SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Most Noble Order of Bucks"/1) | (@(roleclean,performerclean) "Most Noble Order of Bucks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1372 matches on Event Comments, 396 matches on Performance Comments, 149 matches on Performance Title, 8 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance, which is out of the chronological order, is on L. C. list, 5@147, p. 68; the list does not indicate which Part of this play was given. See also Nicoll, Restoration Drama, p. 350, and page 380, for an order (L. C. 5@147, p. 1) for rehabilitation of the seats in the theatre

Performances

Mainpiece Title: The Rover

Event Comment: The United Company. An order (L. C. 5@147, p. 52, in Nicoll, Restoration Drama, p. 356), dated 19 Dec. 1685, calls for a payment of #20 for the King and Queen at Alexander, but the order does not indicate whether the performance occurred on this date

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: Londons Triumph Or The Goldsmiths Jubilee

Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Event Comment: Luttrell, A Brief Relation, II, 313, 17 Dec. 1691: Last Tewsday [i.e., Wednesday] a great disorder at the playhouse, where the lord Grey of Ruthin and viscount Longueville were knockt downe, and 2 other lords puncht with the butt ends of muskets; they complained of the affront to his majestie, who referred them to the house of lords, where they made their application yesterday; and the lords thereon desired his majestie would be pleased to command the suspending acting of playes till further order. Newdigate newsletters, 17 Dec. 1691: Last night the Kings play House was shut up upon complaints given in to the King by the Lord Grey Viscount Longville and other Lords that they had received severall Affronts from and were badly used by ye door keepers, and 'tis said the future Acting is suspended till further order (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also HMC, 13th Report, Appendix Five, pp. 464-65

Performances

Event Comment: The Lord Chamberlain, L. C. 7@1--see Nicoll, Restoration Drama, p. 339-hearing that Dogget had left Lincoln's Inn Fields and Verbruggen had left Drury Lane, restated the order against players shifting companies, and ordered that Verbruggen was to stay with Drury Lane until 1 Jan. 1696@7 but that he might enter into agreement with Lincoln's Inn Fields to act there after the close of 1696

Performances

Event Comment: An order by Sunderland, the Lord Chamberlain, required the theatres to bring each new play before him (L. C. 5@152, in Krutch, Comedy and Conscience, p. 181). Luttrell, A Brief Relation, IV, 235-36, 5 June 1697: Several new playes having been lately acted, contrary to good manners, the lord chamberlain has given orders that nore be acted hereafter till his secretary has perused them

Performances

Event Comment: Weekly Journal or Saturday's Post, 13 June: His Majesty's Comedians have Orders not to depart above a certain Number of Miles from London his Season, in order, as tis said, to be at hand to entertain his Prussian Majesty, who is expected here in a Month's Time

Performances

Event Comment: [Written by Lewis Theobald. Set to Music by Galliard.] The Entertainment being entirely new Dress'd: With New Scenes, Machines, and other Decorations. Pit and Boxes laid together at 5s. Receipts: #216 12s. Probable attendance: boxes, 269 paid; stage, 1 paid; balcony, 4 paid; pit, 274 paid and 4 orders; slips, 54 paid and 2 orders; first gallery, 456 paid; second gallery, 195 paid. Mist's, 18 Feb.: It is of the Nature of Pantomimes, partly grotesque, and partly vocal, but far exceeds all ever yet shewn, in the Magnificence and Beauty of the Scenes, the Number and Richness of the Habits, as well as the Fable, which is purely poetical, as the Italian Operas ought to be. [See also London Journal, 18 Feb.

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Rape of Proserpine With The Birth and Adventures of Harlequin

Event Comment: Receipts: #205 2s. Benefit J. Rich. Probable attendance: boxes and pit, 524 paid and 4 orders; slips, 44 paid; first gallery, 422 paid and 1 orders; second gallery, 193 paid

Performances

Mainpiece Title: The Country House

Afterpiece Title: The Rape of Proserpine

Event Comment: Receipts: #210 6s. 6d. Probable attendance: boxes and pit, 531 paid and 5 orders; slips, 61 paid and 2 orders; first gallery, 436 paid; second gallery, 188 paid

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Rape of Proserpine

Event Comment: Receipts: #200 16s. 6d. Probable attendance: boxes and pit, 510 paid and 16 orders; slips, 48 paid and 2 orders; first gallery, 424 paid; second gallery, 191 paid

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Rape of Proserpine

Event Comment: Receipts: #204 12s. Probable attendance: boxes and pit, 521 paid and 5 orders; stage, 1 paid; slips, 50 paid; first gallery, 425 paid and 3 orders; second gallery, 188 paid

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: [Author unknown. Apparenyly not published.] By Reason of the Length of the Entertainment...the Savage is...to be Acted with it; and, for Brevity, will be presented without Prologue or Epilogue. Receipts: #198 7s. 6d. Benefit J. Rich. Probable attendance: boxes and pit, 516 paid and 6 orders; slips, 47 paid and 1 order; first gallery, 400 paid; second gallery, 180 paid

Performances

Mainpiece Title: The Savage

Afterpiece Title: The Rape of Proserpine

Event Comment: Receipts: #191 10s. 6d. Probable attendance: boxes and pit, 494 paid and 1 order; stage, 2 paid; slips, 38 paid; first gallery, 393 paid and 3 orders; second gallery, 182 paid

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Rape of Proserpine

Event Comment: Receipts: #181 18s. 6d. Probable attendance: boxes and pit, 470 paid and 15 orders; stage, 3 paid; slips, 34 paid; first gallery, 360 paid and 1 order; second gallery, 189 paid

Performances

Mainpiece Title: The Drummer Or The Haunted House

Afterpiece Title: The Rape of Proserpine

Event Comment: Receipts: #37 11s. 6d. Probable attendance: boxes, 34 paid and 6 orders; pit, 78 paid and 16 orders; slips, 16 paid; first gallery, 92 paid; second gallery, 95 paid

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Harlequin Anna Bullen

Event Comment: Receipts: #160 14s. Probable attendance: boxes, 239 paid and 7 orders; stage, 9 paid; pit, 292 paid; slips, 48 paid and 1 order; first gallery, 419 paid; second gallery, 162 paid

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #171 10s. Probable attendance: boxes, 321 paid and 1 order; stage, 20 paid; pit, 282 paid and 1 order; slips, 62 paid; first gallery, 430 paid; second gallery, 181 paid

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #164 8s. Probable attendance: boxes, 300 paid and 2 orders; stage, 15 paid; balcony, 5 paid; pit, 270 paid; slips, 57 paid; first gallery, 436 paid; second gallery, 189 paid and 3 orders

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #160 11s.Probable attendance: boxes, 220 paid and 5 orders; stage, 14 paid; balcony, 3 paid; pit, 280 paid; slips, 61 paid and 3 orders; first gallery, 427 paid; second gallery, 180 paid

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #158 13s. Probable attendance: boxes, 212 paid and 3 orders; stage, 26 paid; balcony, 3 paid; pit, 287 paid; slips, 48 paid; first gallery, 410 paid and 1 order; second gallery, 195 paid

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #179 4s. Probable attendance: boxes, 214 paid and 1 order; stage, 51 paid; pit, 297 paid and 2 orders; slips, 66 paid; first gallery, 426 paid; second gallery, 198 paid. [For a letter on this play, see Weekly Journal or British Gazetteer, 30 March.

Performances

Mainpiece Title: The Beggars Opera

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Pierre-a Gentleman; Jaffeir-Bard of the Order of Gregorians, who performed Hamlet at GF. And a New Prologue, addressed to the Society .

Entertainment:

Event Comment: By His Majesty's Command. Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 22 Jan.: Last Saturday Night his Majesty, his Royal Highness the Duke, the Princesses, with several Foreign Ministers and their Ladies, were at [cg]: So great a Concourse of People came in order to see his Majesty there, as has scarcely been seen; many Persons who came to the Play-House at Four o'Clock, offering any Price, if they could possibly be admitted. In the Fury Dance of Macbeth, Mr Haughton had the misfortune to dislocate his Ankle-Bone, and fell down upon the Stage, and was obliged to be carried off; upon which his Majesty was graciously Pleased to send him Ten Guineas instantly, and to order him to be taken Care of

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Perseus and Andromeda or The Cheats of Harlequin

Music: Vocal Parts [for Macbeth]-Leveridge, Salway, Roberts, Thompson, Stoppelaer, Mrs James, Mrs Wright, Mrs Vincent, Mrs Kilby