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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Abington"/1) | (@(roleclean,performerclean) "Mr Abington")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5915 results for: Keyword - Mr Abington
We found 4286 matches on Event Comments, 1489 matches on Performance Comments, 530 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

201
24 March 1770 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington. Part of Pit laid into Boxes. Afterpiece: Not played for 8 years. [See 11 April 1765.

Performances

Mainpiece Title: Cymon

Performance Comment: As17691004, but Damon-Fawcett; Dorilas-Wheeler; Fatima-Mrs Abington; Original Epilogue=-Mrs Abington; Dances-_.
Cast
Role: Fatima Actor: Mrs Abington
Role: Original Epilogue Actor: Mrs Abington

Afterpiece Title: The Frenchified Lady Never in Paris

Performance Comment: Palamede-Jefferson; Rhodiphil-Palmer; Melantha-Mrs Abington; Doralice-Mrs Reddish; Philotis-Mrs Love.
Cast
Role: Melantha Actor: Mrs Abington

202
18 March 1771 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington. Mainpiece: Not acted in 4 years. [See 17 March 1768.] Pit and Boxes thrown together. Ladies are earnestly intreated to come early and prevent any difficulty and confusion in getting to their Seats

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Jefferson; Fainall-Reddish; Witwou'd-King; Sir Wilful Witwou'd-Love; Petulant-Baddeley; Waitwell-Parsons; Millamant-Mrs Abington; Lady Wishfort-Mrs Hopkins, first time; Mrs Marwood-Mrs Egerton; Flible-Miss Pope, for that night only; Mrs Fainall-Mrs Reddish; In Act III by Particular Desire will be introduced a French Songaccompanied by two Guittars,-Vernon, Mrs Abington.
Cast
Role: Millamant Actor: Mrs Abington
Role: In Act III by Particular Desire will be introduced Actor: Vernon, Mrs Abington.

Afterpiece Title: High Life below Stairs

Performance Comment: As17701121, but Kitty (with a song and mock Minuet)-Mrs Abington, first time on that stage in that character.
Cast
Role: Kitty Actor: Mrs Abington, first time on that stage in that character.

Dance: V: Comic Dance, as17701025

203
29 November 1782 @ Covent Garden

Event Comment: Mainpiece: Never performed here. [Afterpiece in place of Tom Thumb, announced on playbill of 28 Nov. Address, probably written by Mrs Abington, printed in Public Advertiser, 9 Dec] Receipts: #274 19s. 6d. (271/5/0; 3/14/6)

Performances

Mainpiece Title: The Discovery

Performance Comment: Sir Anthony Branville-Henderson; Lord Medway-Aickin; Colonel Medway-Wroughton; Servants-Helme, Ledger; Sir Harry Flutter-Lewis; Mrs Richley [in subsequent bills called Mrs Knightly]-Mrs Mattocks; Lady Medway-Mrs Hopkins (of DL); Miss Richley-Miss Satchell; Louisa-Miss Morris; Lady Flutter-Mrs Abington (1st appearance at this Theatre). End of Act I an Occasional Address spoken by Mrs Abington .
Cast
Role: Lady Flutter Actor: Mrs Abington

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

204
10 May 1791 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time: C 5, by Simon. Prologue by John Henniker (Town and Country Magazine, June 1791, p. 281). Larpent MS 906; not published; synopsis of plot in Morning Post, 11 May]. "Scarcely [any] performer in the piece thought it worth while to charge their memories with words, that they would wish afterwards, if they had, to forget as fast as possible...The imitations were some tolerably true, and a few excellent. Siddons and Storace were outrageous caricatures. Mrs Wells once came infinitely nearer the former. She is now deficient in tone and emphasis--all is shiver and sob. Mrs Crawford, Mrs Jordan and Mrs Abington were worthy her talents in the mimetic art" (Oracle, 11 May). Public Advertiser, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #313 3s. (148.15; 8.7; tickets: 156.1)

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

205
02 October 1759 @ Drury Lane Theatre

Event Comment: KKing did Tom (Well) Mrs Clive being taken ill-Mrs Abington did Phillis & I borrow Mrs Baker from Rich to do Lucinda. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Fleetwood1st time; Myrtle-Palmer; Sir John-Burton; Sealand-Havard; Cimberton-Philips; Humphrey-Blakes; Daniel-Vaughan; Tom-King (from Dublin); Phyllis-Mrs Abington; Lucinda-Mrs Baker (from cg); Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Indiana-Mrs Cibber; In Act II Singing-Miss Young.
Cast
Role: Phyllis Actor: Mrs Abington

Afterpiece Title: The Englishman in Paris

206
05 November 1759 @ Drury Lane Theatre

Event Comment: MMrs Abington left about this time for Ireland (Genest, IV, 574). Receipts: #170 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: High Life Below Stairs

Performance Comment: As17591031, but Mrs_ Abington.
Cast
Role: Lady Bab's Maid Actor: Mrs Abington

207
28 March 1767 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Holland. Part of Pit laid into Boxes. House Charges #67 1s. 6d. [Profit to Holland #201 8s. 6d.] Tragedy (never performed) written in the manner of Shakespeare [by Joseph Reed]. Rec'd stopages 16s. 6d. Paid salary list #294 2s. 8d.; Chorus singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #268 10s. (Treasurer's Book). To see Dido, a Tragedy in Shakespere's style, performed for the first time, with Daphne and Amintor. This piece is the production of a Ropemaker of Chadwick, and being refused by the managers, was given to Holland to be played for his benefit. It went off with considerable applause and is by desire to be performed again. Powel and Yates were good in Aeneas and Dido. Holland played Narbel, Havard Bilias, and Bensley Anchises. We had a prologue spoken by King and an Epilogue spoken by Mrs Abington. Before the play began, by the light of my wax taper read No. 1564 of the London Chronicle, in which was Night' a pretty good ode (Neville MS Diary)

Performances

Mainpiece Title: Dido

Performance Comment: Parts-Holland, Powell, Havard, Bensley, Bransby, Strange, A Young Gentlewoman, Mrs Lee, Mrs Yates, Packer, Aickin, Fawcett; Prologue-King; Epilogue-Mrs Abington Aeneas-Powell; Cephales-Bensley; Gyas-Bransby; Sagertus-Fox; Norbal-Holland; Bilius-Havard; Adoam-Strange; Dido-Mrs Yates; Anna-Mrs Lee; Barce-Miss Simson (Winston MS 9, from Burney's News Cuttings).
Cast
Role: Epilogue Actor: Mrs Abington Aeneas-Powell
Role: Mrs Abington Aeneas Actor: Powell

Afterpiece Title: Daphne and Amintor

208
06 April 1768 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington. [Farce in two acts. Never before acted. Written by Paul Hiffernan, not printed (Winston MS 10).

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Holland; Sir Bashful Constant-King; Sir Brilliant Fashion-Palmer; William-Baddeley; Sideboard-Ackman; Widow Bellmour (with song in character)-Mrs Abington; Mrs Lovemore-Mrs Palmer, 1st time; Muslin-Mrs Clive; Lady Constant-Mrs Barry; Mignionette-Mrs Bradshaw.
Cast
Role: Widow Bellmour Actor: Mrs Abington

Afterpiece Title: The National Prejudice

Performance Comment: Principal characters-Reddish, Cautherly, J. Palmer, Ackman, J. Burton, Miss Simson, Miss Reynolds, Mrs Abington; With a Prologue-; Epilogue-.
Cast
Role: Principal characters Actor: Reddish, Cautherly, J. Palmer, Ackman, J. Burton, Miss Simson, Miss Reynolds, Mrs Abington

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

209
28 March 1769 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington. Afterpiece: A Farce in 2 Acts, never acted, taken from George Dandin by Moliere. Part of Pit will be laid into the Boxes

Performances

Mainpiece Title: The Hypocrite

Cast
Role: Charlotte Actor: Mrs Abington

Afterpiece Title: No Wit Like a Womans

Performance Comment: Parts-Weston, Palmer, Moody, J. Aickin, Hartry, Strange, J. Burton, Mrs Dorman, Miss Platt, Mrs Abington.
Cast
Role: Parts Actor: Weston, Palmer, Moody, J. Aickin, Hartry, Strange, J. Burton, Mrs Dorman, Miss Platt, Mrs Abington.

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922

210
19 February 1783 @ Covent Garden

Event Comment: Paid Mrs Abington on account of her Salary #250. Receipts: #244 12s. 6d. (235/13/0; 8/19/6)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Henderson; Leonato-Hull; Don Pedro-Davies; Claudio-Whitfield; Balthazar (with a song)-Mattocks; Don John-Booth; Antonio-Thompson; Borachio-W. Bates; Conrade-Mahon; Friar-Fearon; Verges-Mills; Dogberry-Quick; Town Clerk-Edwin; Hero-Miss Cleland; Margaret-Mrs Whitfield; Ursula-Mrs Poussin; Beatrice-Mrs Abington .
Cast
Role: Beatrice Actor: Mrs Abington

Afterpiece Title: Rosina

211
13 February 1784 @ Covent Garden

Event Comment: "The appearance of Mrs Abington in the two characters of the Capricious Lady and Lady Bab Lardoon cannot fail of being considered as a high Treat ... as the first exhibits the coy, formal Manners of the last Age, and the latter the free degagee Breeding of the present" (Public Advertiser, 13 Feb.). Receipts: #227 12s. 6d. (211/10/0; 16/2/6)

Performances

Mainpiece Title: The Capricious Lady

Performance Comment: Elder Loveless-Wroughton; Welford-Whitfield; Savel-Quick; Morecraft-Wilson; Poet-Wewitzer; Traveller-Davies; Welford's Servant-Fearon; Captain-Mahon; Young Loveless-Lewis; Widow-Mrs Morton; Martha-Mrs Lewis; Abigail-Mrs Webb; The Capricious Lady-Mrs Abington .
Cast
Role: The Capricious Lady Actor: Mrs Abington

Afterpiece Title: The Maid of the Oaks

Performance Comment: Old Groveby-Wilson; Dupely-Whitfield; Old worth-Clarke; Sir Harry Groveby-Davies; Hurry-Edwin; Maria (with a song)-Mrs Kemble; Lady Bab Lardoon-Mrs Abington. The Musical Characters by Brett, Miss Stuart, Mrs Morton .
Cast
Role: Lady Bab Lardoon Actor: Mrs Abington. The Musical Characters by Brett, Miss Stuart, Mrs Morton

Dance: End of mainpiece, as17830917; In Act I of afterpiece Dance by Harris, Miss Matthews, Miss Besford

212
06 October 1784 @ Covent Garden

Event Comment: "Being possessed of an excellent understanding, and under the general impression of elegant manners, there appears to be no study [in Mrs Abington], no imitation--all is the result of the moment--natural, well-bred, and easy" (Public Advertiser, 25 Nov. 1784). Mainpiece: Altered from Cibber's Non-Jour, and the Tartuffe of Moliere. Not acted these 12 years [acted 12 Oct. 1773]

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Aickin; Colonel Lambert-Lewis; Seward-Farren; Sir John Lambert-Hull; Mawworm-Edwin; Darnley-Wroughton; Lady Lambert-Mrs Bates; Old Lady Lambert-Mrs Webb; Betty-Miss Stuart; Charlotte-Mrs Abington (1st appearance this season) .
Cast
Role: Charlotte Actor: Mrs Abington

Afterpiece Title: The Musical Lady

Dance: End of Act II of mainpiece The Rival Nympbs by Harris, Byrne, Ratchford, Mrs Goodwin, Miss Matthews

213
05 October 1785 @ Covent Garden

Event Comment: By Command of Their Majesties. [In mainpiece the playbill assigns Stockwell to Aickin, but "Fearon, in consequence of Aickin's illness, took the part of Stockwell at a short notice and upon the whole acquitted himself respectably" (Morning Chronicle, 6 Oct.).] "There is an infinite combination in Mrs Abington, a power of making everything new yet conformable to the character (Public Advertiser, 14 Oct.). Receipts: #328 11s. 6d. (326/11/0; 2/0/6)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Fearon; Major O'Flaherty-Johnstone; Captain Dudley-Hull; Charles-Farren; Fulmer-Thompson; Varland-Quick; Louisa-Mrs Bannister; Lady Rusport-Mrs Webb; Lucy-Miss Stuart; Mrs Fulmer-Mrs Bates; Charlotte Rusport (with the original Epilogue written by Garrick)-Mrs Abington .
Cast
Role: Charlotte Rusport Actor: Mrs Abington

