SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr G"/1) | (@(roleclean,performerclean) "Mr G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4327 matches on Event Comments, 1310 matches on Performance Comments, 565 matches on Performance Title, 74 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore Or The Penitential Fair

Afterpiece Title: Mr Footes Tit for Tat

Dance: HHornpipe-Atkins from Covent Garden; Equilibres on the Slack Rope-Lort

Performances

Mainpiece Title: The Recruiting Officer

Song: Mr and Mrs Dennis, Platt

Dance: Mr and Mrs Dennis, Platt

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Mr Foote Gives Tea

Dance: NNew Dutch Dance, as17531117

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Mr Footes Tea

Dance: I: A New Dutch Dance, as17531117

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress or The Antigallican

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Old Maid

Dance: I: A Dance incident to the Opera-Fishar, Arnauld, Sga Manesiere, Miss Valois

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Performances

Mainpiece Title: Cymon

Afterpiece Title: Cross Purposes

Performance Comment: Mr Grub-Hollingsworth; Consol-Suett; J. Bevil-Benson; H. Bevil-Bland; G. Bevil-Whitfield; Chapeau-R. Palmer; Robin-Burton; Mrs Grub-Mrs Hopkins; Emily-Miss Collins; Housemaid-Mrs Edwards.
Cast
Role: Mr Grub Actor: Hollingsworth

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: Cross Purposes

Performance Comment: Mr Grub-Hollingsworth; Consol-Suett; F. Bevil-Benson; H. Bevil-Bland; G. Bevil-Whitfield; Chapeau-R. Palmer; Mrs Grub-Mrs Hopkins; Emily-Miss Collins; Housemaid-Mrs Edwards.
Cast
Role: Mr Grub Actor: Hollingsworth

Performances

Mainpiece Title: Londons Triumphs

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Song: In: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; In course Evening: Crazy Jane-Mrs Bland; In 3rd piece: a new ballad, The Fisherman and the River Queen (Written and Composed by M. G. Lewis, Esq, M. P., Author of Crazy Jane.)-Mrs Bland

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

Event Comment: Mr Garrick inexpressibly fine. Mrs Abington Beatrice, first time-very Great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Sparks and Co. Lace Bill #10 15s. Mr King (glassman) for lustres his bill #75 2s. (Treasurer's Book). [From the Gazeteer and New Daily Advertiser, 7 Nov.: "The desertion of the theatres in consequence of the disease with which so many are afflicted, has been productive of one agreeable effect, that of bringing Mr Garrick forward in Benedict much earlier than was expected. It cannot be a matter of surprise that Roscius should have escaped the infection and his spirits and constitution seems proof against the attacks of age itself; after above 30 campaigns, his ardour and execution appear rather to increase. Benedict owes all its consequence to his attachment; there is a peculiar turn of humour in this soldier that none but Mr Garrick has ever been able to enter into the true spirit of. Last night he supported the character with undiminished excellence, and in the speech where he meditates and then resolves on marriage, he soared beyond himself. Beatrice is Shakespeare's Benedict in petticoats, and very happily has got into the hands of Mrs Abington" (Quoted in Hampden, Eighteenth Century Journal).] Receipts: #264 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Gentle Shepherd

Dance: End: L'Amour au Rende'vous; or, The Conflict of Love, in which will be displayed the Customs of the American Indians, to conclude with the War Dance,-the young D'Egvilles, Miss Blanchet, Miss D'Egville, Miss DeCamp; End I afterpiece: A Highland Reel-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Dance: As17780211

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Leoni, Mrs Farrell (of cg)