SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: SStationers Hall, Ludgate St. Benefit Edmund Larken...With all the choruses. Composed by Mr Handel.] Printed Books of the Masque will be given gratis at the place of performance. Tickets at 5s. each. Particular care will be taken to have the Hall well air'd

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: The Song-a celebrated Young Lady, first itme in any public concert; the other parts-the most eminent performers; 1st Violin-Brown.

Music: Concerto on German Flute-Burk Thumoth

Song: An English and an Italian Song-the sister of the above lady, a child of nine years; the whole to conclude with: the Coronation Anthem God Save the King-; Trumpet-Valentine Snow

Event Comment: LLondon Daily Post and General Advertiser, 25 Feb. contained the following verses: Hearing Mr Handel's Samson at Covent Garden. Rais'd by his subject Milton nobly flew And all Parnassus open'd to our view; By Milton fir'd Great Handel strikes our ear, And every power of harmony we hear. When two such mighty artists blend their fire Pour forth each Charm that Genius can inspire The man whose bosom does not raptures feel, Must have no soul, or all his heart be steel

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Dalila-Signora Francesina; Micah-Signora Francesina, Sullivan; Harapha-Reinhold; Israelite Woman-Signora Avolio (Dean, Handel's Dramatic Oratorios, p. 351). Mrs Delany to Mrs Dewes, 25 Feb.: Francesina sings most of Mrs Cibber's parts and some of Mrs Clive's. [See Deutsch, Handel, p. 585.]See Deutsch, Handel, p. 585.]
Event Comment: Benefit the Author [Havard]. Tickets to be had at his lodgings, the Corner of the Great Piazza, in James St, Covent Garden; at the Bedford Coffee House, and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: Regulus

Performance Comment: See17440221 but Actors only.
Event Comment: Written by Mr Dryden. Benefit Quin. By command of their Royal Highnesses the Prince and Princess of Wales. For the better accomodation of the ladies, the stage will be enclos'd and form'd into an Amphitheatre, where servants will be allow'd to keep places. Ladies send servants by three

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Performance Comment: Don Sebastian-Ryan; Dorax-Quin; Antonio-Chapman; Mufti-Hippisley; Almeyda-Mrs Pritchard; Morayma-Mrs Clive; Muley Moluch-Cashell; Benducar-Bridgwater; Mustapha-Rosco; Muley Zeydan-Anderson; Alvarez-Ridout; Orchan-Hayman; Johayma-Mrs Mullart.
Event Comment: Advertisement by Mr Leveridge. To be sung to the tune of A Cobler there was, and he lived in a stall." [See 3 and 17 April.] I. Observing the papers for several days@Fill's up with a number of Benefit plays@My Muse smiling said, Dick, it will not be wrong@To sound an advertisement in Merry song,@Derry, down, down, down, derry down.@ II. And thus now I raised up my voice to the town@To move Your kind thoughts against My Day comes on@And then with your favours my play to promote,@That Leveridge may sing (when he offers his note)@Derry down, &c

Performances

Mainpiece Title: Joseph And His Brethren

Performance Comment: See17440302.

Music: Concerto on Organ-

Event Comment: Benefit Dr Clancy. "The Day returns, but not to me returns," Milton. This Gentleman being deprived of the Advantages of following his profession; and as the writing he had produced for the stage could not be brought out this season, the Master of the Playhouse has been so kind as to favour him with a Benefit Night: It is therefore hoped, that as this will be the first instance of any person laboring under so heavy a deprivation, performing on the stage, the Novelty, as well as the Unhappyness of his case, will engage the favour and protection of a British Audience. Note: Tickets to be had at the Temple-Exchange Coffee House in Fleet Street; Tom's Coffee House in Cornhill; St. James Coffee House, St. James's Street; Child's Coffee House, St. Paul's Churchyard and the Chapter Coffee House in Paternoster Row. Places for Boxes to be Taken at the Stage Door of the Theatre. [General Advertiser, 4 April, publish'd a fifty-six Prologue (licensed) Intended for Oedipus, acted for the Benefit of the Very Ingenious Dr Clancy, written by Mr Lockman.

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Tiresias the Prophet-Dr Clancy who is Blind; Oedipus-Delane; Creon-Bridges; Adrastus-Mills; Haemon-Havard; Phorbas-Berry; Aegeon-W. Giffard; Manto-Miss Budgell; Citizens-Yates, Taswell, Neale, Morgan, Arthur, Dunstall, Collins; Ghost of Laius-Woodburn; Diocles-Winstone; Pyracmon-Turbutt; Alcander-Blakes; Dymas-Green; Jocasta-Mrs Roberts; Euridice-Mrs Mills.

Afterpiece Title: The School Boy

Performance Comment: As17431114, but Major Rakish-Morgan; Tom-_.
Event Comment: [L$Leveridge's rhymed advertisement of 14 March repeated but with last two lines of Verse II as follows]: Which I with acknowledgment full of Delight Will gratefully sing on my Benefit Night,...which will be Tuesday April 17th, with The Miser. Tickets at Leveridge's Lodgings in Hanover St., the third door on the right hand from Long Acre, and of Mr Page at the Stage Door.--General Advertiser

Performances

Mainpiece Title: Hamlet

Performance Comment: As17440331.

Afterpiece Title: The Royal Chace

Performance Comment: As17440315(General Advertiser).
Event Comment: Benefit Yates. Tickets at Yates's lodgings, next door to Mr Walsh's Music Shop, in Katherine St. in the Strand

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17440206, but Brazen-Yates; Plume-Garrick.

Afterpiece Title: The Harlot's Progress

Performance Comment: Harlequin-Yates; Kitty-Mrs Dunstall; Beau Mordicai-Liviez; Debauchee-Turbutt; Concluding with a Masquerade Dance-Muilment.

Dance: I: Dance-Mlle Auguste; IV: The Last New Turkish Dance-Muilment, Mlle Auguste

Music: III: Concerto on Violin-Gordon

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Brisk-Cibber Jun.; Sir Paul Plyant-Yates; Lady Froth-Mrs Mills; Maskwell-Berry; Mellefont-Havard; Careless-Mills; Lord Froth-Neale; Lord Touchwood-Winstone; Lady Plyant-Mrs Roberts; Saygrace-Turbutt; Lady Touchwood-Mrs Cross; Cynthia-Mrs Ridout.

Afterpiece Title: The Jovial Crew

Performance Comment: As17440409.

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: *c1702 04 25 js e particular Desire of several True Britons.A Concert. Written by Mr Phillips. Not acted 20 Years [see 3 April 1722]. 6 p.m. There will be no posting Bills

Performances

Mainpiece Title: The Briton

Performance Comment: Original prologue-; epilogue-.

Song:

Event Comment: Author's Night. The Author labouring under a severe and dangerous illness, hopes his friends will excuse his personal Application, and send for tickets to Mr Watts, at the Printing Office in Wild Court; or to Hobson at the Stage door of the theatre at Drury Lane Mahomet translated from the French of Voltaire; but I have no great opinion of the subject, or the original author as a poet; and my diffidence is rather improved by the testimony of those who have seen it.-Letters of William Shenstone, p. 89

Performances

Mainpiece Title: Mahomet

Performance Comment: As17440426.

Afterpiece Title: The Amorous Goddess

Performance Comment: As17440420.
Event Comment: Benefit Philips. To prevent mistakes, tis humbly hoped all Gentlemen and Ladies that take places, will be pleas'd to send for tickets at the same time. Tickets to be had of Mr Page at the stage door

Performances

Mainpiece Title: Macbeth

Performance Comment: As17440413 but Macbeth-Sheridan at the particular desire of several Ladies of Quality.

Afterpiece Title: Flora; or, Hob in the Well

Performance Comment: Friendly-Beard; Flora-Mrs Vincent; Sir ThomasTesty-Hippisley; Old Hob-Marten; Dick-Anderson; Roger-Bencraft; Hob's Mother-Mrs Martin; Betty-Miss Hippisley; Hob-Philips.

Dance: GGrand Ballet, as17440423

Event Comment: Benefit Dunstall, Morland, Demembray (Machinist), Desse, Baudouin, and Mr Powell (Deputy Treasurer). Tickets to be had of Hobson

Performances

Mainpiece Title: Love For Love

Performance Comment: As17431221, but Valentine-Giffard; Jeremy-Green; Miss Prue-Mrs Dunstall; Mrs Foresight-Mrs Chetwood; Sir Sampson-Dunstall; Foresight-Arthur.

Afterpiece Title: The Devil to Pay

Performance Comment: As17440504.

Song: I, II, IV: Morland

Dance: III: Desse, Mrs Walter

Event Comment: Benefit Bradshaw (Box-Keeper). Places for Boxes to be taken at his house near the Bull-and-Gate, in Holborn; and at Mr Trafford's at the Rose Tavern, Russell St.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17431212, but Phillis-Miss Bradshaw; Singing in Act II-Morland.

Afterpiece Title: The Devil to Pay

Performance Comment: As17440504, but Nell-Miss Bradshaw.

Dance: Muilment, Mlle Auguste

Event Comment: Benefit Morgan, Leigh, Mr and Miss Wright, Fullwood

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17440406 but Plume-Giffard; Kite-Morgan; Worthy-Havard.

Afterpiece Title: The Lying Valet

Performance Comment: As17440509.

Dance: I: A New Dance-Miss Wright; II: a Comic Dance-Davenport, Miss Wright; V: Dance-Mlle Auguste

Song: IV: Morland

Event Comment: On Tuesday last died in Dublin, Mr Thomas Walker, the Comedian, who originally perform'd the Part of Capt. Macheath in the Beggar's Opera.--General Advertiser, 12 June

Performances

Event Comment: MMonticelli and all the singers and dancers of the opera go away next week, there being no more of these entertainments next winter. Mr. Handell having taken the House...to perform his Oratorios in all the next season.--Lady Ethelreda Townshend to Isabella, Countess of Denbigh, cited from Denbigh MS. in Deutsch, Handel, p. 592

Performances

Event Comment: The Third Night. 7 p.m. The Company intends to revive several old pieces, and will perform every Tuesday and Friday during the summer season. Places for the Boxes at Mr Macklin's, Bow Street, Covent Garden. [A letter appeared in Daily Advertiser, 10 July, on the acting of Hamlet.

Performances

Mainpiece Title: Hamlet

Performance Comment: As17440629.
Event Comment: The New Theatre in the Haymarket will speedily be open'd with Shakespeare's Romeo and Juliet, by Permission, according to Act of Parliament. This Piece, it's said, has not been played these hundred years. The character of Juliet is to be acted by Miss Jenny Cibber, a young daughter of Mr Cibber, by his first wife....A new Comedy, call'd the Prodigal; or, Recruits for the Queen of Hungary, will soon after be brought on that Stage.-Daily Advertiser

Performances

Event Comment: Places for the Boxes to be taken of Mr Hobson, at the Stage Door of the Theatre. By His Majesty's Command, no person to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. To begin exactly at Six o'clock

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Giffard; Angelica-Mrs Giffard; Mrs Frail-Mrs Woffington; Miss Prue-Mrs Ridout; Tattle-Neale; Scandal-Havard; Sir Sampson-Bridges; Ben-Yates; Foresight-Taswell; Trapland-Ray; Buckram-Woodburn; Jeremy-Blakes; Mrs Foresight-Mrs Cross; Nurse-Mrs Bridges.
Event Comment: Written by Dryden. Places for boxes to be taken of Mr Page at the stage door of the theatre. 6 p.m

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Performance Comment: Dorax-Quin; Sebastian-Ryan; Muley Moluch-Cashell; Benducar-Bridgwater; Antonio-Woodward; Mustapha-Rosco; Mufti-Hippisley; Muley Zeydan-Anderson; Alvarez-Ridout; Orchan-Hayman; Moryama-Mrs Vincent; Johayma-Mrs Mullart; Almeyda-Mrs Pritchard.
Event Comment: Mainpiece written by the late Mr Addison. [That Bridges doubled in the roles of Syphax and Sempronius seems to be born out by listing in both the advance notice and the bill of the day.

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Delane; Juba-Giffard; Syphax-Bridges; Portius-Havard; Marcia-Mrs Giffard; Sempronius-Bridges; Marcus-Blakes; Lucius-Winstone; Decius-Woodburn; Lucia-Mrs Bennet.

Afterpiece Title: The Devil to Pay

Performance Comment: As17440929.
Event Comment: At common prices. At the particular Desire of several Persons of Distinction who attend the Instalment of the Knights of the Bath, this Play is not to begin till exactly at half an hour after six, at which time the Curtain will be drawn up

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Andromache-Mrs Roberts, first on that stage these twelve years; Pyrrhus-Mills; Orestes-Cibber; Hermione-Miss Jenny Cibber, first time in that part; Phoenix-Furnival; Pylades-Mozeen; Cephisa-Mrs Chetwood; Cleone-Miss Houghton.

Afterpiece Title: The Gardener's Wedding

Performance Comment: As17441018; Comic Medley Overture-; by late Mr Charke to which will be added a Ballad Opera-. (No cast in Daily Advertiser.)

Music: Between the acts: Select Pieces of Musick-; Singing-Mrs Hill; III: The Noon Tide Air from Comus-Mrs Hill

Event Comment: As the greatest Part of Mr Handel's Subscribers are not in Town, he is requested not to perform till Saturday the 24th

Performances

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: As17441116.

Dance: Muilment