SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Mr Lacy appear'd for the 1st time in Oroonoko very tolerable he met with applause (Hopkins Diary). Rec'd of Mr Reddish on Acct #100. Receipts: #164 13s. (Treasurer's Book)

Performances

Mainpiece Title: Oroonoko

Performance Comment: Aboan-Palmer; Governor-Usher; Stanmore-Davies; Hotman-Hurst; Blandford-Jefferson; Capt. Driver-Bransby; Imoinda-Miss Younge; Oroonoko-the Young Gentleman who Performed Alexander; Planters-Wright, Griffiths, Carpenter, Blanchard, Mrs Bradshaw; Slaves-Keen, Wheeler, Wrighten, Norris; I: a Dance of Slaves-Atkins, Como, Giorgi.

Afterpiece Title: The Election

Performance Comment: As17741019.

Afterpiece Title: The Elopement

Performance Comment: As17741004, but Harlequin-Wright; Clown-Carpenter.
Event Comment: Mr Smith Leon very la! la! (Hopkins Diary). [Macmillan's note from Kemble: Mr Smith Leon-So-So-."] Given to 2 Fire Engines #1 1s. Receipts: #163 19s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Cacafogo-Moody; Duke-Aickin; Copper Capt.-King; Alonzo-Usher; Juan-Packer; Sanchio-Hurst; Clara-Mrs Whitfield; Altea-Mrs Love; Margaretta-Miss Sherry; Old Woman-Baddeley; Maid-Waldron; Estifania-Mrs Abington.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17750923.

Afterpiece Title: Harlequin's Jacket; or, The New Year's Gift

Performance Comment: Harlequin-Wright; Colombine-Mrs Sutton; others-Grimaldi, Davies, Messink, Burton, Wrighten, Waldron, Lamash, Cubitt, Everard, Griffiths, Legg, Fawcett, Kear, Carpenter, Blanchard, Norris, Mas. Blanchard, Mrs Bradshaw, Mrs Millidge; The Dances-Giorgi, Mrs Sutton.
Event Comment: Mr Garrick's last time of performing Hamlet . Benefit towards encreasing a Fund, for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Pit and Boxes are laid together, and no admittance into the Pit or Boxes without Tickets. Ladies and Gentlemen urged to come early. Servants must be at the theatre by 5 o'clock to keep places. Doors will be opened at half past Five. Play to begin at half past Six. On Saturday Mr Garrick will perform a principal part in a Comedy. Pit and Boxes put together, most of the tickets were sold for a Guinea a piece, very few under half a Guinea and the whole quantity Sold in about Two hours (Hopkins Diary). [Kemble's note briefer.] Receipts: #85 8s. 6d. Charges: #23 4s. 1d. [See 10 June.] (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17751129.

Afterpiece Title: The Deuce Is in Him

Performance Comment: As17760222.

Dance: End: The Grand Garland Dance, as17760410

Event Comment: Mr Salomon having insinuated that he alone is in possession of a correct Score of this celebrated Oratorio, I feel compelled, in justice to myself, to state that the Oratorio was published by subscription at Vienna, and that the printed Copy, from which I had the Parts transcribed, was delivered by Dr Haydn to a subscriber in Vienna, and brought from thence expressly for me, and on which is the Doctor's initials. The accuracy with which it was performed, and the enthusiasm with which it was received, are, I hope, convincing proofs that no other directions are necessary to "produce the effect required by the Author." I should not thus have obtruded myself, but I conceived it requisite to justify myself from the imputation of having attempted to impose a spurious production upon that public to whom I am under so many obligations. I am, with the greatest respect and gratitude, their most obedient servant, John Ashley. March 29. [On 29 Mar. the following card had appeared in most of the daily newspapers: Mr Salomon having received from Dr Haydn an early Copy of his New Oratorio called The Creation of the World, and having been favoured by him exclusively with particular directions on the style and manner in which it must be executed, in order to produce the effects required by the Author, begs to acquaint the Nobility and Gentry, that he means to perform it on Monday, the 21st of April next, at the King's Theatre. The performance took place on that date in the Ancient Music Room, i.e. the large concert-room situated inside the King's, on the east side, level with the first tier of the boxes. The reason for this change was, states the playbill, "the present Performances in the Opera House not allowing sufficient time to erect an Orchestra on the Stage." The principal singers were Mme Mara, Mme Dussek, Small, Page, Denman, Bartleman. Samuel Wesley presided at the organ and at the piano forte.

Performances

Mainpiece Title: The Creation; Grand Selection 0

Performance Comment: As18000228.

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Performance Comment: Ashley.
Event Comment: Mr Tenoe's Consort

Performances

Mainpiece Title: Concert

Music: the best Masters

Event Comment: Mr Skeete reported that John Honeycott, the master of the charity school at Clerkenwell, had yesterday [6 Feb.], with the children of the above school, publickly acted the play called Timon of Athens, and by Tickets signed by himself had invited several people to it (Minutes of the Society for Promoting Christian Knowledge, in Secretan, pp. 129-30)

Performances

Mainpiece Title: Timon Of Athens

Event Comment: Mr Anthony Aston, commonly call'd Tony Aston . . . His Comical and Unparallelled Medley at the Bouffler's Tavern. 6 P.M. Tickets 2s. 6d

Performances

Mainpiece Title: Tony Aston's Medley

Performance Comment: Gomez and Elvira (Spanish Fryar); Humours of Scrub (Stratagem); Humours of Teague (Committee); Humours of Hob (Country Wake); Fondlewife and Laetitia (old Batchelor); Ben and Prue (Love for Jjjve); Jerry Blackacre (Plain Dealer); Vellum and Abigail (Drummer). And the Drunken Man .
Event Comment: For the Entertainment of Tomo Chachi [and others, as at LIF, 20 Aug.]. 6 P.M. Admission: 5s., 3s., 2s., 1s

Performances

Mainpiece Title: Concert

Performance Comment: hathi.

Music: Vocal and Instrumental, by the best Masters from the Operas

Performance Comment: hathi.

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English

Performance Comment: Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English .
Event Comment: Benefit Charles, Master of the French-Horn. 6:30 P.M. 3s

Performances

Mainpiece Title: Concert

Performance Comment: hathi.

Music: By the best Masters. Mr Charles will perform several new Pieces on the French Horn and Clarinet

Performance Comment: Mr Charles will perform several new Pieces on the French Horn and Clarinet .
Event Comment: Mr Davies from the Norwich Company a tolerable figure a bad voice & speaks tolerable may be useful pretty well receiv'd (Hopkins Diary). Ld Aimwoth, A Gentleman (Cross Diary). Mainpiece: Not played in two years. [See 27 April 1769.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Repeated.

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth (with additional new songs)-A Young Gentleman [Davies] his first appearance; Sir Harry Sycamore-Parsons; Giles-Bannister; Fairfield-Jefferson; Ralph-Dibdin; Mervin-Fawcett; Fanny-Miss Pope; Theodosia-Miss Radley; Lady Sycamore-Mrs Bradshaw; Patty-Mrs Baddeley.

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Brereton; Sotherton-Palmer; Cupid-Mas. Cape; Chamberlin-Booth; Landlady-Mrs Love; Filagree-Mrs Bradshaw; Miss Flack-Miss Platt; Miss Griskin-Miss Pope; With Dances incidental to the piece-Giorgi, Atkins; To Conclude with a Country Dance-.

Dance: I: A Dance-Daigville, Sga Vidini

Event Comment: Mr Colman's Night for the Fairy Prince. Charges #84. Profit to Colman #125 15s. 6d. Paid Messrs Schneider & Otto (furriers) #7 3s.; Paid Dr Arne for composing additional Music for the Fairy Prince #1 11s. 6d. (Account Book). Receipts: #209 15s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Reinhold, DuBellamy, Baker, Legg, Fox, Phillips, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Yates.

Afterpiece Title: The Fairy Prince

Performance Comment: As17720117.
Event Comment: Mr Colman's Night for the Alterations of Elfrida and Comus, & for the New Occasional Prelude (Account Book). Receipts: #254 15s. 6d

Performances

Mainpiece Title: Elfrida

Performance Comment: As17721121.

Afterpiece Title: Harlequin Sorcerer

Performance Comment: As17730106.

Monologue: Before the Play: (By desire) New Occasional Prelude. As 27 Oct. 1772

Performance Comment: As 27 Oct. 1772.
Event Comment: Mr G. very happy in Lear. great Applause (Hopkins Diary). Receipts: #286 8s

Performances

Mainpiece Title: King Lear

Performance Comment: As17730202, but Lear-Garrick; Gentleman Usher-Burton; The Bell Edition 1773 adds Doctor-Wright; Old Man-Hartry; Cornwall's Servant-Keen; Arante-Miss Platt.

Afterpiece Title: The Musical Lady

Performance Comment: As17730129.
Event Comment: Mr G. Play'd most Divinely (Hopkins Diary). Receipts: #232 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; Frederick-Jefferson; Duke-Packer; Petruchio-J. Aickin; Antonio-Parsons; Peter-W. Palmer; Antony-Wheeler; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Younge; Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Kinswoman-Miss Platt; Nurse-Mrs Love; Second Constantia-Mrs Abington.

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17731005.

Dance: V: The Mountaineers, as17730930

Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Performance Comment: As17740219.

Afterpiece Title: The Note of Hand

Performance Comment: As17740209, but Sapling-Burton replaces Dodd.
Event Comment: Mr Smith from Covent Garden Theatre made his first appearance upon this Stage in K. Richd the 3d & was receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. Kemble also refers to borrowing Smith from cg 29 May 1759, which was actually his first appearance at dl.] Paid a Tow Bill 10s. (Treasurer's Book). [This is the customary monthly charge for tow for wicks. It came to #4 10s. for the whole season. No further itemizing of it will be made.] Receipts: #239 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith, first appearance there; King Henry VI-J. Aickin; Richmond-Palmer; Buckingham-Jefferson; Lord Mayor-Ackman; Prince Edward-Master Blanchard; Duke of York-Master Pulley; Tressel-Cautherly; Lord Stanly-Bransby; Norfolk-Hurst; Ratcliff-Wright; Lieutenant-Fawcett; Catesby-Packer; Lady Anne-Miss Younge; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.

Afterpiece Title: The Meeting of the Company

Performance Comment: As17740917.

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble (with song)-Dodd; Jasper-Ackman; Flash-Palmer; Captain Loveit-Davies; Puff-Moody; Biddy-Miss Jarratt; Tag-Mrs Love.
Event Comment: Mr Lacy much the Same as first time (Hopkins Diary). Receipts: #178 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: As17741008.

Afterpiece Title: The Deserter

Performance Comment: Henry-Vernon; Russett-Bannister; Skirmish-Parsons; Simkin-Dibdin; Flint-Wright; Soldiers-Fawcett, Kear, Carpenter; Jenny-Mrs Wrighten; Louisa-Mrs Smith; Margery-Mrs Love.
Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17741014, but Charlotte Rusport-Miss Barsanti from Covent Garden.

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17750112.

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: Mr Grist made his first appearance upon any Stage in the Character of Othello his figure is well enough, a good Voice and powerful, when he knows how to manage it-he is Awkward-but it was a very good first appearance, and if there is proper care taken of him, he may make an Actor (Hopkins Diary). Paid 2 extra flutes #2 10s.; 1 suit Brocade cloaths #12 12s.; Mrs Brereton, 4 nights not on list, #3 6s. 8d. Receipts: #220 4s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Young Gentleman, first time on any stage; Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Iago-Bensley; Duke-Bransby; Ludovico-Packer; Montano-Davies; Gratiano-Wrighten; Messenger-Whitfield; Emilia-Mrs Hopkins; Desdemona-Miss Younge.

Afterpiece Title: The Elopement

Performance Comment: Harlequin-Wright; Clown-Carpenter; Scaramouche-Cubitt; Pantaloon-Grimaldi; Lover-Messink; Drunken Valet-Griffiths; Colombine-Mrs Sutton; Country Girls-Mrs Scott, Miss Jarratt; to conclude with the Scene of the Waterfall-as originally performed.
Event Comment: Mr Grist did not play better than the first night (Hopkins Diary). Paid for Women's cloaths #12; Johnston's Music Bill #15 9s. Receipts: #114 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Performance Comment: As17751017.

Afterpiece Title: The Elopement

Performance Comment: As17751017.

Dance: II: The Merry Peasants, as17751018

Event Comment: Mr G. play'd finely (Hopkins Diary). Receipts: #232 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Performance Comment: Osman-Reddish; Lusignan-Garrick; Melidor-Norris; Nerestan-Brereton; Orasmin-Hurst; Chatilion-Aickin; Zara-Miss Younge; Selima-Miss Sherry.

Afterpiece Title: The Rival Candidates

Performance Comment: As17751010.
Event Comment: Mr Grist Osmyn . Some part of it very well he was not quite perfect--few Hisses (Hopkins Diary). [Advertisement that the plays are advertised in Public Advertiser and Gazette only.] Paid 2 additional flutes 2 nights #1. Receipts: #159 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-the young Gentleman who perform'd Othello; Heli-Hurst; Perez-Norris; Garcia-Davies; King-Aickin; Gonzales-Packer; Zara-Miss Younge; Almeria-Mrs Yates; Selim-Fawcett; Alonzo-Wrighten; Leonora-Mrs Johnston.

Afterpiece Title: May Day

Performance Comment: As17751118, but Farmer Furrow-Parsons for Waldron.

Dance: II: The Merry Peasants, as17751018

Event Comment: Mr G. Leon excessive fine. Mrs Wrighten Nell first time very well (Hopkins Diary). Macbeth oblig'd to be deferr'd till Thursday. Receipts: #270 14s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17751011, but Leon-Garrick; Old Woman-Parsons.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Davies, first time; Jobson-Moody; Lady Loverule-Mrs Johnston; Nell-Mrs Wrighten , first time.
Event Comment: Mr Sheridan's Night. Mainpiece: Not acted these 8 years. [See 29 March 1770.

Performances

Mainpiece Title: The Roman Father (with Alterations)

Performance Comment: Horatius-Sheridan, first time; Publius-Lewis; Valerius-Wroughton; Hostilius-Clarke; Valeria-Mrs Hunter; first time; Horatia-Mrs Barry; first time. In V the Triumphal Entry of Publius-.

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17751124, but Harlequin-Lee Lewes (playbill); Harlequin-Rayner (Public Advertiser).
Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Performance Comment: As17890110.

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand