SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr C Rich"/1) | (@(roleclean,performerclean) "Mr C Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5610 matches on Event Comments, 1943 matches on Performance Comments, 688 matches on Author, 666 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times; or, The Banquet Gallery

Performance Comment: [Characters by Cory, Barrymore, Kelly, Middleton, Surmont, Bannister Jun., Wathen, Suett, Sedgwick, Dignum, Caulfield, Trueman, Sparks, Hollingsworth, Webb, Ryder, Roffey, Grimaldi, Mrs Crouch, Mrs Bland, Miss Menage, Mrs Maddocks. Cast from text (Cadell and Davies [1799]: Baron Fitzallan-Cory; Baron Ruthenwolf-Barrymore; Edmund-Kelly; Henry-Middleton; Orlando-Surmont; Martin-Bannister Jun.; Andrew-Wathen; Nicholas-Suett; Villagers-Sedgwick, Dignum, Caulfield, Trueman, Hollingsworth; Servants-Webb, Ryder; Claribel-Mrs Crouch; Rachael-Mrs Bland; Susan-Miss Menage; Old Woman-Mrs Maddocks; unassigned-Sparks, Roffey, Grimaldi; Chorus of Soldiers-Danby, Tett, Atkins, Dibble, Denman, Caulfield [Jun.], Maddocks, Brown, Wentworth, Fisher, Cook; Chorus of Villagers-Potts, Meyers, Willoughby, Phillimore, Fisher, Evans, Aylmer, Gallot, Bardoleau, Peck, Ms Butler, Ms Bowyer, Ms Coates, Ms Gawdry, Ms Jacobs; Minstrels-Ms Roffey, Ms Jacobs [sic], Ms R. Jacobs, Ms Jackson, Ms Wentworth, Ms Arne, Ms Illingham, Ms Saunders, Ms B. Menage; Principal Dancer-Mlle Parisot; Vassals-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Apprentice

Ballet: End: Moggy and Jemmy. Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly

Performance Comment: Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Barrymore; Ibrahim-Suett; Selim-Dignum; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Spahis-Caulfield, Trueman, Maddocks, Evans; Janizaries-Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clarke, Mead, Elliot; Male Slaves-Roffey, Whitmell, Wells, Garman, Johnston, Goodman, Gauron; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Butler, Ms Benson, Ms Coates, Ms Gawdry, Ms Saunders, Ms Jacobs, Ms Chippendale; Female Slaves-Ms Brooker, Miss Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Related Works
Related Work: The Virgin Queen; or, The Captive Princess Author(s): Richard Barford

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Cast
Role: King Richard Actor: Betterton
Role: Duke of Richmond Actor: Harris

Performances

Mainpiece Title: [the Virgin Queen

Performances

Mainpiece Title: Catiline's Conspiracy

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: The Heiress

Performances

Mainpiece Title: The Adventures Of Five Hours

Performances

Mainpiece Title: The Woman Made A Justice

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performances

Mainpiece Title: The Gentleman Dancing Master

Performances

Mainpiece Title: The Fatal Jealousie

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: The Mourning Ramble; Or, The Town-humours

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Related Works
Related Work: Vice Reclaim'd: or, The Passionate Mistress Author(s): Richard Wilkinson

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias