SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr C Shadwell"/1) | (@(roleclean,performerclean) "Mr C Shadwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5324 matches on Event Comments, 1907 matches on Performance Comments, 896 matches on Author, 638 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Author

Afterpiece Title: The Enchanted Wood

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Liar

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Son in Law

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Agreeable Surprise

Dance: As17920725

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Enchanted Wood

Afterpiece Title: The Son in Law

Dance: As17920725

Performances

Mainpiece Title: At Kings A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Music: Singing in Italian and English-Mrs Tofts

Dance: As17040222

Performances

Mainpiece Title: Cato

Afterpiece Title: La Guinquette

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The What Dye Call It

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

Performances

Mainpiece Title: The Mourning Ramble Or The Town humours

Performance Comment: Edition of 1673: Prologue-; Townlove-Betterton; Merry-Harris; Ruffle-Smith; Muchland-Medbourn; Rash-Crosby; Fullam-Underhill; Breef-Norris; Honour Muchland-Mrs Johnson; Betty Rash-Mrs Long; Rose-Mrs Shadwell; Lady Turnup-Mrs Osborn; Epilogue-.
Cast
Role: Rose Actor: Mrs Shadwell
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Event Comment: The United Company. Tne date of the first performance is not known, but the Gentleman's Journal, March 1692 (licensed 9 March 1691@2), refers to its having already been produced. See also a letter concerning it dated 19 Jan. 1691@2. Probably the play was given in early February 1692. A song, How long must women wish in vain, the music by Robert King, is in Comes Amoris, The Fourth Book, 1693. Gentleman's Journal, March 1692: We have had lately a new Play, called, The Innocent Impostors. It hath been acted four times. Mr Shadwell Poet-Laureat, usher'd it into the Stage. It is said that the Author of it is not one of the Laity; therefore since he desires not to be known, I shall not presume to let you know his Name, tho the Play being Historical, and altogether of the Tragick kind, and withal treated with all the decency imaginable, can never be inglorious to its ingenious Author

Performances

Mainpiece Title: The Rape Or The Innocent Impostors

Performance Comment: Edition of 1692: Prologue-Mr Betterton; Epilogue By Mr Shadwell-Mrs Bracegirdle; Gunderic-Betterton; Genselaric-Williams; Briomer-Hodgson; Albimer-Zibber; Rodoric-Freeman; Almeric-Harris; Agilmond-Mrs Butler; Valdaura-Mic. Lee; Amalazontha-Mrs Betterton; Rhadegonda-Mrs Lee; Eurione-Mrs Bracegirdle; Merinda-Mrs Richardson.

Performances

Mainpiece Title: The Duchess Of Malfi

Performance Comment: The edition of 1678 contains a cast which corresponds to the Duke's Company at this time: Ferdinand-Harris; Cardinal-Young; Antonio-Smith; Delio-Midburn [Medbourne]; Bosola-Betterton; Castruchio-Richards; Sylvio-Cademan; Pescara-Norris; Malateste-Price; Roderigo-Cogun; Grisolan-Percival; Dutchess of Malfey-Mrs Betterton; Cariola-Mrs Norris; Old Lady-Mrs Osborn; Julia-Mrs Shadwell.
Cast
Role: Julia Actor: Mrs Shadwell.

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Performance Comment: Edition of 1676: The Prologue-; Phillip the Second-Batterton; Don Carlos-Smith; Don John-Harris; Marquis of Posa-Crosby; Rui Gomez-Medbourn; Queen of Spain-Mrs Mary Lee; Duchess of Eboli-Mrs Shadwell; Henrietta-Mrs Gibbs; Garcia-Mrs Gillow; Officer of the Guards-Norris; The Epilogue-a Girle [Anne Bracegirdle?].Anne Bracegirdle?].

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Blue Beard