SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Dryden"/1) | (@(roleclean,performerclean) "Mr Dryden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4342 matches on Event Comments, 1193 matches on Performance Comments, 1146 matches on Author, 563 matches on Performance Title, and 28 matches on Roles/Actors.
Event Comment: At the Desire of several Persons of Distinction. Mainpiece: Written by the late Mr Dryden

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden

Afterpiece Title: The Honest Yorkshireman

Event Comment: Mainpiece: Written by the late Mr Dryden. [Tickets given out by Topham, Ravenscroft, and Edward Giffard taken.]

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden

Afterpiece Title: The Honest Yorkshireman

Event Comment: Written by Mr Dryden

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden
Event Comment: Written by Mr Dryden

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden
Event Comment: Mainpiece: Written by Mr Dryden. Daily Advertiser, 2 Nov.: The Director of [dl] has resolv'd, for the future, to suffer no living Persons to be concern'd in any Flights, or hazardoUs Machinery, but to have Figures made for that Purpose

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Afterpiece Title: The Burgomaster Trick'd

Dance: II: English Maggot-Villeneuve, Mrs Walter; II: Revellers-Essex, Mrs Walter

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant and Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: By Command of their Royal Highnesses. Written by Mr Dryden

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden
Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Written by Mr Dryden. The Pit will be floor'd over, and laid to the Boxes. [For further comment on the Licensing Act, see Daily Gazetteer, 24 June, and Craftsman, 25 June.

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden
Event Comment: An Ode. Written by Mr Dryden

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden
Event Comment: For the Benefit and Increase of a Fund Establish'd for the Support of Decay'd Musicians or their Families. Written by Mr Dryden. Pit and Boxes at half a guinea. Gallery 5s. 7 p.m

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Music: With several Concertos on the Organ-; other Instruments-; Particularly a New Concerto on the Organ-by Mr Handel, on purpose for this Occasion

Event Comment: Written by Mr Dryden. Receipts: #104 4s. 6d. (Account Book); #100 (Rylands MS.)

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Dance: MMars and Venus-Desnoyer, Signora Barberini; The Swiss-Mechell, Mlle Mechell; Italian Peasants-Desnoyer, Signora Barberini

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Written by Mr Dryden. Receipts: #114 12s. (Account Book); #100 (Rylands MS.)

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Dance: TThe Swiss-Mechell, Mlle Mechell; Mars and Venus-Desnoyer, Signora Barberini; The Kilkenny-Glover, Mlle Roland; Italian Peasants-Desnoyer, Signora Barberini; Scots Dance-Glover, Mlle Roland

Event Comment: By particular Desire. Mainpiece: Written by Mr Dryden. Receipts: #53 16s. (Account Book); #90 (Rylands MS.)

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Afterpiece Title: Pan and Syrinx

Event Comment: Written by Mr Dryden. Receipts: #109 13s. 6d. (Account Book); #120 (Rylands MS.)

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Dance: TTyrolean Dance, as17401230; The Swiss-Mechell, Mlle Mechell; Italian Peasants-Desnoyer, Signora Barberini

Event Comment: Revived Comedy. Never acted there before. Written by Mr Dryden

Performances

Mainpiece Title: The Assignation; Or, Love In A Nunnery

Related Works
Related Work: The Assignation; or, Love in a Nunnery Author(s): John Dryden

Dance: LLes Paisans Moisonneurs, as17431026

Event Comment: As altered by Mr Dryden and Sir William Davenant from Shakespear

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Related Work: The Tempest Author(s): John Dryden
Event Comment: As alter'd by Mr Dryden and Sir William Davenant from Shakespeare

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Related Work: The Tempest Author(s): John Dryden
Event Comment: Not acted in 7 years, alter'd from Shakespear by Mr Dryden. [See 15 May 1741.] Receipts: #160 (Cross); #156 18s. 6d. (Powel)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Related Work: The Tempest Author(s): John Dryden
Event Comment: This day is publish'd at 1s. Amphitryon; or, The Two Sosias, a Comedy altered from Mr Dryden, as it is now perform'd at the Theatre Royal in Drury Lane. With a New Interlude of Music, an Occasional Prologue, and some account of the Alterations. Printed for J. Payne, at Pope's Head in Paternoster Row. Receipts: #180 (Cross)

Performances

Mainpiece Title: Amphitryon

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): John Dryden

Afterpiece Title: Lethe

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Event Comment: Rich's Company. The date of the premiere is not known, but Dryden, writing on 14 Dec. 1699, indicates that this play had had its first performance by that date. The Dedication is dated 10 Jan. 1699@1700, and the play was advertised in the Post Boy, 20-23 Jan. 1699@1700. Preface, Edition of 1700: Another difficulty this Play labour'd under, was its being acted at a time when the whole Town was so much, and so justly diverted by the Trip to the Jubilee. When the play was revised and reprinted in 1714, the new edition--The Victim; or Achilles and Iphigenia in Aulis--indicates that The Invocation to Diana in the last act was set by Gottfreid Finger, the first verse being sung by Freeman, the second verse by Mrs Erwin, and the third verse by W. Pate. Advertisement, Edition of 1714: The following Tragedy...having been translated into English [from Racine], with considerable Additions, by Mr Boyer, and pass'd the Correction and Approbation of the late famous Mr Dryden, and several other Persons distinguish'd as well by their Wit and Learning, as by their Taste and Discernment, was acted with general Applause, towards the End of the Year 1699, and Beginning of 1700. The Reasons why this Excellent Play stopt, on a sudden, in a full Career, are, in some Measure, accounted for in Mr Boyer's Preface: To which he might have added, That the Dutchess of Marlborough, who at that Time bore an irresistable Sway, bespoke the Comedy then in Vogue [The Constant Couple], during the Ruin of Iphigenia in Aulis; And that this Tragedy receiv'd no small Prejudice, from the Person that acted Eriphyle [Mrs Wilkins], who sunk under the Weight of so great a Part. A Comparison Between the Two Stages (1702), pp. 24-25: Sullen: Then comes the second Iphigenia in all her Charms, and like a superious Mistress was resolv'd to eclipse her Rival: No cast was spar'd by the Masters, nor toil by the Actors; the Town was bespoke in its favour, and all the Friends of this new Fletcher and Beaumont were ingaged to clap it. She appear'd, but what pity 'twas (as the Prefacer says) that a Play which had such a glorious run shou'd in four Days disappear, never to rise again. Oh! says Mr D@@, mine was acted six Days; and I'll hold you a hundred Pound--just what I got by't--How's that?, says Boyer--I say, Sir, that I'll hold you, or any Man, a hundred Pound, 'twill be acted again ten times this Winter. With that B@@ fell a laughing, and replies, Sir, says he, I'll stake my French Dictionary against your Criticisms on Blackmore, and that I think is odds enough--I say,"I'll hold you that Bet, that you did not get fifty Shillings by't, and that the House lost a hundred Pound. This had like to ha' made sad work; but all was well, for neither of 'em have been acted since, for they both sleep in everlasting Tranquillity. [See also pp. 23-25 for other remarks about the two Iphigenia plays.

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Cast
Role: John Dryden Actor: Mohun.
Event Comment: By the Company of Comedians from Goodman's Fields. Written by Mr Dryden. With new Scenes, Machines, and other Decorations, particularly an exact Representation of Merlin's Cave, as in the Royal Gardens, Richmond. Boxes 5s. Pit 3s, Middle Gallery 2s. Upper Gallery 1s. At 6 p.m.[The Prologue was printed in London Daily Post and General Advertiser, 1 Oct.

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden
Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Performance Comment: Adapted by Sir William Davenant and John Dryden. A possible cast: Ferdinand-Harris?; Stephano-Angel?; Trincalo-Underhill?; Ariel-Mary Davis?; Hypolito-Mrs Long?.
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden