SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Door"/1) | (@(roleclean,performerclean) "Mr Door")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5127 matches on Event Comments, 1141 matches on Performance Comments, 542 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Places for the boxes to be had of Mr Varney at the Stage Door. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. There can be no admittance to the Orchestra on account of the Music and Dancing in the Play. [N.B. This statement customarily appears at the foot of each bill during the season, and will not be noted further.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Double Disappointment

Event Comment: By Particular Desire a Minuet (for the first time)-Noverre, Miss Mowatt. Benefit for Miss Mowatt. Mainpiece: Acted but once these 5 years. No Building on stage. Tickets and places to be had of Miss Mowatt, Upper End of New Bond St., and of Mr Varney at the Stage Door

Performances

Mainpiece Title: Othello

Afterpiece Title: Lethe

Event Comment: Benefit for Doorkeepers. Tickets sold at the Door will not be admitted. Benefit for Mr Dickinson, (First Gallery office keeper)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Love a-la-Mode

Song: Champnes

Event Comment: Boxes, 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes of Mr Johnson at the stage door. No persons may be admitted behind scenes or into orchestra. No money to be returned after curtain is drawn up. [Usual note not to be further recorded.] Theatre newly painted and decorated (Winston MS 9)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Event Comment: To begin exactly at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant, at the Stage-Door of the Theatre. No Money to be return'd after the Curtain is drawn up. [Customary notice each night during the season. Significant changes only will be recorded hereafter.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Tickets and Places to be had of Smith, at his house, opposite the concert room in Dean Street, Soho, and of Mr Sarjant at the Stage Door of the Theatre. Part of the Pit will be laid into the Boxes, where servants will be allowed to keep places. N.B. No building on the Stage

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

Entertainment: fter the Masque will be presented the Humours of the Age-in imitation of Shakespeare's STAGES by Smith

Event Comment: Benefit for the Composer [Dr Arne]. At the Desire of several Persons of Quality. Boxes (by desire) Half a Guinea. Pit 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had of Dr Arne, in the Piazza, next the Church, in Covent Garden. Places to be taken of Mr Johnston at the Stage Door

Performances

Mainpiece Title: Judith

Music: "W"With Concertos"

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No Admittance behind Scenes. No Money to be returned after Curtain is drawn up. Places to be had of Mr Johnston at the Stage Door. To Begin precisely at half an hour after Six. [Customary information at foot of each bill, will not be further noted.] [Announcement of improvements in the physical plant appeared in the newspapers in August 1762. Aug. 2. "A great number of workmen are now employed in getting ready Drury Lane Theatre for the ensuing season. The stage has been greatly lengthened, and the Pit and Boxes considerably enlarged, having taken in one of the lobbies for that purpose; the two galleries are also entirely rebuilt, and rendered much larger and more commodious, and the slips on each side are formed into green boxes. It is computed from the several alterations made that the house will contain #90 more than heretofore." Aug. 11: "We hear that the greatest improvements are making in Drury Lane Theatre against the ensuing season ever known, particularly a fine artificial cascade which will be exhibited in an entertainment the grandest and most beautiful ever seen in this or in any Kingdom."-Theatrical Miscellanies, Boston Public Library, Cuttings, G 60.23.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Old Maid

Dance: End: Hornpipe-Vincent

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage-Door of the Theatre. No Persons to be admitted behind the Scenes. Nor any Money to be return'd after the Curtain is drawn up. To begin exactly at six o'clock. [Usual note unless otherwise stated.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Event Comment: Benefit for City of London Lying-In Hospital, Aldersgate St. No building on Stage. Tickets to be had at the Hospital, and of Mr Sarjant at the Stage-Door

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Contrivances

Dance: II: Pleasures of Spring, as17621202; End: The Jealous Woodcutter, as17621023

Event Comment: Benefit for Lowe. Music by Handel. Tickets 3s. By Particular Desire of the Right Hon. Earl of Ferrars, Grand Master of the Antient and Hon. Society of Free Masons. Mr Lowe's constant attendance at Marybone Gardens renders it impossible for him to wait on all his friends in person, he therefore hopes they will take tickets, in order to prevent mistakes at changing money at the doors

Performances

Mainpiece Title: Alexander's Feast

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. No money to be return'd after the curtain is drawn up. To begin at 6 o'clock. No persons to be admitted behind Scenes. [Customary notice on each bill. Only significant differences will be noted hereafter. Special notice appeared on all Bills this season from 19 Sept.-19 Nov. 1763]: Whereas many Complaints have been made of Interruptions, in the performances at this theatre, occasion'd, by the Admission of Persons behind the Scenes; in Order to prevent the Like for the Future, it is humbly hop'd, no Nobleman or Gentleman, will insist on a Privilege so displeasing to the AUDIENCE in General; whose APPROBATION it is the DUTY, as well as the INTEREST, of the Managers, to endeavour, on all Occasions, to deserve

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: By Command of their Majesties. The great concourse of people at this theatre before the usual time of opening the doors, having been so great as to overpower the persons who were placed to receive the tickets; and as many were forced into the Theatre without an opportunity of paying for their admittance, Mr Giardini is under the greatest concern lest offence should be taken by those not being able to get in, who had sent for tickets to this office. He has given orders that those tickets shall be admitted tomorrow, as the opera of Siroe (by particular desire) is to be performed (Public Advertiser, 23 Jan.). [Pickpockets, including one former soldier, took three diamond earrings, and one hair-ornament set with brilliants, from members of the audience on this night (Daily Advertiser). Found, a new Silver Sword in the Opera House Lobby on S. 21 Jan.; the Owner, by describing the Sword-Knot, may, on applying to the Orange-Woman at the House, have it restored (Daily Advertiser, 24 Jan.).] Lost on going to the Opera a Brilliant Diamond Cross composed of nine brilliants, by Lord Conyngham. Reward of 10 Guineas for Return (Public Advertiser, 23 Jan.)

Performances

Mainpiece Title: Leucippo

Dance: As17640114

Event Comment: Places for the Boxes to be had of Mr. Johnston at the Stage Door. No Money will be returned after curtain is drawn up. Play begins 6 p.m. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [No further mention shall be made of this notice which appears regularly this season.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Mrs Clive. Mainpiece: Not acted for 3 years. [See 21 March 1763.] Part of Pit laid into Boxes. No building on Stage. Farce never before acted. [Attributed to Mrs Clive, not printed.] Tickets and places to be had of Mrs Clive, at the Two Red Lamps, in Great Queen St., Lincoln's Inn Fields, and of Mr Johnston at the Stage Door

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Faithful Irish Woman

Dance: End: The Irish Lilt, as17641011

Event Comment: Benefit for Miss Brent. Part of the Pit will be railed into the boxes. Ladies and Gentlemen, who have taken Boxes, or Places, before Miss Brent's Benefit was advertised, are requested to send for their tickets, otherwise such Boxes or Places cannot be insured. Tickets deliver'd for the 21st of March will be taken. No Person can be admitted behind the Scenes, Nor any money retuned after the curtain is drawn up. Books of the Opera to be sold at the Theatre. Tickets to be had of Miss Brent, in the Piazza, next the Church, Covent Garden; and of Mr Sarjant, at the stage-door of the theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: Artaxerxes

Dance: II: A Tambourine, as17641015

Event Comment: Benefit for Lee and Miss Slack. Comedy never performed, Alteration of Wycherley's play into two acts by Lee (Genest, V, 69). Tickets and places to be had of Lee at LaGrange's Medicinal Warehouse, in New St., Covent Garden; of Miss Slack, at Mr Bates', Charles St., Covent Garden; and at Stage door

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Country Wife

Dance: End: New Tambourine, as17640929

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (ONLY) Book-Keeper, at the Stage-Door of the Theatre. No Person can be admitted behind the Scenes. Nor any money returned after the curtain is drawn up. To begin exactly at 6 o'clock. [Customary note repeated on each bill.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 20 years. To prevent mistakes, Ladies are desired to send their servants by 3 o'clock. Tickets and places to be had of Mr Sarjant, at the Stage Door and NO WHERE ELSE

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Foppling Flutter

Afterpiece Title: The Old Maid

Dance: End: The Village Romps, as17651019

Event Comment: Benefit towards the Increase of a Fund, established by the Performers of the Theatre Royal Covent Garden for the Support of Decayed Actors and their Families. This Fund having been begun by voluntary contributions among the performers, improved by a proportionable Weekly Deduction on their salaries, and intended as a reciprocal Provision for them their widows and children, in sickness and infirmity, it is humbly hoped and appeal to the Generosity of the Public will not be taken amiss. Such of the Nobility, Gentry, &c. who are pleas'd to favour this Undertaking, are desired to send for places, Box or Pit tickets, to Mr Sarjant, at the Stage Door. Mainpiece [by John Banks]: Not acted these 20 years. Occasional Prologue, written by Hull [printed in the Jester's Magazine, May 1766, p. 241]

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 10 years. Places (with Tickets) to be had of Mr Sarjant at the stage Door. [See 31 Jan. 1760.] Charges: #68 9s. Profit to Woodward of #123 3s. 6d. plus #61 income from tickets (Box 244) (Account Book). [The House launched the benefit season with a profitable balance of #9616 5s. 5d. on the books.] Receipts: #191 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Mrs Pinto. Tickets to be had of her in Charlotte Street, Rathbone Place; and of Mr Sarjant, at the stage-door (playbill). Charges #65 15s. [Profit to Mrs Pinto #103 8s. 6d., plus #78 11s. from tickets (Box 229; Pit 110; Gallery 48)] (Account Book). Receipts: #169 3s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Citizen

Event Comment: Benefit for Miss Macklin. Afterpiece: For only time this season. Pit and Boxes to be laid together. Ladies send servants by 3 o'clock and to prevent disappointments come early themselves. Tickets to be had of Miss Macklin at the Golden Fan in Leicester Fields and of Mr Sarjant at the Stage-Door. Charges #64 12s. [Profit to Miss Macklin #90 2s. 6d., plus #165 from tickets (Box and Pit 648; Gallery 30).] (Account Book). Receipts: #154 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: I: A Minuet-Fishar, Miss Macklin; IV: The Female Archer, as17661215; End: The Village Romps, as17671008

Event Comment: Benefit for Grimaldi (ballet master) and Moody. House charges #64 17s. [Profits to Moody and Grimaldi #5 9s. plus tickets.] Farce not acted in 3 years. [See 12 April 1764.] At 9 got to Drury Lane, could not get in at ye left side of ye Pit or first Gallery. After waiting till the play was over at the other door of ye Pit, got in and saw the Vintage, by Mrs King and Sg Grimaldi (whose benefit and Mr Moody's it was). He dances much better than the fellow who usually dances that dance. My intention in going was to see the F, of the Register Office, not acted these 3 years. [All characters done well] such characters are ye effects of our ill-cemented union (Neville MS Diary). Receipts: #70 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Register Office

Dance: II: The Lilliputian Camp composed by Grimaldi, as17670227; III: Hearts of Oak, as17670212; End: The Vintage, as17661011, but-Grimaldi, Mrs King

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens