SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Charles Davenant"/1) | (@(roleclean,performerclean) "Mr Charles Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4488 matches on Event Comments, 4128 matches on Author, 2248 matches on Performance Comments, 607 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Related Works
Related Work: The Unfortunate Lovers Author(s): Sir William Davenant
Related Work: The Ungrateful [Unfortunate] Lovers Author(s): Sir William Davenant
Event Comment: The Duke's Company. Pepys, Diary: To Sir William Davenant's Opera; this being the fourth day that it hath begun, and the first that I have seen it. To-day was acted the second part of The Siege of Rhodes. We staid a very great while for the King and the Queen of Bohemia. And by the breaking of a board over our heads, we had a great deal of dust fell into the ladies' necks and the men's hair, which made good sport. The King being come, the scene opened; which indeed is very fine and magnificent, and well acted, all but the Eunuch, who was so much out tha he was hissed off the stage

Performances

Mainpiece Title: The Siege Of Rhodes Part Ii

Related Works
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant

Performances

Mainpiece Title: The Law Against Lovers

Performance Comment: [Altered from William Shakespeare's Measure for Measure and Much Ado About Nothing by Sir William Davenant.] Downes (Roscius Anglicanus, p. 26) and the edition of 1673 have no actors' names. But see16610218@2.
Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant
Related Work: Measure for Measure; or, Beauty the Best Advocate Author(s): Charles Gildon
Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Probably adapted by Sir William Davenant.] among those named in the quarto of 1673 these may have played at this time: Macbeth-Betterton?; Macduff-Harris?; Banquo-Smith?; Malcolm-Norris?; Lennox-Medbourne?; Donalbain-Cademan?; Lady Macbeth-Mrs Betterton?; Heccat-Sandford?.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Altered by Sir William Davenant.] See16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Altered by Sir William Davenant.] Macbeth-Young. But see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] See16671016.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant
Event Comment: The Duke's Company. See Pepys, Diary:, 9 April, for an account of Davenant's funeral on 9 April. Pepys, Diary: With Lord Brouncker to the Duke of York's playhouse, where we saw The Unfortunate Lovers, no extraordinary play, methinks

Performances

Mainpiece Title: The Unfortunate Lovers

Related Works
Related Work: The Unfortunate Lovers Author(s): Sir William Davenant
Related Work: The Ungrateful [Unfortunate] Lovers Author(s): Sir William Davenant

Performances

Mainpiece Title: The Mans The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Song: Salway

Dance: Newhouse, Pelling, Mrs Ogden, Mrs Anderson; Chacone-Mrs Anderson; Two Pierrots-Newhouse, Pelling

Performances

Mainpiece Title: The Wits

Related Works
Related Work: The Wits Author(s): Sir William Davenant

Afterpiece Title: The Jealous Doctor

Song: TThe Genius of England-Salway

Dance: CChacone-Mrs Anderson; Scottish Dance-Smith, Mrs Ogden; Pastoral-Burney, Mrs Anderson

Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: At Clayton's House in York Buildings. At 8 p.m. Tickets 5s. No Money receiv'd or Tickets given out at the House; [available at Charles Lillier's, Corner of Beauford Buildings, and at Eliot's St. James's Coffeehouse]

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (Written by Mr Harison), The Feast of Alexander (Written by Mr Dryden)-Mr ThomasClayton (Author of Arsinoe)

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles the Merry Trumpeter, a Batchelor, who used to Sound with Mr Bullock. At Lee's Booth on the Bowling Green. The Doors will be open'd at Five, and begin pricisely at Six

Performances

Mainpiece Title: A Bold Stroke For A Wife

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Event Comment: Benefit for Mr Arne. In the Manner of an Oratorio. The Music composed by Arne. Boxes Half a Guinea. Pit 5s. First Gallery 3s. Upper Gallery 2s. To begin exactly at half an hour after Six. Tickets to be had and places to be taken of Varney at the Stage Door; and of Arne, next door to the Passage, in Charles St., Covent Garden. The Book is sold at R. Francklin's in Covent Garden, and at the Theatre the night of the performance. Price 1s. [Cross lists no receipts.

Performances

Mainpiece Title: Eliza

Music: I: By Particular Desire, a Concerto on the Violin-Mr Hay

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First An Historical Play charles I

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Ryan; Aimwell-Hale; Scrub-Hippisley; Bonniface-Mullart; Foigard-Rosco; Sullen-Bridgwater; Gibbet-Neale; Sir Charles-Salway; Mrs Sullen-Mrs Horton; Dorinda-Mrs Hale; Cherry-Mrs Vincent; Lady Bountiful-Mrs James; Gipsy-Miss Horsington.
Cast
Role: Sir Charles Actor: Salway

Afterpiece Title: The Mock Doctor

Dance: I: Grand Ballet-Mlle Roland the Elder; II: Serious Dance-Master Charles Poitier; a Child of Five Years Old, the first time of his appearing on the Stage. III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier

Performance Comment: III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier.

Song: II: Duet-Mrs Lampe, Miss Young

Music: V: By Desire, a Preamble on the Kettle Drums-Poitier

Performances

Mainpiece Title: King Charles The First An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.
Cast
Role: King Charles Actor: Giffard

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: Miss in Her Teens

Song: End: Charles Gondorff, a Hungarian. He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips

Performance Comment: He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips.

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: King Charles Actor: Wroughton

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: King Charles Actor: Connell

Afterpiece Title: The Beggars Opera Last Act only

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)