Event Comment: Mainpiece: Not acted these 12 years. [In mainpiece the playbill assigns Beverley to Palmer, but his "indisposition on Wednesday gave Kemble an opportunity of shewing himself in comedy" {Morning Chronicle, 28 Oct.).] Receipts: #110 10s. (81/18; 28/1; 0/11)

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #147 1s. 6d. (127/6/0; 18/18/0; 0/17/6)

Event Comment: Chronicle, 18 Jan., prints the Prologue "spoken on opening the Theatre," but does not state what was acted

Event Comment: Mainpiece: Not acted these 10 years. [Mrs Brown was from the Norwich theatre.] Receipts: #200 11s. (198/17; 1/14)

Event Comment: [As mainpiece the playbill announces The Distress'd Mother, but it was not acted on account of Mrs Siddons's illness. Its substitute is listed in the Account-Book. Public Advertiser, 17 Mar., announces that "Macbeth (see 18 Mar.) is obliged to be deferred on account of the Indisposition of Mrs Siddons."] Receipts: #163 19s. 6d. (132/12/0; 29/12/0; 1/0/6; tickets not come in: 0/15/0)

Event Comment: Mainpiece: Not acted these 4 years. Receipts: #178 2s. (153/13/0; 22/11/6; 1/2/6; tickets not come in: 0/15/0)

Event Comment: [As afterpiece the playbill announces The Humourist, but it "could not be played, owing to Mrs Hopkins's indisposition, an event of which the house had been timely informed, and consequently had no reason to be displeased. The Englishman in Paris was the proposed substitute, but the audience being clamorous, it could not be represented" (Morning Herald, 3 Apr.).] Paid Miss Farren in lieu of a benefit #150. Receipts: #200 16s. 6d. (177/9/0; 21/17/6; 1/10/0)

Event Comment: Benefit for Farren. Mainpiece: Not acted these 2 years. Public Advertiser, 14 Apr.: Tickets to be had of Farren at his house, Great Queen-street, Lincoln's Inn Fields. Receipts: #303 14s. 6d. (75/19/0; 7/1/6; tickets: 220/14/0) (charge: #105)

Event Comment: Benefit for Palmer and Meadows. Morning Chronicle, 20 May: Tickets to be had of Palmer, No. 36, Bow-street, Covent Garden; of Meadows, John-street, Golden-square. Receipts: #208 10s. (36/19/6; 9/11/6; tickets: 141/19/0) (charge: #105)

Event Comment: Benefit for Mr and Mrs T. Kennedy. Mainpiece: Not acted these 2 years. Many Tickets of Mr Kennedy's having been stolen, he gives public Notice that no Tickets sold at the Doors or Avenues of the Theatre will have Admission this Evening. Morning Chronicle, 19 May: Tickets to be had of Kennedy, No. 44, Great Queen-street. Receipts: #108 4s. 6d. (41/1/6; 5/3/0; tickets: 62/0/0) (charge: #105)

Event Comment: 2nd piece: Not acted these 2 years

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. MS: Larpent 743; not published; synopsis of plot in Public Advertiser, 14 Aug. The following season reduced to an afterpiece of 2 acts]: With new Scenes, Dresses and Decorations. The Overture, new Airs and Accompaniments by Dr Arnold. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre

Event Comment: Afterpiece: In Three Acts [and see 16 Oct.]. "Richard Coeur de Lion has been compressed into an after-piece by an exclusion of the part of Margery, the 2nd Chorus, and other trifling incidents" (General Advertiser, 23 Oct.). Receipts: #218 10s. (209.7.6; 9.2.6)

Event Comment: Mainpiece: Not acted these 6 years [and in place of Every Man in his Humour, announced on playbill of 28 Oct.]. Receipts: #184 4s. (148.6; 34.17; 1.1)

Event Comment: Mainpiece [1st time; C 5, by Frederick Pilon. Prologue and Epilogue by the author (see text). In 1794 reduced to an afterpiece of 3 acts]. Public Advertiser, 30 Nov. 1786: This Day is published He Wou'd be a Soldier (1s. 6d.). Receipts: #246 6s. (243.5; 3.1)

Event Comment: Paid Danby [for] Chorus #9; Printer [of playbills] #14 6s. 6d. [Mrs McGeorge was from the Tunbridge Wells theatre.] Afterpiece: To conclude with a Grand Representation of a Regattav . "When [Mrs Siddons] begins a dialogue of scorn, at the top of her voice (as she did last night in the fifth act), the climax must inevitably be sacrificed" (Morning Chronicle, 7 Dec.). Receipts: #227 6s. (204.6.0; 22.4.6; 0.15.6)

Event Comment: Mainpiece: Not acted these 6 years. [Didier was from the Bath theatre. Afterpiece in place of The Poor Soldier, announced on playbill of 12 Dec.] Receipts: #159 15s. (156.15; 3.0)

Event Comment: "The Greybeards have certainly been chastised, for we did not find them at all gross. The piece is farcical and improbable, but has some good things, and is admirably acted. Coeur de Lion did not answer; nor was I much charmed with the music; but my ear is too bad to judge at first hearing. The scenes are excellent; Mrs Jordan is quite out of her character, and makes nothing of the part; and the turning the ferocious Richard into a tender husband is intolerable...It only makes a confusion in one's ideas, to maim a known story" (Walpole [15 Dec. 1786], XIII, 429)

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Event Comment: Afterpiece: Not acted these 5 years. With Alterations and Restorations, particularly the admired Shades and Transparencies representing the Amusements of Harlequinv, and the Destruction of the Pantomimical Fleetv. [These were included in all subsequent performances.] Receipts: #194 3s. (173.4; 17.10; 3.9)

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #233 10s. (230.4; 3.6)

Event Comment: A Comic Opera, 2 acts; the music [entirely new, composed by Domenico Cimarosa [with additions by Cherubini and Gazzaniga]. Under the direction of Mazzinghi. Receipts: #58 7s. 6d. [non-subscription]

Event Comment: [As mainpiece the playbill announces Love in a Village, but it was not acted. Its substitute is listed in the Account-Book. The playbill for 19 Jan. has "17th Time," and for 25 Jan. "19th Time.'] Receipts: #217 6s. (210.8; 6.18)

Event Comment: [As mainpiece the playbill announces The School for Scandal, but it was not acted. Its substitute is listed in the Account-Book.] Receipts: #206 18s. 6d. (166.14.0; 37.15.0; 2.9.6)

Event Comment: Mainpiece: Not acted these 4 years. [Mrs Pollard is identified byMS annotation on Kemble playbill.] Receipts: #141 14s. 6d. (106.16.0; 32.5.6; 2.13.0)