SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: No alterations were made in the farce, but cutting out a little, & it was play'd with great Applause, & given out again with great Clapping. Benefit for Mr Worsdale (Cross). Tickets to be had at the Bedford Coffee House. Part of Pit laid into boxes. We hear that Miss Bellamy, belonging to Drury Lane Theatre, was taken ill on Sunday last, and continues very much indispos'd. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17510910, but Tubal-Costollo; Gobbo-W. Vaughan.

Afterpiece Title: Taste

Performance Comment: As17520111.

Dance: End IV: a Comic Dance-Sg Piettro, Sga Piettro

Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17511009.

Afterpiece Title: Taste

Performance Comment: As17520111.

Song: III: Haughty Strephon by Dr Arne-Master Vernon

Event Comment: Publish'd, A Treatise of the Passions so far as they regard the stage &c., by Mr Foote. 1s. [First pub. 1747, it contains an interesting comment on Garrick's Lear.] Romeo and Juliet which was bespoke, and was to have been acted last Monday at Drury Lane, will be acted there next Monday, Miss Bellamy being recovered from her late indisposition. Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17520116.

Afterpiece Title: The Shepherd's Lottery

Performance Comment: As17511119.
Event Comment: TThe Sorcerer, a Pantomime Entertainment, originally performed at the Theatre in Lincoln's Inn Fields, is preparing, with alterations, at Covent Garden (The scenes painted by Mr Lambert) and will be performed one day next week. [Another letter appeared in the General Advertiser on innocent entertainment for the lower classes (see 29 Jan. 1752), but severely criticized the existence of Prize fights, Cock-pits, and Gambling houses as the real nuisances and nurseries of theft and disorder."] It is whispered that the Townwill shortly be entertained with a phenomenon of the Monosyllable Fun,--the match between Sir Alexander Drawcansir, Kent. and their Lownesses of Grub Street, being certainly to be decided on the Stage; great bets depending on this Battle, it is thought the Knowing ones will be taken in (General Advertiser)

Performances

Mainpiece Title: Othello

Performance Comment: As17511009.

Afterpiece Title: Mock Doctor

Performance Comment: As17510928.
Event Comment: Afterpiece: By Desire. The Comedy of Every Man in His Humour, will be played again on Tuesday, the 10th of March for the Benefit of Mr Woodward. Receipts: #160 (Cross)

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: As17520206.

Afterpiece Title: Queen Mab

Performance Comment: As17520205.

Dance: As17520204

Event Comment: RRichd 3d (by Mossop) & Anatomist was put up but: Mossop being taken ill, after many Messages it was resolv'd to do ye Con. Lovers & Harl. Ranger. Small bills were printed & deliver'd at ye Doors to signify the Change & all went well. Mr Rich's Ent: of ye Sorcerer came out this day (Cross). Receipts: #120 (Cross). [The small bill referred to by Cross read as follows:] @Theatre Royal in Drury Lane@This night being the@11th of February@Richard the Third@(On Account of the Indisposition of a Principal Performer)@Is Oblig'd to be Chang'd to@The Conscious Lovers@and@Harlequin Ranger@with Dancing@By Mad Auretti@

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17511003.

Afterpiece Title: Harlequin Ranger

Performance Comment: As17520118.
Event Comment: Afterpiece: A Pantomime entertainment not performed these 20 years. The Scenes painted by Mr Lambert. Nothing under Full Prices will be taken during the performance. Ladies send servants by three o'clock. [The note about full prices is repeated throughout the run of this pantomime this season. A rather detailed description of the action in this pantomime appeared in the Drury Lane Journal, reprinted in the Gentleman's Magazine for Feb. 1752, pp. 52-53.

Performances

Mainpiece Title: Drummer

Performance Comment: As17511111.

Afterpiece Title: Harlequin Sorcerer; with the Loves of Pluto and Proserpine With Alterations

Performance Comment: Pluto-Howard; Ascalax-Baker; Proserpine-Mrs Storer; Witches-Legge; Mrs Lampe, Mrs Arne, Miss Young; Harlequin- (1752 ed.).
Event Comment: Benefit for ye Author (Cross). Tickets to be had of the Author at his lodgings the Angel in King's Street, Covent Garden; A Millar, over-against Catharine Street, in the Strand; and at the Stage Door of the theatre, where places may be taken (playbill). We hear Mr Ross is to perform the part of Romeo in the Play Romeo and Juliet for his benefit, which is to be on Thursday, the 31st of March (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: Eugenia

Performance Comment: As17520217.
Event Comment: A Morning's Entertainment of Vocal and Instrumental Musick. The Oratory given gratis. Benefit Mr James Lowe. To begin At 12 noon. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520211, but Cymballo act-.
Event Comment: Benefit for Mrs Cibber. Afterpiece: A Dramatic piece of one act taken from the French. Never perform'd before. The characters in it to be newdress'd. Pit and boxes laid together and amphitheatre on stage. Tickets deliver'd for 3 March will be taken. [See, 20 March. The note in Have at you all; or, The Drury Lane Journal (19 March) seems to comment on this performance: Those heroic full-bottomed perukes, whose bushy expanse is spread over the whole back of the wearer, have lately been exploded on the stage, and a more natural, I mean a less enormous covering for the head substituted in its stead. Unfortunately Mr Barry this night chose to appear in one of the most curiously frizzled out and of the fullest tragical flow I ever saw: When in the last act it was our heroes turn to be kill'd, honest Ryan being eager to dispatch him, just as he was to plump down upon the carpet, entangled his hand in the vast profusion of Macbeth's hair; and by jerking back his sword after the concluding stab, away came poor periwig along with it, while our hero was left expos'd, in the last agonies of death-bare headed. Ryan in the meanwhile with some confuconfusion contemplated Full-Bottom, which he held dangling in his hand, but sadly tumbled out of curl; at length he good naturedly adjusted it on the bald pate of the tyrant, who was then enabled to make his dying speech with proper regularity and decorum."

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Barry; Macduff-Ryan; King-Gibson; Malcolm-Usher; Donalbaine-Miss Morrison; Fleance-Miss Mullart; Angus-Bennet; Seyward-Anderson; Young Seyward-Bransby; Lenox-Redman; Seyton-Paddick; Banquo-Sparks; Rosse-Ridout; Murderers-Stoppelaer, Marten; Hecate-Arthur; Witches-Dunstall, Collins, Cushing; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Cibber (first time); Original Music-; the vocal parts-Lowe, Howard, Legge, Baker, Mrs Arne, Mrs Lampe, Mrs Storer, Miss Falkner, Miss Young, Mrs Vincent; dances- add decorations incident of the play.

Afterpiece Title: The Oracle

Performance Comment: Principal parts-Dyer, Mrs Elmy, Mrs Cibber; Dance (incident to the piece)-Miss Hilliard; New Prologue-Barry.

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for Mr Church, performer on the Jew's Harp. Boxes 4s. [Rest as 12 March. The seventeenth night.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but will be introduc'd several new Tunes on the Jew's Harp never performed before-; A Solo in a new Taste-Signor Piantafugo; Salt@Box-; and the Performances of Signior Bombasto; Sg Bombazino as usual; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; A New Prologue-a Gentleman; Epilogue-Hallet.
Event Comment: This day is publish'd Judas Macchabaeus: a Sacred Drama as it is performed at Covent Garden. Set by Mr Handel. Printed for J. Watts. This day Publish'd The Oracle, a Comedy of one act as it is perform'd at Covent Garden, at 1s. By Mrs Cibber printed for R. Dosdley in Pall Mall, &c

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon, Brother to Judas-; Messenger-; Eupolemus, Jewish Ambassador to Rome- (Larpent MS).
Event Comment: Benefit for Bencraft and Mrs Vincent. Mainpiece: Containing the Memorable Battle of Agincourtv; with the total overthrow of the French Armyv; and many other historical passages. Tickets to be had of Mrs Vincent at the Cock and Turk's Head, in Bedford St., Covent Garden; of Bencraft at the corner of the Piazzas; and of Mr Page at the Stage Door of the Theatre

