SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Henry Roberts"/1) | (@(roleclean,performerclean) "Mr Henry Roberts")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4742 matches on Event Comments, 4375 matches on Author, 2752 matches on Performance Comments, 1775 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Cast
Role: King Actor: Roberts.

Afterpiece Title: Perseus and Andromeda or The Cheats of Harlequin

Music: Vocal Parts [for Macbeth]-Leveridge, Salway, Roberts, Thompson, Stoppelaer, Mrs James, Mrs Wright, Mrs Vincent, Mrs Kilby

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Stage Coach

Dance: I: Two Pierots-Lalauze, Desse; II: Je ne scai quoy-Richardson, Villeneuve, Miss Oates; IV: Hornpipe-Yates; V: Glover's Grecian Sailors-

Song: III: Roberts

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Scruple Actor: Roberts

Song: II: Bacchus Triumphant-Leveridge, Salway; IV: Trio of True Happiness-Leveridge, Roberts, Miss Young; V: An Epilogue in Music, addressed to the Audience,-Leveridge, Salway, Mrs Lampe

Dance: III: The Swiss-Mechell, Mlle Mechell

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Event Comment: Benefit Roberts, Wright, and Nailer

Performances

Mainpiece Title: King Henry The Eighth

Music: Concerto on Little Flute-Baston

Dance:

Event Comment: Benefit for Roberts, Widow Lampe, Miss Young. Afterpiece: For the last time this season

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Dragon of Wantly

Dance: III: The Taylors, as17620107

Music: II: A Piece upon the Welch Harp-Evans

Performances

Mainpiece Title: The Step mother

Performances

Mainpiece Title: The Committee

Afterpiece Title: Hob

Dance: As17180802

Performances

Mainpiece Title: Ephesian Duke Or Blunder Upon Blunder Yet Alls Right At Last

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Performances

Mainpiece Title: The Committee

Afterpiece Title: Edgar and Emmeline

Dance: V: The Irish Fair, as17730918

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: Phebe or The Beggars Wedding

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: Belphegor

Dance: As17780409

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Quaker

Dance: End: Minuet de la Cour, Gavotte-Henry, Miss Armstrong

Entertainment: Monologue In IV: Description of a Man of War and Sea Fight-Moody

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Wonders Of Derbyshire

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Author

Related Works
Related Work: The Authors Farce; and, The Pleasures of the Town Author(s): Henry Fielding

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Mars and Venus

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Pierots-Leviez, Pelling; IV: Moors Dance-Muilment, Mrs Walter

Music: V: A Concerto-Henry Burgess Jr

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Fourth With The Humours Of Sir John Falstaffe Henry Iv Part Ii

Event Comment: Benefit Dupre and Roberts on a one-half value of tickets and minimum charge basis. Receipts: #12 6s. 6d. leaving a deficit for the minimum charge of #14 11s. 6d. Tickets: Dupre #45 13s. (Boxes 36; Pit 191; Gallery 80); Roberts #78 19s. (Boxes 50; Pit 359; Gallery 126). Half value of total #62 6s

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Phebe

Song: II: Liberty Alone-(from the Oratorio of Judas Maccabaeus sung by Roberts); IV: Come Smiling Liberty-Roberts

Dance: III: Peasant Dance-Matthews, Miss Vandersluys; V: The English Boy, English Girl

Event Comment: Benefit for Roberts. Charges #80. Deficit to Roberts #49 8s., covered by income from tickets of #116. Receipts: #30 12s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Song: II: Roberts; IV: Roberts

Dance: III: Tambourine-Jardin; End of Play: Grand Scots Dance-Cooke, Miss Hillyard

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Cast
Role: King Henry Actor: Booth

Performances

Mainpiece Title: King Henry The Fifth

Cast
Role: King Henry Actor: Johnson
Role: Harriet Actor: Mrs Roberts

Afterpiece Title: The Lover His Own Rival

Dance: II: Minuet and Louvre (at the Desire of several Persons of Quality) by Vallois and Mrs Bullock. III: French Peasant by Vallois and Mrs Bullock. V: Pierrots by Vallois and Delagarde. End of Afterpiece: Dutch Skipper by Vallois and Mrs Bullock

Song: IV: Italian Song by Mrs Chambers