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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gates"/1) | (@(roleclean,performerclean) "Mr Gates")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5718 results for: Keyword - Mr Gates
We found 4274 matches on Event Comments, 1159 matches on Performance Comments, 560 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

876
01 February 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The First Floor

Dance: End III: As17870113

Song: II: [Dr Cooke]'s Glee, Hark! the Lark at Heav'n's Gate sings-Dignum, Williames, Danby, Master Clarke

877
05 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin's Invasion

Dance: II: a Masquerade Scene with Dancing-Hamoir, Ferrere, Miss Stageldoir

Song: Hark! the Lark at Heaven's Gate sings-Dignum, Williames, Danby, Master Clarke

878
19 May 1792 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: A Divertisement

Dance: End III: A Divertisement, as17920410; In afterpiece: the Dances-Byrne, Mlle St.Amand

Song: II: Masquerade, in which Hark! the Lark at Heaven's Gate sings-Incledon, Marshall, Gray, Linton, Darley, Mrs Mountain, Mrs Martyr; End II: (for that night only) The Lucky Escape; or, The Ploughboy's return from the Sea (composed by Dibdin)-Mrs Harlowe in Character

Entertainment: MonologueEnd: Jeu D'Esprit, as17920516; Little Pig lays without any Straw, as17920516

879
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

880
06 March 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

881
04 March 1669 @ The (first) Drury Lane Theatre

Performances

882
26 February 1691 @ Bedford Gate, Charles Street

Performances

Mainpiece Title: Concert

883
August 1700 @ Bartholomew Fair

Performances

884
24 August 1702 @ Bartholomew Fair

Performances

Mainpiece Title: Rope Dancing

Entertainment: they being the greatest Performers of Men, Women and Children that can be found beyond the Seas, so that the World cannot parallize them for Dancing on the Low/Rope, Vaulting on the High/Rope, Walking on the Slack and Sloping Ropes-the Famous Company of Rope-Dancers out-doing all others to that Degree, that it has highly recommended them, both in Bartholomew Fair and May Fair last, to all the best persons of Quality in England. And by all are owned to be the only amazing Wonders of the World, in every thing they do: 'tis there you will see the Italian Scaramouch dancing on the Rope, wiph a Wheel-barrow before him, with two Children and a Dog in it, and with a Duck on his Head; who sings to the Company and causes much Laughter

885
23 August 1703 @ Bartholomew Fair

Performances

Mainpiece Title: Entertainments

Dance: Dancing on the Ropes , after the French and Italian Fashion-a Company of the finest Performers that ever yet have been seen in the whole World; For in the same Booth will be seen the two Famous French Maidens , so much admir'd in all Places and Countries where ever they come, (especially in May-Fair last) where they gain'd the highest Applause from all the Nobility and Gentry, for their wonderful Performance on the Rope, both with and without a Pole....To which is added; Vaulting on the High/Rope-; Tumbling on the Stage-; As also Vaulting on two Horses, on the great Stage, at once-

886
23 August 1703 @ Bartholomew Fair

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifice; With The Comical Humours Of Nurse And Her Two Sons, Toby And Ezekiel; Together With The Pleasant Manner Of Didimo, Toby's Son

Entertainment: Singing and dancing-

887
22 March 1721 @

Event Comment: Benefit of a Gentleman who has been reduced by the Fall of Stocks [apparently the actor who plays Castalio]. At the Great Green Gates in Cross-street, Hatton-Garden. At 6 p.m

Performances

Mainpiece Title: The Orphan

Song: A Gentleman who plays on the Harpsichord to his own Singing

888
24 August 1721 @ Bartholomew Fair

Performances

Mainpiece Title: The Siege Of Bethulia: Containing The History Of Judith And Holofernes, Together With The Humours Of Rustego And His Man Terrible

Song:

Dance:

889
08 September 1721 @ Southwark Fair

Performances

Mainpiece Title: The Noble Englishman; Or, The History Of Aarius King Of Persia, And The Destruction Of Babylon; With The Pleasant Humours Of Capt Fearful And His Man Nine@pence

Song:

Dance:

890
22 August 1723 @ Bartholomew Fair

Performances

Mainpiece Title: The Wisdom Of Solomon; Or, The Two Harlots

Afterpiece Title: The Comical Humours of Toby Stag, the Huntsman, and a Merry Poet

891
22 August 1724 @ Bartholomew Fair

Performances

Mainpiece Title: The Prodigal Son; Or, The Libertine Reclaimed; Wherein Is Represented His Vicious Life, And The Devil Appearing To Him To Go On In His Wickedness; And The Miserable State He Was Brought To Be His Extravagance, Being Reduced To That Extremity, That He Was Forced To Eat Husks With The Swine, To Satisfy His Hunger; Also An Angel Descending, Exhorting Him To Repent, And Return To His Father, Who Receives Him With Great Joy

Afterpiece Title: The Loves of Harlequin and Colombine

Entertainment: Drunken Man-Harper

892
07 September 1724 @ Southwark Fair

Performances

Mainpiece Title: The Adventures Of Robin Hood, Earl Of Huntington, And His Mate Little John

893
27 September 1726 @ Southwark

Performances

Mainpiece Title: The Busy Body

Dance:

894
22 August 1727 @ Bartholomew Fair

Performances

Mainpiece Title: The True And Ancient History Of The Unnatural Parents; Or, The Fair Maid Of The West: Giving An Account How They Had Two Daughters, One Of Which They Fondly Lov'd, And The Other They Could Not Endure; So By Their Barbarity She Was Forced To Leave Her Father's House And Seek Her Fortune: With The Comical Humours Of Trusty, Her Father's Man, That Was Sent In Pursuit After Her, Who, In His Travels, Met With Three Witches That Hoisted Him Upon A Distaff, And Sent Him Flying Home Over The Houses

Dance: DDance-Wild Cats of the Woods

895
08 September 1731 @ Southwark Fair

Performances

Mainpiece Title: The Devil To Pay

896
23 August 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifi'd; With The Comical Humours Of Captain Bluster And His Man Diddimo

Afterpiece Title: The Fall of Phaeton

897
23 August 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Jane Shore; With The Comical And Diverting Humours Of Sir Anthony Noodle And His Man Weazle

Afterpiece Title: The Gardens of Venus; or, The Truimphs of Love

Dance: I: La Brone and La Blonde-Vallois and Mlle Vallois; II: Hornpipe-Jones Sr, Jones Jr

898
23 August 1735 @ Bartholomew Fair

Performances

Mainpiece Title: The Wonder; Or, An Honest Yorkshireman

Dance: Two Pierrots by Taylor and Rosamon. Hornpipe by Taylor

899
09 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Damon and Phillida; or, Hymen's Triumph

900
23 August 1738 @ Bartholomew Fair

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Country Wedding; or, The Roving Shepherd

Dance: CComic Ballet for Bride-Men and Bride-Maids-DelaGrange, Mlle DelaGrange, LeBrune, Mlle LeBrune, Bencraft, Mrs Penkethman

Music: An extraordinary Band