Performances

Mainpiece Title: King Henry V

Performance Comment: King Henry-Barry; Exeter-Ridout; Canterbury-Sparks; Salisbury-Bencraft; Westmorland-Ricard; Williams-Bransby; Gower-Anderson; Scroop-Paddick; Gray-Redman; France-Gibson; Dauphine-Usher; Burgandy-Cushing; Mountjoy-Baker; Queen of France-Mrs Bambridge; Constable-Bridgwater; Fluellin-Macklin; MacMorris-Barrington; Jamy-Dunstall; Bardolph-Marten; Nym-Stoppelaer; Page-Miss Morrison; Hostess-Mrs Macklin; Pistol-Dyer; Catherine-Mrs Vincent; Chorus-Ryan.

Afterpiece Title: The Miller Outwitted; or, Harlequin Statue

Performance Comment: Harlequin-Miles; Colombine-Miss Haughton; Pierrot-Lalauze; To conclude with a Grand Comic Ballet-Grandchamps, Mad Camargo.

Dance: GGrand Dutch Dance, as17511021

Event Comment: Benefit for Ross. Mr Ross did Romeo & spoke an Elogium upon Shakespear in ye form of ye Monument in the Abby (Cross). Last time of performing the mainpiece this season. Nothing under full prices. After the play an Elogium wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespeare, spoken by Ross representing the Shade of Shakespeare as figured on his monument in Westminster Abbey. Receipts: #200 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17520127, but Romeo-Ross (1st time); Escalus-_; Paris-_; Benvolio-_; Lady Capulet-_.

Afterpiece Title: The Anatomist

Performance Comment: As17510910 but only Crispin listed.
Event Comment: Benefit for Mr Blakes. Tickets at his house in Cranbourn-Alley, Leicester-Fields; and at stage door. Receipts: #110 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17520203, but Richard-Mossop; King Henry-Berry; Richmond-Havard; Servant-Ackman.

Afterpiece Title: Lethe

Performance Comment: As17520312 but Frenchman-Blakes; Tattoo-Marr; Charon-Costollo listed as17510924.

Dance: GGrand Provincial Dance, as17520204

Event Comment: Benefit for Mr Mathews. Places at stage door, and at Mathews in Long-Acre, near St Martin's Lane. Receipts. #140 (Cross)

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: As17511203, but Original Epilogue-_.

Afterpiece Title: The Shepherd's Lottery

Performance Comment: As17520307 but Pastoral Dance-Harvey.

Dance: III: A Hornpipe-; The Little Swiss; End: The Grand Provincial Dance, as17520204

Event Comment: Benefit for Miss Falkner. Mainpiece: By Particular Desire. Tickets for the Merchant of Venice will be taken. Mr Lowe being incapable of performing by a cold, obliges Miss Falkner to change the Farce [Pyramus and Thisbe had been advertised]

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17520312 but Daniel-_; the Singing-Miss Falkner instead of by Lowe; Occasional Epilogue-Miss Falkner.

Afterpiece Title: The What D'ye Call It

Performance Comment: See17520205.

Dance: GGrand Comic Ballet, as17511216; Grand Dutch Dance, as17511021

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Sg Piettro, and Mr Oswald, as well as those for Lady Jane Gray will be taken. Receipts: #128 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17520319 but Hero-Mrs Mills; Margaret-Mrs Yates.

Afterpiece Title: The Shepherd's Lottery

Performance Comment: As17520402.

Dance: Sg Piettro, Mad Janeton Auretti, Master Piettro

Event Comment: Benefit for Sowdon. No building on the stage on account of the Coronation. [With] The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; The Death of Cardinal Wolseyv; the Christening of Princess Elizabethv; and many other historical passages. Tickets to be had of Sowdon, next door to the Black Lyon, in Little Russel-St., Covent Garden; at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and at the stage door. Mainpiece: Not acted in 6 years [see 1 Jan. 1746]. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King-Sowdon; Wolsey-Mossop, 1st time; Buckingham-Ross, 1st time; Norfolk-Palmer; Suffolk-Blakes; Surrey-Lee; Cranmer-Havard; Gardiner-Taswell; Sandys-Shuter; Lord Chamberlain-Winstone; Anne Bullen-Mrs Mills; Queen-Mrs Pritchard; Cornwell-Mozeen; Patience (with a proper song)-Miss Norris. Exact representation of the Coronation.

