Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Castle"/1) | (@(roleclean,performerclean) "Mr Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6160 results for: Keyword - Mr Castle
We found 4307 matches on Event Comments, 1360 matches on Performance Comments, 869 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

26
27 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix; or, Anacreontics Renovated [i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

27
11 November 1797 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Jealous Wife

Afterpiece Title: The Farmer

28
18 January 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Ballet: II: Savoyard Travellers. Principal Savoyards-Grandchamps, Mlle Auretti, Mathews, Mrs Addison; Children Savoyards-Little Swiss, Miss Popling; Peasants-M'Neil, Mlle delaContri; see17491110

29
16 December 1754 @ Haymarket Theatre

Performances

Mainpiece Title: A Writ Of Inquiry Will Be Executed On The Inquisitor General

30
28 April 1762 @ Haymarket Theatre

Performances

Mainpiece Title: The Orators

31
19 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mock-tempest; Or, The Enchanted Castle

32
06 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Ugly Club

Afterpiece Title: The Castle-Spectre

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

33
14 December 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; MD 5, by Matthew Gregory Lewis; incidental music by Michael Kelly (see 2 Feb. 1798), with one selection from Jomelli. Prologue and Epilogue by the author (Monthly Mirror, Dec. 1797, pp. 357-58)]: With new Dresses, Scenery, and Decorations. The Scenery designed by the late Mr Greenwood [who died on 1 Nov.], and executed by his Son, Pugh, and others. Times, 15 Jan. 1798: This day is published The Castle-Spectre (2s.). "There is a sufficient number of Ghosts, Hobgoblins, Cells and Trap-doors to serve for a pantomimical exhibition of the most extravagant nature, and the whole may, with no breach of propriety, be termed a Speaking Pantomime, of which Kemble is made the Harlequin and Mrs Jordan the Columbine" (Morning Herald, 16 Dec.). Receipts: #316 18s. 6d. (257.6.6; 58.17.0; 0.15.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Virgin Unmask'd

34
16 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.
Cast
Role: When the castle Actor: bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

35
25 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

36
05 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

37
04 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Forster. Public Advertiser, 21 Apr.: Tickets to be had of Mrs Forster, the corner of Castle-street, opposite Hart-street, Bloomsbury. Receipts: #174 4s. 6d. (39.15.0; 21.3.0; 1.0.6; tickets: 112.6.0) (charge: #105 16s. 10d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Double Disguise

Related Works
Related Work: The Double Disguise Author(s): Harriet Horncastle Hook

Music: Afterpiece: Overture by Shield-; Duett on Two Flutes-Mr Forster

38
12 August 1793 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

39
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

40
14 September 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: My wife to the King's playhouse to see The Northerne Castle, which I think I never did see before. Knipp acted in it, and did her part very extraordinary well; but the play is but a mean, sorry Play; but the house very full of gallants. It seems, it hath not been acted a good while

Performances

Mainpiece Title: The Northern Castle

41
02 November 1782 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Cross Purposes

42
26 December 1786 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

43
18 December 1789 @ Covent Garden

Event Comment: [The playbill announces The Way of the World, Love and War, and The Deserter, but "King being ill, the play was worse. For instead of Congreve's brilliant dialogue in The Way of the World there was, what few epithets can reach, The Castle of Andalusia" (World, 19 Dec.). The substitute for Love and War is listed in the Account-Book.] Receipts: #140 18s. (136.16; 4.2)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Death of Captain Cook

44
31 January 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Two Strings to Your Bow

45
07 March 1795 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Pope, but "Pope's part in The Mysteries of the Castle was read by Middleton, on Saturday evening last, on account of the indisposition of the former" (Morning Herald, 9 Mar.).] Receipts: #174 6s. (165.16; 8.10)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Crotchet Lodge

46
18 December 1797 @ Drury Lane Theatre

Event Comment: The Fatigue attending the representation of some of the Characters [in The Castle-Spectre] renders it impossible to repeat the performance every night in the week. The 5th night will be on Wednesday. Account-Book: Paid One years' House & Window Tax #222 0s. 6d. Receipts: #396 5s. (315.9.6; 78.0.6; 2.15.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Comus

47
15 January 1798 @ Drury Lane Theatre

Event Comment: Notwithstanding the great demand for places for The Castle-Spectre, the system of giving as much Novelty as possible at this Theatre necessarily prevents its repetition till Monday next. Receipts: #381 1s. (329.17.6; 50.12.6; 0.11.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Shipwreck

48
23 April 1799 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Thomas Sedgwick Whalley. Prologue, Epilogue by the author (see text)]. Account-Book, 20 May: Paid Whalley for Castle of Montval #100. Receipts: #288 19s. (224.18.6; 63.9.0; 0.11.6)

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: Blue-Beard

49
13 July 1799 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; CO 2, by Henry Heartwell and George Colman, ynger, based on Le Prisonner; or, La Ressemblance, by Alexandre Vincent Pineu Duval]: With new Scenes, Dresses and Decorations. The Musick composed and selected by Attwood. Books of the Songs, &c. to be had at the Theatre. Morning Chronicle, 9 Aug. 1799: This day is published The Castle of Sorrento (1s.)

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: Ways and Means

Afterpiece Title: The Castle of Sorrento

50
06 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)