SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Charles Davenant"/1) | (@(roleclean,performerclean) "Mr Charles Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4485 matches on Event Comments, 3184 matches on Author, 2248 matches on Performance Comments, 607 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Jubilee

Related Works
Related Work: The Jubilee Author(s): Charles Dibdin

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rival Candidates

Related Works
Related Work: The Rival Candidates Author(s): Charles Thomas Carter
Event Comment: Charles II to Madame, 14 July 1664: I am just now come from seeing a new ill play and it is almost midnight (C. H. Hartman, Charles II and Madame [1934], p. 108). W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, stated his belief that this play was acted at court this day

Performances

Mainpiece Title: Pompey The Great

Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville
Event Comment: The Duke's Company. Davenant's alterations were apparently not published. Pepys, Diary: To a play...at the Duke's house, where Tu Quoque was the first time acted, with some alterations of Sir W. Davenant's; but the play is a very silly play, methinks; for I, and others that sat by me, Mr Povy and Mr Progers, were weary of it; but it will please the citizens

Performances

Mainpiece Title: Tu Quoque; Or, The City Gallant

Performance Comment: [Altered from John Cooke by Sir William Davenant.]
Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): Sir William Davenant
Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.
Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant
Related Work: The Tempest Author(s): Sir William Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Music: [From the opera]The Mad Lover-; Particularly The Wedding-; the dialogue-Dogget, Boman

Dance: Labbe

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Afterpiece Title: Acis and Galatea

Music: Bacchanalian Music from The Mad Lover-; A new piece of instrumental music-; with a solo-Dean

Dance: Between the Acts: Comical dances-

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Afterpiece Title: Acis and Galatea

Dance: As17051106

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant
Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French

Performance Comment: Edition of 1672: The Prologue-; Alphonso-Metbourn; Ferdinand-Harris; Prince of Salerne-Smith; Ascanio-Young; Trivultio-Sandford; Gonsalvo-Burford; Ghost-Cademan; Charles the Eighth-Batterton; Lewis-Crosby; Mompensier-Norris; Isabella-Mrs Batterton; Cornelia-Mrs Slaughter; Irene-Mrs Shadwell; Julia-Mrs Dixon; Epilogue-.
Cast
Role: Charles the Eighth Actor: Batterton
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Related Works
Related Work: The Waterman; or, The First of August Author(s): Charles Dibdin

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Related Works
Related Work: The Wedding Ring Author(s): Charles Dibdin
Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Man's The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Afterpiece Title: The Two Misers

Related Works
Related Work: The Two Misers Author(s): Charles Dibdin

Dance: End: The Pilgrim, as17750927

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Jubilee

Related Works
Related Work: The Jubilee Author(s): Charles Dibdin

Performances

Mainpiece Title: The Fair Quaker

Cast
Role: Sir Charles Peasant Actor: Brereton
Related Works
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell

Afterpiece Title: The Wedding Ring

Related Works
Related Work: The Wedding Ring Author(s): Charles Dibdin

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Related Works
Related Work: The Waterman; or, The First of August Author(s): Charles Dibdin