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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Daniel Purcell"/1) | (@(roleclean,performerclean) "Mr Daniel Purcell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6390 results for: Keyword - Mr Daniel Purcell
We found 4313 matches on Event Comments, 1537 matches on Performance Comments, 632 matches on Performance Title, 370 matches on Author, and 0 matches on Roles/Actors.

1726
13 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Israel In Egypt Messiah Grand Selection 0

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).

1727
09 November 1791 @ Drury Lane at King's Theatre

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Music by Purcell and Dr Arne. With new Airs and Chorusses by Linley Jun. Receipts: #225 8s. 6d. (188.14.6; 34.19.0; 1.15.0)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Afterpiece Title: Don Juan

Dance: See17911105 [i.e. not listed on playbill]

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Crouch, Mrs Bland, Miss Hagley, Mrs Edwards; V: the Masque of Neptune and Amphitrite-Neptune Sedgwick,; Amphitrite Mrs Edwards

1728
07 March 1792 @ Covent Garden

Performances

Mainpiece Title: Alexanders Feast 0 Redemption 0 Lallegro Ed Il Pensieroso 0

Afterpiece Title: Alexanders Feast 1

Afterpiece Title: Alexanders Feast 2

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Berenice, Handel); The Mansion of Peace-Harrison (Webbe); Mad Bess-Mrs Billington (Purcell); The mighty power-Chorus (Athalia, Handel); Se constanta per timore-Mrs Second (Caruso); Together let us range-Mrs Billington, Harrison (Boyce); Shall I in Mamre's-Bartleman (Joshua, Handel); Bravura song-Mrs Billington (Sacchini); Gloria Patri-Chorus.

1729
18 April 1792 @ Covent Garden

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Performance Comment: In the course of which: Generla Wolfe's favourite song, How stands the Glass around?-Incledon; Irish Drinking Song [Of the Ancients its speaking]-Johnstone; How merrily we live that Soldiers be-Darley, Incledon, Johnstone; [Purcell's Grand Duet and Chorus, To Arms! Britons strike home!-Incledon, Darley, Follett, Blurton, Letteney, Linton, Rees; [The whole to conclude with Representation of the Siege of Quebec-; the Death of General Wolfe-.

Afterpiece Title: The Intrigues of a Morning or An Hour in Paris

Afterpiece Title: The Wives Revenged

1730
15 February 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Sound an Alarm-Kelly; We hear-Chorus (Judas Maccabaeus); Ye sacred Priests, Farewell ye limpid springs-Mme Mara (Jephtha); Hear Jacob's God-Chorus (Samson); Arm arm ye brave-Bartleman; We come-Chorus (Judas Maccabaeus); O Magnify the Lord-Mrs Crouch (Chandos? Anthems); The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mme Mara; The horse and his rider-Double Chorus (Israel in Egypt); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

1731
22 February 1793 @ Covent Garden

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture and March-(Scipione); Tears such as tender fathers shed-Bartleman (Deborah); Go baffled coward-Kelly, Reynolds (Samson); Around let acclamations ring-Chorus (Athalia); O come let us worship-Incledon [Coronation Anthem]; A Bravura Song-Mme Mara; Gloria Patri-Full Chorus [Jubilate]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: As17930220

1732
01 March 1793 @ Covent Garden

Performances

Mainpiece Title: The Messiah Grand Selection 0

Performance Comment: As17930215, but Principal Vocal Parts-Mrs _Crouch, Miss Dall; Oratorio to be opened by Purcell">Mme Mara; to conclude with God save Great George our our King, To Arms, Britons strike home-Chorus ($Purcell).

Song: End oratorio: Captivity [see17930220]-Incledon

Music: End Part II: the favourite concerto of Geminiani on the violin-G. Ashley

1733
08 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Eighth Concerto-(Corelli); How willing-Bartleman [Samson]; Hear us O God-Chorus Coronation Anthems]; Deeper and deeper still, Waft her angels to the skies-Kelly [Jephtha]; From harmony-Chorus [Dryden's Ode]; The Captive Kings-Incledon, Chorus [, as17930306 Captivity-Mrs Crouch [, as17930220; Let the Bright seraphim-Mme Dussek; Let their celestial concerts-Chorus [Samson]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

1734
13 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Every day will I give thee thanks-Mrs Crouch Chandos Anthems]; I feel the Diety within-Bartleman; Arm, arm, ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King- [as17930306ncledon, Chorus; Captivity- [as17930220Mrs Crouch; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mrs Crouch; The horse and his rider-Double Chorus [Israel in Egypt]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

1735
15 March 1793 @ Covent Garden

Performances

Mainpiece Title: The Messiah Grand Selection 0

Performance Comment: As17930313but Principal Vocal Parts-_Incledon; To conclude with God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End Part II: concerto on the Grand Piano Forte-Dussek

1736
22 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Mad Bess-Mrs Crouch; Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King-Incledon; Dead is the dream, Adieu my partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell); Hallelujah! for the Lord God omnipotent [The Messiah]-Chorus.

Music: End Part I: Sixth concerto of Geminiani on the violin-G. Ashley

1737
24 April 1793 @ Covent Garden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Performance Comment: In which How stands the Glass around? (General Wolfe's favorite Song)-Incledon; Irish Drinking song [Song [Of the ancients it's speaking]-Johnstone; How merrily we live that soldiers be-Darley, Incledon, Johnstone; To arms Britons strike home (composed by Purcell)-Incledon, Darley, Follett, Blurton, Linton, Rees[; The whole to conclude with a View of Quebec, and the Death of General Wolfe .; The whole to conclude with a View of Quebec, and the Death of General Wolfe .

Afterpiece Title: The Reprisal or The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

1738
12 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (OCCASIONAL ORATORIO). Shall I in Mamre's fertile; For all these mercies (JOSHUA). Ye Men of Gaza (SAMSON). O filial Piety; No, cruel Father (SAUL). When his loud voice (JEPHTHA). Lord, what is man (SEMELE). Total Eclipse; O first created beam (SAMSON). O worse than death; Angels ever bright (THEODORA). Fixed in his Everlasting seat (SAMSON). PART II. Eleventh Grand Concerto. As when the Dove (ACIS AND GALATEA). Tyrants would (ATHALIA). O sleep (SEMELE). O had I Jubal's lyre (JOSHUA). It must be so; Pour forth no more; No more to Ammon's (JEPHTHA). Lord remember David (SOSARME). O God who in thy Heeav'nly band (JOSEPH). PART III. Ye sons of Israel (JOSHUA). Honor and Arms (SAMSON). See the conq'ring Hero comes (JUDAS MACCABAEUS). Why does the God of Israel sleep (SAMSON). What passion, accompanied on the violoncello by C. Ashley (DRYDEN'S ODE). Then round about the starry throne (SAMSON). Mad Bess by Mme Mara (Purcell). Gird on thy sword (SAUL). To conclude with God save Great George our King and Rule Britannia .

1739
14 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940312but added: Mrs Bland. Leader as17940312ART I. God save the King (CORONATION ANTHEMS). He layeth the beams. O had I Jubal's Lyre (JOSHUA). Let me wander (L'ALLEGRO). Gird on thy sword (SAUL). Deeper and deeper; Waft her Angels (JEPHTHA). Let the bright Seraphim, accompanied on the trumpet by Hyde (SAMSON). For unto us (THE MESSIAH). PART II. Ye sons of Israel (JOSHUA). Why do the Nations (THE MESSIAH). What tho' I trace (SOLOMON). Welcome! Welcome! (SAUL). Mad Bess (Purcell). Concerto on the violin by Giornovichi. Pleasure my former ways (TIME AND TRUTH). O magnify the Lord. Tears such as (DEBORAH). Hallelujah for the Lord (THE MESSIAH). PART III. Lord, remember David. Heart the seat of soft delight (ACIS AND GALATEA). He gave them hailstones (ISRAEL IN EGYPT). Why does the God of Israel sleep [SAMSON]. See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT) .

1740
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

1741
07 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: THE SOLDIERS FESTIVAL or The Night before the Battle

Performance Comment: To open with a Favorite Overture. The Royalist's March (composed by James Worgan). General Wolfe's favorite song, How stands the Glass around, by Incledon. The Siege of Troy by Johnstone. How merrily we live that Soldiers be by Incledon, Richardson, Johnstone. Hark! the Drum beats to Arms!, a new song, by Incledon, and Glee, with a Full Chorus (composed by James Worgan). To Arms and Britons strike home (composed by Purcell) by Incledon, Richardson, Follett, Blurton, Linton, Rees. To conclude with an exact Representation of the Siege of Quebec, and the Death of General Wolfe. General Wolfe-Cranfield .

Afterpiece Title: THE SPRIGS OF LAUREL

1742
04 March 1795 @ Covent Garden

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture and March- (Scipio); Jehovah crown'd-; He comes-Chorus; Tune your harps- (Esther); Around let acclamations ring- (Athalia); Pious orgies- (Judas Maccabaeus); The trumpet's loud clangour- (Dryden's Ode); Mad Bess-Miss Parke (Purcell); Fix'd in his everlasting seat-Full chorus (Samson).

Music: End Part II: 3rd concerto of Giardini on the violin-G. Ashley

1743
18 March 1795 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea Messiah

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: 4th concerto of Avison-; O gentle maid-Mrs Hindmarsh; Around let acclamations ring-Chorus; Reviving Judah-Burdon; Bless the true church-Chorus (Athalia); Softly rise-Kelly (Solomon, by Boyce); Mad Bess-Miss Parke (Purcell); Kings shall be thy nursing fathers-Chorus (Coronation? Anthems).

1744
24 April 1795 @ Covent Garden

Performances

Mainpiece Title: Bonduca Queen Of The Britons

Afterpiece Title: He Woud be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

1745
27 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Festival of Anacreon i

Performance Comment: e. The Sons of Anacreon]. Consisting of Songs, Catches and Glees, in which Anacreontic Song, Blow Boreas Blow (Purcell)-Sedgwick; Sally in our Alley-Dignum; Fair Rosale-Master Welsh.

Afterpiece Title: The Spoild Child

Afterpiece Title: Comus

1746
26 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction and Chorus-; Ye sons of Israel-byChorus (Joshua); Tears such as tender-Bartleman [Deborah]; O let eternal honors-Miss Parke; From mighty Kings-Miss Parke (Judas Maccabaeus); Softly rise-Nield; accompanied on the bassoon-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Mad Bess-Mme Mara (composed by Purcell); The horse and his rider-Double Chorus (Israel in Egypt).

Music: As17960219

1747
16 March 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Sound an alarm-Kelly (Judas Maccabaeus); How willing-Bartleman (Samson); See the conqu'ring hero-Chorus; March (Judas Maccabaeus)-; What tho' I trace-Miss Parke [Solomon]; O God who in thy heavenly hand-Chorus [Joseph]; Happy Iphis-Master Elliot [Jephtha]; Mad Bess-Mme Mara (Purcell); Kings shall be thy nursing fathers-Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

1748
24 March 1797 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III. [Select Parts of the Water Music, Rule Britannia-; Ye Men of Gaza-Miss Poole (Samson); Thou shalt bring them in- [Israel in Egypt]; Hear us O God-Chorus (Coronation Anthems); O come let us worship-Braham (Chandos Anthems); Mad Bess-Mme Mara (Purcell); Gloria Patri-Chorus (Jubilate).

Music: End I: Handel's 4th concerto on the organ-J. Ashley; End II: concerto on Piano Forte-Dussek

1749
31 March 1797 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Performance Comment: Part III. [Select Parts of the Water Music-; Wave from wave-Bartleman [Israel in Egypt]; Tyrants would-Miss Poole; Tyrants ye in vain conspire-Chorus [Athalia]; O Liberty-Braham; [accompanied on the violoncello-C. Ashley; Come ever smiling Liberty-Master Elliot; Disdainful of danger- [Judas Maccabaeus]; Mad Bess-Mme Mara (Purcell); Rule Britannia-Chorus.

Music: As17970315

1750
31 May 1797 @ Covent Garden

Event Comment: Benefit for Hull and Macready. 1st piece: In Act IV a Martial Procession with the Body of Marcus. 2nd piece [1st time: M. INT 1, author unknown. Larpent MS 1173; not published]: With appropriate Scenery and Dresses. The Music selected from Boyce, Purcell, Reeve and Shield. Morning Herald, 31 May: Tickets to be had of Hull, No. 7, Duke's-court, near Dean's-yard, Westminster; of Macready, No. 22, Charles-street, Tottenham-court-road. Receipts: #314 3s. (112.9.0; 4.14.6; tickets: 196.19.6, of which Hull sold 70.12.6, and Macready 126.7.0)

Performances

Mainpiece Title: Cato

Afterpiece Title: Cambro Britons or Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden