SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Most Noble Order of Bucks"/1) | (@(roleclean,performerclean) "Most Noble Order of Bucks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1372 matches on Event Comments, 396 matches on Performance Comments, 149 matches on Performance Title, 8 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Come all noble souls who skill'd in music's art- (composed by Dr Rogers, 1673); The smiling dawn-Miss Dufour (Jephtha); Honour and arms-Reinhold (Samson); O Magnify the Lord-Miss Poole (Chandos? Anthems); O Baal-Chorus (Deborah); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); My faith and truth-Miss Poole, Master Elliot (Samson); Ye sacred priests, Farewell ye limpid-Mme Mara (Jephtha); He gave them hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Performance Comment: Principal Characters by Johnstone, Townsend, Waddy, Farley, Simmons, Wilde, Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Martyr. Cast from text (J. Barker, 1798): O'Bowling-Johnstone; Rivers-Townsend; Chip-Waddy; Drunken French Gaoler-Farley; Busy-Simmons; Monsieur Machine-Wilde; Countrymen, French and English Soldiers, Sailors-Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Noble; Countrywomen-Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Iliff; Fanny-Mrs Martyr.

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Come, come, all noble souls-Incledon, Page, Sale (Rogers); Tune your harps-Mrs Atkins; Every day will I give thanks-Incledon (Chandos Anthems); The Mighty power-Chorus; Rejoice O Judah-Sale (Athalia); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).
Cast
Role: all noble souls Actor: Incledon, Page, Sale

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Performance Comment: English Capt. Cook-Farley; Lieutenant of Marines-Claremont; Mate-Atkins; Boatswain-Hawtin; Midships-Simmons, Mills; Sailors-Lee, Curties, Abbot, Howell, Vials, Wilkins, Goodwin, Coombs, Noble; Lieutenant (with a song)-Townsend; Natives of 0-why-e Otago-Bologna Jun.; King-Bologna; Priest-Whitmore; Islanders-King, Platt, Blurton, Dyke, Wilde, Whitmore Sen., Klanert, L. Bologna; Etoe-Delpini (1st appearance these 2 years); Emai-Mrs Parker; Females-Ms Watts, Ms Gilbert, Ms Norton, Ms Castelle, Ms Iliff, Ms Leserve, Mrs Bologna, Ms Cox, Ms Carne, Miss Bologna, Ms Dibdin, Ms Burnett, Ms Sydney, Ms Masters, Ms Lloyd, Ms Whitmore.

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.

Afterpiece Title: The Hermione; or, Valour's Triumph

Event Comment: The King's Company. Pepys, Diary: With my Lord Bruncker and his mistress to the King's playhouse, and there saw The Indian Emperour; where I find Nell come again, which I am glad of; but was most infinitely displeased with her being put to act the Emperour's daughter, which is a great and serious part, which she do most basely. The rest of the play, though pretty good, was not well acted by most of them, methought; so that I took no great content in it. But that, that troubled me most was, that Knipp sent by Moll [Mary Meggs] to desire to speak to me after the play; and she beckoned to me at the end of the play, and I promised to come; but it was so late

Performances

Mainpiece Title: The Indian Emperor

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.
Event Comment: [The Advertisement of 17 May for the Suspicious Husband repeated for the fourth time, now, however, specifying the Grand Scotch Dance and a concluding Country Dance to round off the evening's entertainment for the benefit of M Monet. Tickets at White's Chocolate House in St James's St., and at the stage door. Being positively the last time of the Company's performing this season. The announcement accompanied by the following statement]: Mr Monett, the innocent tho' unfortunate cause of disgusting the Public by his attempting to represent French Plays, most humbly implores their assistance, by the means of this Benefit Play, to extricate him out of his present most deplorable situation. Without such relief his Misfortunes must detain him a ruined Man in England; a severity which he is persuaded never was proposed as any part of the purpose of the most disoblig'd, or determined against his Undertaking. With this relief he hopes to be able to return to France, and promises never again to risque their favours. He most submissively hopes he shall not be the only the single instance that may seem to contradict the hitherto unimpeached Good Nature and Humanity, which is universally acknowledged the Characteristic of the English Nation (General Advertiser)

Performances

Performances

Mainpiece Title: A Variety Show

Performance Comment: Singing-; slack rope-. Sg Placido's Company will exhibit. Singing by Keen, Mrs Lampe, vaulting on slack rope by Sg Spinacuta. Dancing by Miss Ferci, and Miss Casaia. Tumbling by Sg Placido, Mr Williams, Sturpesi and Pedro. Dancing on the tight rope by Miss Ferci, Mas Placido, Spinacuta, Sga Placido, Sg Ferci, and Placido. Ferci will jump backwards and forwards over a cane, and put on and take off his hat. With several feats of activity never seen in England before. And Variety of Exhibitions. The most surprising and diverting performance on the tight rope by the Monkey. He walks and dances on the tight rope with a pole; he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia. he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia.
Event Comment: At the particular Desire of several Ladies of quality. Receipts: #118 15s. 6d. Probable attendance: boxes, 154 paid and 32 orders; balcony, 1 paid; pit, 279 paid and 9 orders; slips, 21 paid and 16 orders; first gallery, 273 paid and 11 orders; second gallery, 117 paid and 6 orders

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #65 19s. Probable attendance: boxes, 45 paid and 38 orders; balcony, 1 paid; pit, 217 paid and 33 orders; slips, 21 paid and 16 orders; first gallery, 145 paid and 15 orders; second gallery, 82 paid and 2 orders

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Pan and Syrinx

Dance: As17261024

Event Comment: Receipts: #45 6s. 6d. Probable attendance: boxes, 39 paid and 23 orders; pit, 125 paid and 20 orders; slips, 11 paid and 15 orders; first gallery, 182 paid and 15 orders; second gallery, 130 paid and 4 orders

Performances

Mainpiece Title: King Henry VIII

Dance: Salle, Mlle Salle

Event Comment: Receipts: #43 2s. Probable attendance: boxes, 19 paid and 37 orders; pit 134 paid and 21 orders; slips, 12 paid and 14 orders; first gallery, 123 paid and 16 orders; second gallery, 70 paid and 4 orders

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Humours of Bedlam

Afterpiece Title: Pan and Syrinx

Dance: As17261024

Event Comment: Receipts: #62 9s. Probable attendance: boxes, 46 paid and 45 orders; pit, 239 paid and 19 orders; slips, 12 paid and 17 orders; first gallery, 217 paid and 10 orders; second gallery, 110 paid and 4 orders

Performances

Mainpiece Title: Tamerlane

Event Comment: Receipts: #37 0s. 6d. Probable attendance: boxes, 18 paid and 14 orders; Pit, 133 paid and 21 orders; slips, 17 paid and 5 orders; first gallery, 134 paid and 8 orders; second gallery, 92 paid and 2 orders

Performances

Mainpiece Title: Tamerlane

Event Comment: Receipts: #52 9s. Probable attendance: boxes 25 paid and 12 orders; pit, 133 paid and 15 orders; slips, 11 paid and 10 orders; first gallery, 178 paid and 13 orders; second gallery, 157 paid and 5 orders

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Necromancer

Event Comment: Receipts: #23 0s. 6d. Probable attendance: boxes, 21 paid and 16 orders; pit, 50 paid and 25 orders; slips, 10 paid and 3 orders; first gallery, 94 paid and 17 orders; second gallery, 44 paid and 1 order

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Event Comment: Written by Shakespear. Receipts: #12 14s. 6d. Probable attendance: boxes, 53 paid and 6 orders; pit, 29 paid and 27 orders; slips, 5 paid and 4 orders; first gallery, 64 paid and 40 orders; second gallery, 35 paid and 6 orders

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Event Comment: Mainpiece: Written by Sir John Vanbrugh. Receipts: #73 3s. Probable attendance: boxes, 46 paid and 34 orders; balcony, 1 paid; pit 220 paid and 26 orders; slips, 17 paid and 3 orders; first gallery, 203 paid and 9 orders; second gallery, 97 paid and 2 orders

Performances

Mainpiece Title: The False Friend

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Event Comment: Receipts: #28 19s. 6d. Probable attendance: boxes, 14 paid and 8 orders; pit, 82 paid and 30 orders; slips, 1 paid and 8 orders; first gallery, 133 paid and 38 orders; second gallery, 81 paid and 6 orders

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Dance: FFrench Peasant-Nivelon, Mrs Laguerre; French Sailor-Salle, Mlle Salle; Pastoral-Glover, Dupre Jr, Lanyon, Mrs Ogden, Mrs Anderson

Event Comment: Mainpiece: Written by the late Mr Wycherley. Receipts: #36 9s. Probable attendance: boxes, 37 paid and 21 orders; pit, 102 paid and 19 orders; slips, 5 paid and 14 orders; first gallery, 128 paid and 19 orders; second gallery, 80 paid and 9 orders

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Event Comment: Receipts: #76 19s. Probable attendance: boxes, 78 paid and 33 orders; pit, 203 paid and 53 orders; slips, 9 paid and 5 orders; first gallery, 184 paid and 47 orders; second gallery, 83 paid and 2 orders

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Event Comment: Written by Shakespear. Receipts: #18 3s. Probable attendance: boxes, 13 paid and 8 orders; pit, 35 paid and 21 orders; slips, 10 paid and 11 orders; first gallery, 86 paid and 56 orders; second gallery, 60 paid and 2 orders

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Event Comment: Receipts: #28 3s. Probable attendance: boxes, 26 paid and 4 orders; pit, 65 paid and 48 orders; slips, 13 paid and 6 orders; first gallery' 67 paid and 20 orders; second gallery, 70 paid and 3 orders

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Song: TThe Enthusiastick Song-Leveridge

Dance: Dupre, Salle, Nivelon, Glover, Lally, Pelling, Newhouse, Dupre Jr, Lanyon, Mlle Salle, Mrs Bullock, Mrs Pelling, Mrs Legar, Mrs Anderson, Mrs Ogden