; or, The Justice Caught in his own Trap Author(s): Henry Fielding
Event Comment: James Brydges, Diary: I went to Mr Roberts's, who had a consort of musick, Mr Frank Roberts Mr Banister, la Riche Mr Shore, &c. I staid here till towards eleven, & then home with Lady Lucy Bright & my Wife (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Bank Note Or Lessons For Ladies

Afterpiece Title: The Sailors Prize or May Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote Part I

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Cast
Role: King Henry Actor: Lowe

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17460422 but Richard III-Thomas? Lacy; King Henry-Davies; Tyrrel-Bransby.
Cast
Role: King Henry Actor: Davies

Afterpiece Title: The Anatomist

Event Comment: [Edition of 1730 lists airs by Henry Carey, Charke, J. Sheelis.] At Oates-Fielding Booth. [Advertised also 21, 22, 25, 26, 27, 28, 29 Aug.; 1, 2, 13, 4, 5, 6, 7 Sept.

Performances

Mainpiece Title: The Generous Free Mason Or The Constant Lady With The Comical Humours Of squire Noodle And His Man doodle

Performance Comment: King of Tunis-Barcock; Mirza-Paget; Sebastian-Oates; Clerimont-Fielding; Sir Jasper-Burnett; Squire Noodle-Berry; Doodle-Smith; Davy-Excell; Captain-Brogden; Queen-Mrs Kilby; Maria-Miss Oates; Caelia-Mrs Grace; Jacinta-Miss Williams; Jenny-Mrs Stevens; Lettica-Mrs Roberts.
Cast
Role: Lettica Actor: Mrs Roberts.

Dance: St.Luce, Mlle Delorme; particularly Wooden shoe, Pierrot and Pierraite, Black Joke-

Event Comment: Benefit Henry Woodward and Miss Wherrit. By Desire. Afterpiece: With Alterations and Additions, particularly an entire new Scene, call'd Pierot's Encounter with a Bearv

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequins Contrivance

Performance Comment: See17320421 but Harlequin-H. Woodward; Colombine-Mrs Roberts; Yeoman-Jenkins; Attendants on Colombine-Mrs Tollet, Miss Tollet, Miss Wherrit; Pierrot-a Gentleman; Genius-Excel; Servants to Yeoman-Beckham, Morris; Beau Gamester-Bullock; Harlequin Woman-Miss Wherrit.
Cast
Role: Colombine Actor: Mrs Roberts

Dance: I: Tambourine-Miss Wherrit; II: The Merry Lass-Miss Wherrit; V: Passacail-Miss Wherrit

Event Comment: Afterpiece: A new Burlesque Opera. [By Henry Carey.] Being the Sequel to the Dragon of Wantley

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Margery or A Worse Plague than the Dragon Being the Sequel to the Dragon of Wantley

Performance Comment: More of Morehall-Salway; Margery More-Mrs Lampe; Gaffer Gubbins-Laguerre; Margery Mauxalinda-Miss Esther? Young; but edition of 1738 adds: Herald-Reinhold; First Guest-Roberts.
Cast
Role: First Guest Actor: Roberts.
Related Works
Related Work: Margery; or, A Worse Plague than the Dragon: Being the Sequel to the Dragon of Wantley Author(s): Henry Carey

Dance: With Dances, incident to the Opera,-Glover, Lalauze, Haughton, Mlle Roland, Villeneuve, Richardson, Dupre, Thompson, Miss Oates, Miss Norman, Mrs LeBrun, Mrs Bullock

Event Comment: Benefit Milward. Tickets at Milward's in Brownlow-Street. [Henry Brooke has a note in the Daily Post, 17 March, stating that on 24 Feb. he gave to Chetwin, Deputy-Licencer of plays, a copy of Gustavus Vasa but has received neither a licence nor a statement of exceptions to it.

Performances

Mainpiece Title: Jane Shore

Performance Comment: Glocester-Quin; Hastings-Milward; Dumont-Mills; Belmour-Wright; Catesby-Ridout; Ratcliff-Winstone; Alicia-Mrs Roberts; Jane Shore-Mrs Butler.
Cast
Role: Alicia Actor: Mrs Roberts

Afterpiece Title: The Devil to Pay

Dance: II: Pierots-Master Ferg, Miss Wright; IV: Grand Ballet, as17390313 V: Aethiopian Dance-Muilment

Event Comment: Benefit Whittingham. This Gentleman had acted Hotspur (10 Feb.) very ill (Winston MS. from Dyer MS). Failed in Pyrrhus (Genest, IV, 37). Tickets to be had of Hobson at the Stage Door, and at Batson's and Tom's Coffee Houses in Cornhill. Tickets deliver'd out for Whittingham for Henry IV will be taken

Performances

Mainpiece Title: The Distressed Mother

Performance Comment: Orestes-Delane; Pyrrhus-Whittingham; Andromache-Mrs Roberts; Pylades-Havard; Phoenix-Winstone; Cephisa-Mrs Cross; Cleone-Mrs Ridout; Hermione-Mrs Bennet.
Cast
Role: Andromache Actor: Mrs Roberts

Afterpiece Title: The Virgin Unmaskd

Song: As17430427

Music: V: Concerto-Burk Thumoth

Performances

Mainpiece Title: Amboyna

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box & a Box for the Maids of Honor at ye Massacre of Paris. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not knwon, but as it was entered in the Term Catalogues, November 1689, it was probably first acted in early November or in October 1689. A song, Thy Genius lo!, composed by Henry Purcell, is in Orpheus Britannicus, 1698. Possibly it was sung by Bowman. See also The Works of Henry Purcell, Purcell Society, XX (1916), xviii-xix

Performances

Mainpiece Title: The Massacre Of Paris

Event Comment: The United Company. The date of the premiere is not known, but the Gentleman's Journal, January 1691@2, suggests that it was first given in December 1691, although the tendency of this journal to be dated one month and appear in the next month makes the interpretation of its information difficult: We have had a new Comedy this last Month, call'd The Wives Execuse; or Cuckolds make themselves: It was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town lik'd so well. I will send you The Wives Excuse, as soon as it comes out in Print, which will be very speedily: And tho' the Town hath not been so kind to this last, as to the former, I do not doubt but you will own that it will bear a Reading; which some that meet with a better Fate too often do not; some that must be granted to be good Judges commend the Purity of its Language (pp. 51-52). Henry Purcell composed the music for this work. One song, Corinna I excuse thy face, the words (according to the Edition of 1692) by Tho. Cheek, the music by Henry Purcell, but without the singer's name, is in The Banquet of Musick, The Sixth and Last Book, 1692 (licensed 17 Feb. 1691@2). Say, cruel Amoret, sung by Mountfort; Hang this whining way, sung by Mrs Butler; and Ingrateful lover, the words by Major General Sackville, are in Joyful Cuckoldom, ca. 1695. See also Purcell, Works, Purcell Society, XXI (1917), xxvi-xxix

Performances

Mainpiece Title: The Wives Excuse Or Cuckolds Make Themselves

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Rosamond

Performance Comment: King Henry-Beard; Sir Trusty-Rheinhold; Page-Miss Edwards; Queen-Mrs Arne; Rosamond-Mrs Clive; Grideline-Mrs Jones.
Cast
Role: King Henry Actor: Beard

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright