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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Arne Jun"/1) | (@(roleclean,performerclean) "Mr Arne Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7913 results for: Keyword - Mr Arne Jun
We found 4530 matches on Event Comments, 2753 matches on Performance Comments, 892 matches on Author, 761 matches on Performance Title, and 0 matches on Roles/Actors.

3601
20 December 1792 @ Covent Garden

Event Comment: [In mainpiece the playbill omits Anna, but "Mrs Rock was a wretched Anna" (Thespian Magazine, Feb. 1793, p. 195). Miss Morris is identified in European Magazine, Jan. 1793, p. 69; and see 14, 16 Nov.] Afterpiece [1st time; P 2(?), author unknown. Text (i.e. synopsis of action), For the Booksellers, 1793. Larpent MS 964 contains Songs only]: Partly New, and partly a Selection of Scenery, Machinery, Tricks, and Business, from the most approved Pantomimic Productions of Lunn, Rich, Woodward, Messink, Rosamond [i.e. Rosoman], Lalauze, &c. The Music chiefly compiled [by Thomas Goodwin] from Pepusch, Galliard, Dr Arne, Vincent, Dibdin, Dr Arnold, Fisher, the rest by Shield. The selected Scenery and Machinery re-painted, and the several new ones designed and executed by Hodgins, Pugh, Walmsley, Lupino, &c. The Dances by Byrn, who will for the first time introduce a Burlesque Pas de Russe. With new Dresses, Machinery and Decorations. Books of the Songs to be had at the Theatre. [In afterpiece the playbill lists Follett, but he "having received an injury at the morning's rehearsal, afforded that excellent actor, Munden, the opportunity of giving the Public an additional proof of the versatility of his talents: -he undertook the part of the Clown [i.e. Clodpole ], and performed it so well that he will probably be obliged to retain it" (Morning Herald, 21 Dec.). He was probably omitted from the Vocal Characters (see 21 Dec.).] Receipts: #258 10s. 6d

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequins Museum or Mother Shipton Triumphant

3602
15 February 1793 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Mansion of Peace-Harrison [Webbe]; My faith and truth-Miss Leak, Master Hummell [Samson]; Non piu andrai-Morelli [Le Nozze di Figaro, by Mozart]; Concerto on the violin-Janiewicz (1st public performance in this Kingdom); Let the bright seraphim-Mrs Harrison [Samson]; Angels ever bright and fair-Master Welsh [Theodora]; The prince unable-Miss Poole [Alexander's Feast]; When Britons first at Heaven's command-(Alternate Solos); Rule Britannia Rule the Waves-Full Chorus (Dr Arne).

3603
13 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Grand Selection 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Wake son of Odin-Leete (Stevens); What boots it where thy soldier-Miss Leak; Dear is my little native vale-Master Welsh; When Britain from her sea@girt shore-Dignum, Clark, Letee; Britain's best bulwarks-Chorus; Softly rise-Harrison; accompanied on the bassoon-Holmes (Solomon, by Boyce); Se ti perdo-Miss Poole; Tune your harps-Mrs Harrison (Esther); When all the air shall ring-Miss Poole, Miss Leak (Dr Arne); God save the King-Chorus.

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

3604
15 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah Part I Grand Selection 0

Afterpiece Title: The Resurrection

Afterpiece Title: A New Grand Selection

Performance Comment: Concerto on the violin-Alday; Odi grand Ombra-Harrison; accompanied on the bassoon-Holmes (Paisiello); On the pleasant banks of Tweed-Master Welsh; Shake the dome and pierce the sky-Chorus [Solomon]; O'er hill and valley-Mrs Harrison (Harrison); Hark! the trumpet sounds-Dignum, Chorus; The soldier tir'd of war's alarms-Miss Poole [Artaxerxes, by Dr Arne]; Wake sons of Odin-Lette (Stevens); When Britain from her sea girt shore-Dignum, Clark, Leete; The Wooden Walls of Old England-Chorus.

Song: End 2nd piece: Ye spotted Snakes-(Stevens)

3605
23 March 1793 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt or The Return from Victory

Performance Comment: Vocal Parts-Incledon, Darley, Gray, Linton, Mrs Clendining; SCENE I. A Camp. How stands the glass around-Incledon; Good subjects with jolly full bottle-Incledon, Darley, Gray; Scene II. A View of the Scheldt. Gentle Soldier oft you've told me (composed by Dr Arne)-Incledon, Mrs Clendining; Scene III. The French Troops preparing for the Siege. With a View of the Fort. Scene IV. The Storming of the Fort by Figures in Perspective; and the Repulse of the Enemy. Oh what a charming thing's battle-Incledon (1st time); Scene V. The Temple of Mars, with the Return from Victory. Great Britain still her charter boasts-(composed by Shield).

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

3606
21 March 1794 @ Covent Garden

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Fifth Grand Concerto. Hence! loathed. Hence! vain deluding. Come, thou goddess. Come rather, goddess. Haste thee nymph. Come, and trip it. Come, pensive man. Come, but keep. Join with thee. Hence! loathed. And if I give thee honor. Mirth admit me. First and chief. Sweet bird, accompanied on the violin by G. Ashley. If I give thee honor. Mirth admit me, corno obligato by Shutze. Oft on a plat. If I give thee honor. Let me wander. Or let the merry bells. And young and old. PART II. Hence, vain deluding. But O, sad virgin, accompanied on the violoncello by C. Ashley. Thus night, oft see me. Populous cities please. There let Hymen. Me when the sun. Hide me from day's. As steals the morn. These delights if thou canst give. PART III. A GRAND MISCELLANEOUS ACT. Fourth Oboe Concerto. The Lord worketh wonders by Bartleman (JUDAS MACCABAEUS). In sweetest harmony by Mme Mara; O fatal day by Chorus (SAUL). Disdainful of danger by Incledon, Hill, Linton (JUDAS MACCABAEUS). When the sun by Florio (ISRAEL IN EGYPT). May no rash intruder by Chorus (SOLOMON). The soldier tired [from ARTAXERXES, by Dr Arne] by Mme Mara. Kings shall be thy nursing fathers by Grand Chorus ([CORONATION] ANTHEMS). To conclude with God save Great George our King and Rule Britannia .

Music: As17940319athi

3607
18 August 1794 @ Haymarket Theatre

Event Comment: Benefit for Mrs Gibbs. 3rd piece [1st time; M. ENT 2, by James Roberts]: End of Act I A Grand View of the British Fleet and the French Prizes entering Portsmouth, and an appropriate Procession. The Piece to conclude with a representation of the Town, &c. of Portsmouth, as illuminated on the glorious occasion. With a Transparency of Earl Howe. [These were included in all subsequent performances.] The selected Musick by Mornington, Handel, Dr Arne, Boyce, Pleyel, &c. A Naval Overture, and the new Musick, by Dr Arnold. The Scenery by Rooker. Books of the Songs to be had at the Theatre. Morning Chronicle, 24 Oct. 1794: This Day is published RULE BRITANNIA! (1s.)

Performances

Mainpiece Title: Heigho For A Husband

Afterpiece Title: MISS IN HER TEENS

Afterpiece Title: RULE BRITANNIA

3608
17 September 1794 @ Covent Garden

Event Comment: Afterpiece: 11th time [i.e. in continuation of the reckoning for the previous season]. The Music composed by Baumgarten, Paisiello, Dr Arne, W. Parke. Howard and Shield. Books of the Songs to be had at the Theatre. Receipts: #230 12s. 6d. (226.1.6; 4.11.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: Netley Abbey

3609
22 September 1794 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin and Faustus or The Devil will have his Own

Performance Comment: I. A Representation of Tartarusv exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas (design'd and executed by Richards; music by Shield) Lucifer-Holland; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Dr Faustusv (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. A Landscape and Water Millv (painted by Walmsley). Harlequin-Bayzand; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mme Rossi; Philidel-Miss Hopkins; IV. A View of a Country Inn: The Bull and Dogv (The Machinery by Hodgins). Dancing@Master (with a song in character)-Fawcett; V. A Representation of the Scaffoldingv prepared for erecting the New Theatre-Royal Drury Lane, as it appeared in July (1793). Irishman (with a song in character)-Rock; Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne)-Bernard, Davies, Linton, Street, Spofforth; VI. A View of Smithfield on a Market@Dayv (painted by Hodgins and Phillips). Ballad Singer (with a song in character)-Fawcett; VII. The Garden of Faustusv (painted by Pugh). Zephyrus-Holland; Flora-Mlle St.Amand; VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins). VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins).

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Rock, Linton, Blurton, Abbot, Street, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Mrs Henley, Miss Stuart, Mrs Arnold, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Masters, Mrs Martyr

3610
13 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); Pleasure my former ways-Nield (Time and Truth); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Where is this stupendous stranger?-Mrs Hindmarsh (Redemption); Deeper and deeper, Waft her angels-Kelly (Jephtha); Ths Soldier tir'd-Miss Parke (Dr Arne); Gird on thy sword-Chorus (Saul).

Music: 6th concerto of Giordani on the violin-C. Ashley

3611
16 March 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March (Saul)-; Joys in gentle strains-the Miss Fletchers [Athalia]; Awful pleasing being-Miss Leak [Joshua]; From harmony-Chorus [Dryden's Ode]; Let the bright Seraphim-Miss Parke [Samson]; O liberty-Kelly; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); The Soldier tir'd-Mme Mara [Dr Arne]; Gloria Patri-Grand Chorus [Jubilate].Jubilate].

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

3612
02 March 1798 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0

Afterpiece Title: Acis and Galatea 3 i

Performance Comment: e. serenata in 2 parts]. Overture- (Ariadne); Pour forth no more-Sale (Jephtha); Lord what is man-Miss Poole [Semele]; How willing my paternal love-Reinhold; Then round about the starry throne-Chorus; Why does the God of Israel sleep-Incledon [Samson]; The soldier tir'd-Mme Mara [Dr Arne]; The Coronation Anthem-.

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

3613
28 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Select parts of the Water Music-; Softly sweet-Miss Poole; [accompanied on the violoncello-C. Ashley (Alexander's Feast); I feel I feel, Arm arm ye brave-Reinhold; We come we come-Chorus (Judas Maccabaeus); The Soldier tir'd-Mme Mara (Dr Arne); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); Oh come, let us worship-Incledon ([Chandos] Anthems); But bright Cecilia-Mme Mara; As from the power-Mme Mara, Chorus; The dead shall live-Chorus (Dryden's Ode); . .

Music: As17980309

3614
01 June 1798 @ Drury Lane Theatre

Event Comment: Account-Book: Tickets delivered by Miss Mellon, Miss Heard, Miss Arne will be admitted. Receipts: #103 7s. 6d. (52.6.0; 48.17.6; 2.4.0; tickets: none listed)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Feignwell Actor: Bannister Jun.

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Sylvester Daggerwood Actor: Bannister Jun.
Role: Ben Bowsprit Actor: Bannister Jun.
Role: Coupee Actor: Bannister Jun.

Afterpiece Title: The Follies of a Day

Cast
Role: Sylvester Daggerwood Actor: Bannister Jun.
Role: Ben Bowsprit Actor: Bannister Jun.
Role: Coupee Actor: Bannister Jun.

3615
20 February 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Select parts of the Water Music-; Shake the dome-Chorus (Solomon); Thou shalt bring them in-Miss Waters; Wave from wave-Bartleman (Israel in Egypt); Happy Iphis-Miss Capper; Deeper and deeper-Incledon; Waft her angels (Jephtha)-; The soldier tired-Mme Mara (Arne's Artaxerxes); Gloria Patri-Chorus (Jubilate).

Afterpiece Title: Grand Selection 3

Music: As17990213

3616
15 March 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; The prince unable-Miss Poole (Alexander's Feast); Return O God-Miss Waters; Justly these evils, Why does the God of Israel-Incledon (Samson); Dulce Domum-Mme Mara, Chorus (Reading); The soldier tired-Mme Mara (Arne's Artaxerxes); How willing-Bartleman (Samson); Hallelujah-Chorus (The Messiah).

Music: As17990215

3617
21 March 1800 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

3618
21 October 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love And Honour

3619
09 November 1671 @ Dorset Garden Theatre

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

3620
May 1673 @ Lincoln's Inn Fields

Event Comment: The King's Company. The date of the premiere is not known, but as the play was entered in the Stationers' Register, 26 June 1673, it was probably acted in May 1673 or earlier. For a discussion of its possible dates, see Nicoll, Restoration Drama, p. 403. A song, The day is come, I see it rise, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Dedication to the edition of 1673:...though it succeeded on the Stage

Performances

Mainpiece Title: Amboyna

3621
19 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mock tempest Or The Enchanted Castle

3622
27 February 1675 @ Dorset Garden Theatre

Performances

Mainpiece Title: Psyche

3623
28 May 1675 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Conquest Of China By The Tartars

3624
March 1677 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Innocence Or The Chamber maid Turnd Quaker

3625
22 May 1677 @ Whitehall or St. James's

Performances