SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moor"/1) | (@(roleclean,performerclean) "Moor")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 269 matches on Performance Title, 214 matches on Roles/Actors, 105 matches on Performance Comments, 36 matches on Event Comments, and 0 matches on Author.
Event Comment: Benefit for ye encrease of a fund for ye support of a publick Charity [Lock Hospital] (Cross(. Rec'd cash #76 17s. 6d., plus #123 16s. from tickets; Total #200 13s. 6d. Paid Moor for pair breeches for Garrick #1 5s.; Paid 1 year's subscription to H. Park Hospital #10 10s.; To Garrick by George Garrick #7 10s.; Paid King playing S. Doctor #1 1s. by order of Lacy (Treasurer's Book). Last time of performing till the Holidays. Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Miss in Her Teens

Dance: Grandchamps, Mlle Auretti

Event Comment: A New Comedy written by Mr Moor, author of ye Foundling--the 3 first Acts went off without much hissing, but the two last were but indifferently treated; a great party for & against it, but it was given out again--great crowding to get in, & ye Pit took possession of many of the Boxes, wch confus'd ye accounts (Cross). [Cast taken from the 1751 edn., since the General Advertiser merely lists the actors and does not mention the Prologue or Epilogue.] Receipts: #180 (Cross)

Performances

Mainpiece Title: Gil Blas

Related Works
Related Work: Gil Blas Author(s): Edward Moore
Related Work: The Counterfeits Author(s): Edward Moore
Event Comment: This play was wrote by Mr Moor but as he had some Enemies, came out under ye Name of Mr Spence--went off well, except some few Words & a Song wch are since omitted--Mr Havard not being able to play the part design'd for him The following advertisement was put at ye Bottom of ye Bills for he first 2 Days: N.B. The Managers being engag'd to act two New Plays this Winter, cou'd not longer defer this Tragedy in waiting for Mr Havard's Recovery; Mr Davies at a very short Warning, has willingly undertaken the Character which Mr Havard was to have acted, and humbly hopes for the Indulgence of the Public (Cross). [This N.B. note from the Cross Diary is printed verbatim on the playbill]. Never Acted before. Tis hoped no Gentlemen will desire to be admitted behind the Scenes, this night. Receipts: #217 (Cross)

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Gamester Author(s): Edward Moore
Event Comment: Benfit for Master Moor, Berrisford, Palmer, Broad (Cross). Mainpiece: Not acted this season. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Harrison

Event Comment: By Permission. Benefit Barry. Tickets for the 10th instant will be taken. Being positively the last time of performing. Afterpiece: Taken from the Mistake. Neville MS Diary: Barry's expression of the savageness of the Moor, particularly with his eyes, is very great. Mrs Dancer does not suit herself in the character of Desdemona. We had two dances by Miss Froment with a foolish Farce in two acts

Performances

Mainpiece Title: Othello

Afterpiece Title: Like Master Like Man

Dance: IV: Serious Dance-; End: Comic Dance-Miss Froment

Event Comment: This Tragedy written by Mr Hume was receiv'd with very great Applause Indeed Mrs Barry Seem'd inspir'd She never Appeard to moor Advantage uncommon Applause (Hopkins Diary). New Scenes, Dresses, and Decorations. Paid 4 Day's salary list #348 5s.; Tallow chandler's 6th bill #44 14s. Mr Reddish's draft #10 10s.; Mr Racket for Women's cloaths #12; Mr Dibdin Draft #70 (Treasurer's Book). [Westminster Magazine for March gives a long, and unfavorable review of the new tragedy, concluding Home's genius lies not in the tragic way.] Receipts: #237 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Event Comment: On playbill of 15 Mar.: On Saturday Evening next will be presented Othello, Moor of Venice

Performances

Mainpiece Title: Othello

Event Comment: "In his first scenes [Kemble] was judicious, but too studiously so; and though most critically correct in his address to the Senate, evidenced he was more anxious to do justice to the text of his author than the feelings of Othello. But in the subsequent scenes he made ample recompense, and most successfully combined accuracy of expression with spirit of character...We much approve his dressing Othello in the Moorish habit...[but] is it necessary the Moor should be as black as a native of Guiney?" (Public Advertiser, 29 Oct.). Receipts: #117 16s. (102.6; 15.5; 0.5)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17870929

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: From harmony-Harrison, Chorus (Dryden's Ode); Hush ye pretty warbling choir-Miss Mahon (Acis and Galatea); Like a bright Cherub-Miss Cantelo, Saville, Harrison (Gideon); With thee the unsheltered moor-Miss Cantelo (Solomon); No more ye infidels, Behold ye nations-Saville; Lord of Eternity, O Baal-Chorus (Deborah); Chastity thou cherub bright-Harrison (Susanna); Haste thee Nymph-Saville, Chorus (L'Allegro); God save the King (Coronation Anthems)-.

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time; C 4, author unknown, not in Larpent MS; not published. Epilogue by Robert Merry (World, 30 Apr.). On 11 May acted as The Female Pursuit]: Taken from Moor's Gil Blas. Public Advertiser, 27 Apr.: Mrs Wells trusts the Public will have the Candour to excuse her not appearing in the Play, as the principal Woman's Character has many changes in it, and the Fatigue of going through various and numerous Imitations would render her incapable of undertaking it. Gazetteer, 9 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #301 14s. (166.2; 10.1; tickets: 125.11)

Performances

Mainpiece Title: The Female Adventure; Or, Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17940721 but omitted: Moors, Muleteers, and Goatherds; from Peasants: Mrs Norton, Miss M. and C. Wrighten, Mrs Gaudry, Mrs Butler, Mrs Hale, Mrs Masters, Miss Menage .

Afterpiece Title: AULD ROBIN GRAY

Performances

Mainpiece Title: The Queen Of Carthage

Afterpiece Title: The Spoil'd Child

Afterpiece Title: My Nightgown and Slippers

Performance Comment: The Maid of the Moor-Suett; The Newcastle Apothecary-Palmer; Lodgings to Let for Single Gentlemen-Suett.
Cast
Role: The Maid of the Moor Actor: Suett

Ballet: The Scotch Ghost. As17970105

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Mountaineers

Performance Comment: As17980620 but Muleteers-_; Goatherds-_; Moors-_.

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: Cross Purposes

Afterpiece Title: The Mountaineers

Performance Comment: As17980620 but Moors-_; Peasants-_.

Afterpiece Title: My Grandmother