Afterpiece Title: The Rehearsal

214
26 January 1787 @ Covent Garden

Event Comment: "Mrs Abington's reconciliation scene was particularly fine-no declamation-no attempt at tragedizing-it...carried the full proof of conviction and repentance" (Public Advertiser, 27 Jan.). Receipts: #238 5s. 6d. (235.4.0; 3.1.6)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Pope; Manly-Farren; Sir Francis Wronghead-Fearon; Squire Richard-Quick; John Moody-Edwin; Count Basset-Macready; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs Webb; Miss Jenny-Mrs Brown; Myrtilla-Mrs Lewis; Mrs Motherly-Miss Platt; Trusty-Miss Stuart; Lady Townly-Mrs Abington (1st appearance this season).
Cast
Role: Lady Townly Actor: Mrs Abington

Afterpiece Title: Hob in the Well

215
09 February 1787 @ Covent Garden

Event Comment: Account-Book, 14 Feb.: Paid Mrs Abington for 4 Nights Performance #120. Afterpiece: Taken from Solyman the Magnificent of Marmontel. Receipts: #127 13s. (119.8.6; 8.4.6)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: As17861113, but Belinda-Mrs Abington.
Cast
Role: Belinda Actor: Mrs Abington.

Afterpiece Title: The Sultan

Performance Comment: Solyman-Davies; Osman-Fearon; Selim-Darley; Ismene-Mrs Martyr; Elmira-Mrs Inchbald; Roxalana-Mrs Abington.
Cast
Role: Roxalana Actor: Mrs Abington.

Dance: End: The Wapping Landlady, as17870131

Ballet: Afterpiece conclude: with a Grand Dance. Chief of the Bostanges-Byrn; Principal Female Dancers-Mrs Ratchford, Mrs Goodwin

216
06 October 1797 @ Covent Garden

Event Comment: [This was Mrs Abington's 1st appearance on the stage since 12 Feb. 1790, except for 14 June 1797, when she spoke an epilogue at a charity benefit.] "Her former Beatrice was a chaste, animated, unaffected and captivating performance; but her Beatrice of this night was, for the greater part, languid and unattractive. Her deportment, however, is easy and graceful; but her person is too big and heavy to give any effect to the more gay and sprightly scenes. We conceive it to be the height of folly and imprudence in her to come forward in the present advanced period of her existence; and that too, with a person so ill calculated for the department, and attempt characters which demand all the vigour and activity of youth" (Monthly Visitor, Oct. 1797, p. 352). [Address by George Colman, ynger (London Chronicle, 7 Oct.).] Receipts: #348 2s. (336.18; 11.14)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Lewis; Leonato-Hull; Don Pedro-Clarke; Claudio-Toms; Balthazar (with a song)-Townsend; Don John-Waddy; Antonio-Thompson; Borachio-Farley; Conrade-Claremont; Friar-Davenport; Verges-Simmons; Dogberry-Munden; Town Clerk-Powel; Hero-Mrs Mountain; Margaret-Miss Leserve; Ursula-Mrs Platt; Beatrice-Mrs Abington.
Cast
Role: Beatrice Actor: Mrs Abington.

Afterpiece Title: Diamond Cut Diamond

Dance: II: Masquerade Dance- incident to the Play

Entertainment: Monologue.Preceding: a new Occasional Address-Murray

217
12 April 1799 @ Covent Garden

Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Performances

Mainpiece Title: The Count Of Burgundy

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17981105, but Lady Racket (1st and only Time [of appearing] this Season)-Mrs Abington (who has kindly favored Pope with her Performance).
Cast
Role: Lady Racket Actor: Mrs Abington

Afterpiece Title: Netley Abbey

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

218
16 November 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: Title Unknown

219
15 February 1675 @ Whitehall or St. James's

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

220
30 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

221
15 October 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

222
14 November 1696 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

223
November 1698 @ Drury Lane Theatre

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

224
December 1699 @ Drury Lane Theatre

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

225
January 1692 @ Drury Lane Theatre

Performances

Mainpiece Title: The Marriage hater Matched