SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ben Johnson"/1) | (@(roleclean,performerclean) "Mr Ben Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4589 matches on Event Comments, 2635 matches on Performance Comments, 974 matches on Author, 542 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Briton

Song:

Performances

Mainpiece Title: Mahomet

Related Works
Related Work: Mahomet and Irene Author(s): Samuel Johnson

Afterpiece Title: The Amorous Goddess

Event Comment: Benefit Philips. To prevent mistakes, tis humbly hoped all Gentlemen and Ladies that take places, will be pleas'd to send for tickets at the same time. Tickets to be had of Mr Page at the stage door

Performances

Mainpiece Title: Macbeth

Cast
Role: 2nd Murderer Actor: Bencraft

Afterpiece Title: Flora; or, Hob in the Well

Performance Comment: Friendly-Beard; Flora-Mrs Vincent; Sir ThomasTesty-Hippisley; Old Hob-Marten; Dick-Anderson; Roger-Bencraft; Hob's Mother-Mrs Martin; Betty-Miss Hippisley; Hob-Philips.
Cast
Role: Roger Actor: Bencraft

Dance: GGrand Ballet, as17440423

Event Comment: Benefit Dunstall, Morland, Demembray (Machinist), Desse, Baudouin, and Mr Powell (Deputy Treasurer). Tickets to be had of Hobson

Performances

Mainpiece Title: Love For Love

Cast
Role: Ben Actor: Yates

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Bennet.

Song: I, II, IV: Morland

Dance: III: Desse, Mrs Walter

Event Comment: Benefit Bradshaw (Box-Keeper). Places for Boxes to be taken at his house near the Bull-and-Gate, in Holborn; and at Mr Trafford's at the Rose Tavern, Russell St.

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Isabella Actor: Mrs Bennet

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Bennet.

Dance: Muilment, Mlle Auguste

Event Comment: Benefit Morgan, Leigh, Mr and Miss Wright, Fullwood

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Lucy Actor: Mrs Bennett

Afterpiece Title: The Lying Valet

Cast
Role: Melissa Actor: Mrs Bennet.

Dance: I: A New Dance-Miss Wright; II: a Comic Dance-Davenport, Miss Wright; V: Dance-Mlle Auguste

Song: IV: Morland

Performances

Mainpiece Title: Hamlet

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Performance Comment: Dorax-Quin; Sebastian-Ryan; Muley Moluch-Cashell; Benducar-Bridgwater; Antonio-Woodward; Mustapha-Rosco; Mufti-Hippisley; Muley Zeydan-Anderson; Alvarez-Ridout; Orchan-Hayman; Moryama-Mrs Vincent; Johayma-Mrs Mullart; Almeyda-Mrs Pritchard.
Cast
Role: Benducar Actor: Bridgwater

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Delane; Juba-Giffard; Syphax-Bridges; Portius-Havard; Marcia-Mrs Giffard; Sempronius-Bridges; Marcus-Blakes; Lucius-Winstone; Decius-Woodburn; Lucia-Mrs Bennet.
Cast
Role: Lucia Actor: Mrs Bennet.

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Bennet.

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Gardener's Wedding

Music: Between the acts: Select Pieces of Musick-; Singing-Mrs Hill; III: The Noon Tide Air from Comus-Mrs Hill

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: LLe Gondalier, as17441127; Scotch Dance, as17441012

Event Comment: Benefit Mills. A Concert both Serious and Comic; Consisting of the most favourite Airs, taken from the most favourite Operas and Oratorios, by the best Masters. Boxes 5s. Pit 3s. Gallery 2s. 6 p.m. To the Publick. Gentlemen and Ladies: I humbly beg Pardon for troubling you in this Manner, but being Unfortunately excluded (I don't know for what Reason) from both the Theatres, and consequently deprived of getting my Living by my Profession, the Favour of your Company at a Concert which I take for my Benefit on Tuesday the 11th instant, at the Little House in the Haymarket, will be a very great Obligation to Your most faithful and devoted humble Servant, William Mills. Tickets to be had of Mr Mills at his House in Nassau St., near Soho. Note: After the Concert will be perform'd (gratis) a Comedy call'd The Careless Husband

Performances

Mainpiece Title: The Careless Husband

Song: Lowe, Miss Edwards

Event Comment: At the desire of several persons of quality for the Benefit of Mr Perry. With restorations from Shakespear

Performances

Mainpiece Title: King Lear And His Three Daughters

Performance Comment: Lear (by particular Desire)-Perry; Edgar-Ryan; Gloster-Bridgwater; Bastard-Hale; Kent-Rosco; Albany-Gibson; Cornwall-Cashell; Gentleman Usher-Woodward; Burgundy-Bencraft; Goneril-Mrs James; Regan-Mrs Mullart; Cordelia-Mrs Vincent.
Cast
Role: Burgundy Actor: Bencraft

Dance: As17441117

Event Comment: Mainpiece: By the Particular of Several Persons of Quality for the Benefit of Mr Nicholson

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Schoolboy

Dance: GGondalier-Cooke; Scotch Dance, as17441012

Performances

Mainpiece Title: Hercules

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Angelica Actor: Mrs Bennet

Afterpiece Title: The Temple of Dulness; With Humours of Sg Capochio and Sga Dorinna

Event Comment: Benefit Carney. Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. Tickets at Carney's Lodgings at Mrs Comer's the bottom of Lemon St.; at the Taphouse of the Wells. As Mr Carney's long Illness has prevented him from waiting on his Friends in a proper manner, he humbly hopes that Gentlemen and Ladies will continue their Favours to him, without any further Application

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Devil to Pay

Dance: The two Masters Granier, Miss Granier

Performances

Mainpiece Title: Love's Last Shift

Cast
Role: Flareit Actor: Mrs Bennet

Afterpiece Title: Rosamond

Dance: III: Shepherd's Dance-Muilment

Performances

Mainpiece Title: The Tempest