Event Comment: [L+Letter to Miss Nossiter on Her First Appearance, pub. at 1s. praises her "natural acting" and analyses the character of Juliet as a most appropriate one for beginners: "In the First act she hath scarce anything to say; which affords her some breathing time to recover the confusion, into which her first appearance, before so awful an assembly must naturally throw her." Criticizes a supposed rival for planting herself full against her, as if with an intent by the superior force of her effrontery to stare away the little degree of Courage" Miss Nossiter had left. Her youth and freshness required no paint, so her color came and went as the passion required it, no small addition to the impression of natural acting. She is never inattentive on stage. She feels what others say as much as what she speaks herself. The Author gives practically a speech by speech account of her part, describing her gesture, action, and modulation of voice minutely. Concludes by pointing the reader's attention to Otway's contribution to the Garrick version which was played then at both houses. Praises Barry for instructing Miss Nossiter and bringing her to the stage. Hopes Garrick will refrain from attacking her in his papers, The Craftsman and Gray's Inn Journal, because she will one day become such an ornament to the stage, that I shall be proud to own myself the first who publicly displayed her merit.' Hers is the greatest real first attempt made by man or Woman on the stage, within these 40 years." See also 1 Nov.

Event Comment: The tragedy of the Revenge is in rehearsal at Covent Garden in which the part of Zanga will be attempted by the Gentleman who appeared in the character of Osman in Zara, will be performed someday this week, as are also the plays of King Lear and Alexander the Great, revis'd and alter'd in which the parts of Lear and Alexander will be played by Barry

Event Comment: Mainpiece: Not acted these 10 years. [See 17 Oct. 1752. Review of this cast, if not of this particular performance, appeared in The Old Maid, 13 March. Favorable comment on Barry and Ryan. The reviewer disliked the Tate version, and the stage habit of making the Gentleman Usher a Fribble.

Event Comment: Receipts: #155 6s. Paid Barry one third of the surplus of the night's receipts above the #80 allow'd for the charge: #25 2s. (Account Book)

Event Comment: Receipts: #106 11s. Paid Barry one third of surplus above the #80 allow'd for charges: #8 17s. (Account Book). [House, after meeting Saturday's payroll, is #205 3s. 2d., in the red again.

Event Comment: Receipts: #98 3s. 6d. Paid Barry his one third of surplus above the #80 allow'd for charges: #6 1s. 2d. (Account Book)

Event Comment: Receipts: #109 14s. (Account Book). [Barry paid his one-third of the surplus above the #80 house charge: #9 18s.

Event Comment: Receipts: #146 17s. 6d. Paid Barry his one third of surplus above the #80 House Charges: #22 5s. 10s. (Account Book)

Event Comment: Receipts: #110 6s. 6d. Paid Barry his one third of surplus above the #80 House Charges: #10 2s. 2d. (Account Book)

Event Comment: Mainpiece [by Elijah Fenton]: Not acted these 10 years. [See 12 March 1745.] Receipts: #110 15s. 6d. Paid Barry his one third of the surplus above the #80 House Charges: #10 5s. 2s. (Account Book)

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Event Comment: By Permission. Benefit Barry. Tickets for the 10th instant will be taken. Being positively the last time of performing. Afterpiece: Taken from the Mistake. Neville MS Diary: Barry's expression of the savageness of the Moor, particularly with his eyes, is very great. Mrs Dancer does not suit herself in the character of Desdemona. We had two dances by Miss Froment with a foolish Farce in two acts

Event Comment: Mainpiece: A tragedy by Hall Hartson, never performed here before. [According to The Theatrical Monitor, No IX (19 Dec. 1767), the mainpiece was at that time in rehearsal. The Monitor requested that every expense possible be laid ott upon it, and puffed the abilities of Barry and Mrs Dancer highly.

Event Comment: MMrs W. Barry very bad in Almeria-imagine she was in Liquor (Hopkins Diary)

Event Comment: Benefit for Barry. Mainpiece: A Tragedy never acted there, Taken from Southern's Oroonoko [by Francis Gentleman]. Tickets deliver'd for Alexander will be admitted. Ladies send servants by 4 o'clock

Event Comment: Benefit for Ackman. N.B. Rosalind in the mainpiece, for the last time this season, with the Song of the Cuckow, by Mrs Barry

Event Comment: Benefit for Mrs Barry. Part of Pit laid together with Boxes. Send servants at half past Four

Event Comment: Benefit for Barry. Mainpiece: By Particular Desire, perform'd but once. Part of Pit laid into Boxes. Tickets deliver'd for The Grecian Daughter will be admitted. Send servants by 4 O'clock. Come early to avoid confusion

Event Comment: Benefit for Barry. Part of Pit laid into Boxes. [Send servants by 4 o'clock and come early to avoid confusion and trouble in getting to seats.

Event Comment: Mainpiece: Not acted these 2 years. Account-Book: Paid Mrs Barry on account for finding her own Dresses #50. Receipts: #133 1s. 6d. (131.15.6; 1.6.0)

Event Comment: London Chronicle, 17 Oct.: In Act IV Macklin 'very properly declined the orator, but pleaded from his feelings and the predetermined purpose of his heart.' [Mrs Barry, as Mrs Dancer, had 1st acted Portia at Crow Street Theatre, Dublin, 9 Dec. 1761, and at dl, 24 Mar. 1768.] Receipts: #205 8s. (204.19.6; 0.8.6)

Event Comment: Mainpiece: Never acted there. With Alterations and Additions by the Author [Arthur Murphy. London Chronicle, 7 Nov., prints a detailed synopsis of the alterations.]. The Characters entirely new dressed; with New Scenery and Decorations. [Morning Chronicle, 7 Nov.: Mrs Barry entered into the character of Mandane with all that strength of conception which characterizes her acting in general. Many of the passages received additional force from the judicious breaks and sudden transitions in her manner of giving them.] Receipts: #200 3s. (199.6; 0.17)

Event Comment: Mainpiece: Not acted these 4 years. [The playbill assigns Posthumus to Reddish, but "On Saturday afternoon, at four o'Clock, Notice was sent of the extreme illness of Reddish; and Lewis (on Application) finding it impossible to attempt the Character of Posthumus at that very short Notice [not having performed it for some Seasons) it was obligingly undertaken by Brereton of Drury-Lane Theatre" (Public Advertiser, 26 Oct.). Mrs Crawford, as Mrs Barry, had 1st acted Imogen at dl, 1 Dec. 1770.