Afterpiece Title: Don Quixote

Performance Comment: As17520406 but Fairlove-_; Loveland-_.
Event Comment: Benefit for Ridout. Afterpiece: Acted for the last time but one. Tickets deliver'd out by Mr Stephens will be taken

Performances

Mainpiece Title: Hamlet

Performance Comment: As17511011, but Ostrick-Cushing.

Afterpiece Title: The Oracle

Performance Comment: As17520406.

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for LaLauze. Mainpiece: By Particular Desire. Tickets delivered by Miss Haughton will be taken. This Day Publish'd the last New Oratorio Jeptha, in Score, composed by Mr Handel at 10s. 6d

Performances

Mainpiece Title: Siege Of Damascus

Performance Comment: As17520309 but only Phocyas-Barry; Eumenes-Ryan; Caled-Sparks; Abudah-Ridout; Eudocia-Mrs Cibber listed.

Afterpiece Title: Royal Chace

Performance Comment: As17520208, but Pierrot-LaLauzethe only character listed.

Dance: I: Two Pierrots-Dennison, Settree (Scholars of LaLauze); II: Shepherd's Dance-Settree; III: Pigmalion, as17510925; IV: Le je ne scay quois-Dennison, Madem Camargo, Settree; V: "By Desire"Louvre, Minuet-Settree, Miss Hillyard

Event Comment: Benefit for Mr Leviez. No Building on stage. Tickets at his, the lowest House on the Right-Hand in Beaufort Buildings in the Strand; and at Stage Door of Theatre. Receipts: #125 (Cross)

Performances

Mainpiece Title: The Comical Lovers

Performance Comment: As17520309.

Afterpiece Title: A Duke and no Duke

Performance Comment: As17511107.

Dance: II: A Peasant Dance-Master Piettro; III: A Comic Dance-Sg Piettro, Janeton Auretti; IV: a Hornpipe-the Little Swiss; V: L'Entree de Flore, as17511015; a Peasant Dance, as17511015

Event Comment: Benefit for Pritchard, Treasurer. Tickets his house next the Chapel in Great Queen St., Lincoln's Inn Fields. This day publish'd at 1s.A Poetical Epistle from Shakespear in Elysium, to Mr Garrick at Drury Lane Theatre. Printed for J. Newberry (General Advertiser). Old Jack Ray, dy'd (Cross). Receipts: #130 (Cross)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17520109, but Mrs Sullen-Mrs Pritchard; Sullen-Burton; Gipsie-Mrs Simson.

Afterpiece Title: Lethe

Performance Comment: As17520414 but Frenchman-Blakes; Aesop-_.

Dance: IV: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Event Comment: Benefit for Mr Howard. Afterpiece: A Masque (never perform'd here). As it was performed at the Theatre Royal Dublin, with universal applause. The Music composed by Sg Pasquali. Printed Books of the Entertainment will be sold at the Theatre. Tickets deliver'd out by Grandchamps and Madem Camargo will be taken

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17511226.

Afterpiece Title: The Triumphs of Hibernia

Performance Comment: Hibernia-Mrs Storer; Liberty-Mrs Lampe; Peace-Miss Falkner; Valor-Howard; Hibernia's Genius-Lowe.

Dance: I: Grand Comic Ballet, as17511216; III: Venetian Gardeners-Grandchamps, Madem Camargo; End of Play: Louvre, Minuet-Grandchamps, Madem Camargo

Event Comment: Benefit for the Widow of the Late Mr Lampe, and Miss Young. Afterpiece: By Particular Desire of several Ladies of Quality. Being Postiively the last time of acting it this season. Tickets deliver'd out for Macbeth will be taken

Performances

Mainpiece Title: Hamlet

Performance Comment: As17520410.

Afterpiece Title: The Oracle

Performance Comment: As17520323.

Dance: GGrand Comic Ballet, as17511216