SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing and singing"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing and singing")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5182 matches on Event Comments, 2242 matches on Performance Title, 1938 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 2nd piece: Not acted these 2 years

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: Plainwell-Benson; Lord Simper-Bland; Sir W. Wealthy-Usher; Col. Modish-Cooke; Level-Palmer Jun.//Mrs Level-Miss Heard .
Cast
Role: Lord Simper Actor: Bland

Afterpiece Title: THE SUIC IDE

Performance Comment: Tobine-Palmer (1st appearance on that stage these 2 years); Tabby-Aickin; Wingrave-Suctt; Catchpenny-Baddeley; Squib-Bland; Bounce-Benson; Juggins-Burton; John-Waldron Jun.; Bolus-Ledger; Waiters-Cross, Abbot, Lyons, Fisher; Ranter-Bannister//Mrs Grogram-Mrs Hopkins; Kitty [rule Peggy)-Mrs Hale; Nancy Lovell-Mrs Goodall .
Cast
Role: Squib Actor: Bland

Afterpiece Title: A L L THE WORLDS A STAGE

Event Comment: 2nd piece: Not acted these 6 years. [Miss Griffiths is identified in European Magazine, June 1798, p. 397, and in playbill of 19 June.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Beggars Opera

Performance Comment: Macheath-Kelly (By Permission of the Proprietors of the Theatre-Royal Drury-Lane); Peachum-Davenport; Lockit-R. Palmer; Mat o'th' Mint-Trueman; Wat Dreary-Chippendale; Harry Paddington-Lyons; Ben Budge-Abbot; Jailor-Ledger; Drawer-Waldron Jun.; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Jenny Diver-Mrs Edward; Mrs Coaxer-Mrs Jones; Mrs Vixen-Mrs Benson; Mrs Slammekin-Mrs Cuyler; Sukey Tawdry-Mrs Hale; Molly Brazen-Mrs Haskey; Polly-A Young Gentlewoman (1st appearance on any stage [Miss Griffiths]).Miss Griffiths]).
Cast
Role: Molly Brazen Actor: Mrs Haskey

Afterpiece Title: Blue Devils

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lovers Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Event Comment: Benefit for Miss Murray. 2nd piece: Compressed into Two Acts by the Author [Elizabeth Inchbald. Epilogue by Miles Peter Andrews]. Morning Chronicle, 8 Apr: Tickets to be had of Miss Murray, No. 77, Long Acre. Receipts: #393 9s. 6d. (159.5.6; 24.14.6; tickets: 209.9.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17991216, but Yarico-Miss Murray (1st appearance in that character); Planters-_; Sailors-_.

Afterpiece Title: The Child of Nature

Performance Comment: Principal Characters-Munden, Murray, Betterton, Whitfield, Thompson, Atkins, Whitmore, Miss Murray, Mrs Mattocks; [For assignment of parts see18000523.] Original Epilogue-Mrs Mattocks.

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Performance Comment: How stands the glass around-Incledon; Irish Song-Johnstone; How merrily we live that Soldiers be-Incledon, Linton, Johnstone; To arms! Britons strike home-Incledon, Linton, Blurton, Lee, Rees; To conclude The Siege of Quebec and the Death of General Wolfe-; General Wolfe-Farley; Brigadier Moncton-Atkins; Brigadier Townsend-Lewiss; Brigadier Murray-Thompson; Adjutants-Lee, Curties; Serjeant Adair-Abbot; Aid@de@camp-King; Indian Chief-Bologna Jun.

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Performance Comment: Parts-Signora Passerini, Miss Frederick, Signora Eberardi, Quilici, Tedeschino, and a variety of Chorusses by the best voices.

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: Benefit for Miss Younge. Mainpiece: Never acted here. In Act V a Grand Procession. Receipts: #275 12s. (161/4; tickets: 114/8) (charge: #105)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: In Act II of mainpiece an Anthem (singers not listed)

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-A Young Gentleman (1st appearance on any stage [Holman]); Capulet-Clarke; Friar Lawrence-Hull; Benvolio-Davies; Prince-Fearon; Paris-Bonnor; Tibalt-Cubitt; Montague-Thompson; Peter-Stevens; Apothecary-Jones; Mercutio-Lewis; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Miss Younge (1st time at this theatre). Before the play an Occasional Address [spoken by Hull] .spoken by Hull] .

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Event Comment: Benefit for Quick. Mainpiece: Altered from Shirley. Never acted here. With proper Scenes, Dresses, and Decorations. [Epilogue by Edward Topham (European Magazine, May 1786, p. 368).] Afterpiece: In 2 Acts; written by Addison. Public Advertiser, 29 Mar.: Tickets to be had of Quick, No. 99, High Holborn. Receipts: #281 17s. 6d. (153/14/6; 4/4/0; tickets: 123/19/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage Or Money Works Wonders

Performance Comment: Philenzo-Wroughton; Duke of Mantua-Hull; Fulvio-Gardner; Ambassador-Helme; Grutti-Wewitzer; Dondolo-Palmer; Perenotto-Cubitt; Carlo-Swords; Orpiano-Thompson; Guards-Stevens, Bates, Painter, &c; Morello-Edwin; Bonamico-Quick; Donella (with singing')-Mrs Martyr; Cassiana-Miss Platt; Katherina-Miss Stuart; Mardona-Mrs Swords; Fidelia-Miss Rowson; Eugenia-Mrs Wells. New Occasional Epilogue spoken by Mrs Wells .

Afterpiece Title: The Drummer or The Haunted House

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Principal Characters by Rovedino, Braghetti, Morelli//Sga Pastorelli, Sga Casentini [Borghi]. [Cast from libretto (C. Clarke [1794)): Geronimo-C. Rovedino; Paolino-Braghetti; Il Conte Robinson-G. Morelli//Elisetta-Sga G. Pastorelli; Carolina-Sga C[asentini] Borghi; Fidalma-Sga Schinotti.] hathi. hathi.

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Event Comment: A new Grand Serious Opera, with Chorusses; the Music by Bianchi, under the direction of Federici. With entirely new Scenes designed by Marinari, Dresses composed and executed by Sestini, and Decorations. "[Banti] I must ever consider as far the most delightful singer I ever heard . . . Her first appearance in this country was in the opera of Semiramide, and all her part in it was of the most beautiful description. In addition to the songs belonging to the opera, she introduced a remarkably fine air by Guglielmi, from the Oratorio of Deborah, with an accompaniment for a violin obligato, originally played by Cramer, afterwards by Viotti and others. This song, though long and one of great exertion, was so prodigious a favourite that it never failed of being encored, not only in its novelty, but in every subsequent revival. Her acting, and recitative were excellent, and in the last scene, where Semiramide dies, was incomparably fine" (Mount-Edgcumbe, pp. 82, 84)

Performances

Mainpiece Title: Semiramide O La Vendetta Di Nino

Performance Comment: Principal Characters by Roselli (1st appearance), Rovedino, Braghetti, Torregiani, Garelli//Mme Banti (1st appearance), Sga Colombati. [Cast from libretto (C. Clarke, 1794): Arsace-Roselli; Seleuco-C. Rovedino; Oroe-Braghetti; Ombra di Nino-Torregiani; Mitrane-Garelli//Semiramide-Sga Brig. Banti; Azema-Sga Colombati.) hathi.
Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: End of Act I New Divertisement, as17940311End of Act II Les Ruses de l'Amour, as17940401, but omitted: Mlle Guirdele

Event Comment: Not Acted these Seven Years. Receipts: #63 16s. 6d

Performances

Mainpiece Title: The Jew Of Venice

Song: Rawlins, who never appeared on the Stage but once, Cook, Jones; Several Songs in Italian and English-the New Girl

Dance:

Event Comment: Benefit for Anderson, Cushing, and Wignell. Mainpiece. Not acted these 8 years. [See 26 March 1748.] No building on Stage. Particular care will be taken to prevent tickets sold at the doors being admitted

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Smith, 1st time; Sir Sampson-Dunstall; Scandal-Anderson; Tattle-Dyer; Ben-Cushing; Foresight-Arthur; Jeremy-Wignel; Trapland-Collins; Mrs Foresight-Mrs Elmy; Mrs Frail-Mrs Barrington; Miss Prue-Mrs Baker; Nurse-Mrs Pitt; Jenny-Miss Cockayne; Angelica-Mrs Bland.
Cast
Role: Scandal Actor: Anderson
Role: Trapland Actor: Collins
Role: Angelica Actor: Mrs Bland.

Afterpiece Title: The Double Disappointment

Song: I: Favourite Dialogue No Never-Lowe, Mrs Chambers; III: If Love's a Sweet Passion-Mrs Chambers

Dance: DDutch Dance, as17531018

Event Comment: Benefit for Mrs Woffington. Mainpiece: By N. Rowe, Esq. Not acted these 20 Years. [The Young Gentlewoman possibly Miss Condill. See 1 Nov. 1756.] Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate

Performances

Mainpiece Title: Ulysses

Performance Comment: Ulysses-Clarke; Eurymachus-Ridout; Telemachus-Smith; Menton-Gibson; Semanthe-a Young Gentlewoman who never appeared on any stage; Penelope-Mrs Woffington; New Epilogue-Mrs Woffington.

Afterpiece Title: The Frenchified Lady Never in Paris

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales. Mainpiece: Not acted these 10 years [see 8 May 1753]. Written by Beaumont and Fletcher. Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate. [Lucy was played by Miss Sledge; see 4 Feb. 1757.

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Smith; Francisco-Ridout; Hairbrain-Bencraft; Fountain-Anderson; Bellmore-White; Lovegood-Dunstall; Lance-Arthur; Shorthose-Shuter; Merchant-Marten; Ralph-Bennet; Humphrey-Cushing; Roger-Costollo; Lucy-a Young Gentlewoman, 1st appearance upon any stage; Isabella-Mrs Barrington; Widow-Mrs Hamilton.
Cast
Role: Fountain Actor: Anderson

Afterpiece Title: The Frenchified Lady never in Paris

Dance: Poitier, Granier, Lucas, Mlle Capdeville, Miss Hilliard

Event Comment: Mainpiece: Never Acted there. Written by Shakespear. Receipsts: #93

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Fortune Tellers

Performance Comment: Harlequin-Phillips; Gipsies-Bride, Green, Rayner, Gray; Gipsey Women-Miss Minors, Mrs Budgell, Mrs Jackson, Mrs Rayner; Young Rustick-Liviez; Colombine-Miss Mann; Colombine's Father-Leigh; Fidler-Gray; Mother-Mrs Phillips; Maid-Miss Story; John Trot-Hough; Concluding with a New Grand Entertainment of Dancing call'd A Voyage to the Island of Cytherea: Adonis-Desse; Venus-Mrs Walter; Pilgrims (men)-Liviez, Dumont, Baudouin, (women) Mrs Thompson, Miss Story, Miss Rayner; Cupid-Constantini.

Song: Between the acts: Beard, Lowe

Event Comment: Benefit for Mrs Bulkley. 2nd piece: Never acted here. 4th piece: 1st time at this Theatre

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-Cheek-Edwin (1st appearance in that character); Malvolio-Bensley; Duke-Staunton; Sebastian-R. Palmer; Clown (with the Epilogue Song)-Parsons; Fabian-Stevens; Sir Toby Belch-Palmer; Olivia (with a song)-Miss Harper (1st appearance in that character); Maria-Miss Kirby; Viola-Mrs Bulkley (1st appearance in that character) .
Cast
Role: Sir Andrew Ague Actor: Cheek-Edwin

Afterpiece Title: The Tobacco Box

Afterpiece Title: The Maid of the Oaks

Performance Comment: Dupely-Palmer; Oldworth-Aickin; Sir Harry Groveby-Bannister Jun.; Hurry-Parsons; Old Groveby-Baddeley; Maria (with a song)-Miss Morris; Lady Bab Lardoon-Mrs Bulkley (1st appearance in that character) .

Dance: In Act II of 4th piece (for that night only) the Minuet de la Cour by Giorgi and Mrs Bulkley

Event Comment: Paid Lee Lewes in lieu of a Benefit #105. Afterpiece: Never acted at this Theatre. Receipts: #157 1s. 6d. (153/19/0; 3/2/6)

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Miss Cleland

Afterpiece Title: The Maid of the Oaks

Performance Comment: Old Groveby-Wilson; Dupely-Whitfield; Oldworth-Clarke; Sir Harry Groveby-Davies; Hurry-Edwin; Maria (with a song)-Miss Satchell; Lady Bab Lardoon-Mrs Abington. The Musical Characters by Brett, Miss Morris, Mrs Morton .

Dance: In Act I of afterpiece a Dance by Harris, Miss Matthews, Miss Besford

Event Comment: Benefit for Quick. Mainpiece: With Alterations, Never acted here. Public Advertiser, 3 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Receipts: #316 5s. (190/17; tickets: 125/8) (charge: #105)

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Rival Knights

Afterpiece Title: Tom Thumb

Song: In Act V of mainpiece A Frightened Song by Quick

Monologue: 1784 04 13 End of mainpiece a new Occasional Address spoken by Quick, riding on an Elephant

Event Comment: Mainpiece: Never acted here. Benefit for Mrs Wells [whose 1st appearance in tragedy was as Jane Shore at DL, 30 Apr. 1783; her 2nd was as Isabella at DL, 30 Apr. 1784, on which night she spoke the Address noted above]

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Biron-Williamson; Count Baldwin-Aickin; Carlos-Staunton (of DL); Child-D. Edwin [Public Advertiser: Master Edwin]; Sampson-Gardner; Belford-Davies; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Wells (3rd appearance in tragedy, and 2nd in that part) .

Afterpiece Title: Gretna Green

Cast
Role: Randal Actor: Bannister Jun.
Role: Landlord Actor: Ledger

Music: End of Act II a concertante for clarinet and bassoon by Mahon

Song: In Act III of mainpiece an Epithalamium by Mrs Bannister and Miss George

Monologue: 1784 08 05 Previous to mainpiece an occasional Address (2nd time) by Mrs Wells

Event Comment: "A most ridiculous circumstance happened in the last act [of mainpiece]--nothing less than a total silence on the Stage, where all the Dramatis Personae stood in a rank, waiting for the next speech, which however was not heard, for, after a considerable time, the curtain was let down . . . Lewis came forward and acquainted the House that the part sent to Aickin was incomplete, and that he (who was to finish the Play) had never been furnished with the last speech. As we understood rehearsals were necessary to getting up Plays, we cannot reconcile this blunder to our apprehension" (General Advertiser, 6 Mar.). Receipts: #157 16s. (152/10; 5/6)

Performances

Mainpiece Title: The Ladys Last Stake

Afterpiece Title: Love in a Camp

Dance: End of Act IV of mainpiece a new dance, The Drunken Sailor Reclaim'd, by Byrn, Ratchford, Mrs Goodwin, Miss Besford

Event Comment: Mainpiece: Never acted here

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Williamson; Myrtle-Davies; Sealand-Aickin; Sir John Bevil-Usher; Cimberton-Parsons; Humphrey-Gardner; Daniel-Wewitzer; Tom-Palmer; Phillis-Mrs Smith (from the Theatre Royal, York [on playbill of 12 July: 1st appearance in London]); Lucinda-Miss Brangin; Mrs Sealand-Mrs Love; Isabella-Mrs Poussin; Indiana-Miss Farren .
Cast
Role: Sealand Actor: Aickin
Role: Mrs Sealand Actor: Mrs Love

Afterpiece Title: Peeping Tom

Song: In Act II of mainpiece song by Miss Burnett

Event Comment: Benefit for Mrs Chambers and Mrs Clarke. Mainpiece: Written by Mrs Cowley, and performed at the Theatre-Royal, Covent-Garden with universal Applause. Never Acted there

Performances

Mainpiece Title: A Bold Stroke For A Husband

Performance Comment: Don Julio-Benson; Don Caesar-Waldron; Don Vincentio-Wilson; Don Garcia-Hill; Gaspar-Sadler; Vasquez-Watts; Pedro-Price; Don Carlos-Gibbons (who performed JafHer [on 5 July] and Lord Gayville [on 10 July]); Victoria-Mrs Chambers; Minette-Mrs Clarke; Marcella-Miss Phillips; Inis-Mrs Johnston; Laura-Miss Williams; Donna Olivia-Miss Fenton (who performed Belvidera [on 5 July] and Lady Emily [on 10 July]) .on 5 July] and Lady Emily [on 10 July]) .

Afterpiece Title: All the Worlds a Stage

Song: Between the Acts and after the mainpiece, by Price, Miss Phillips, Mrs Clarke

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: "[Henderson] stands before me with the muster of his recruits legible in his eye, and I hear the fat and chuffy tones by which he added humour to the ludicrous terms of the poet's description . . . The bursts of laughter he excited by this, which he did not hurry, but seemed mentally to enjoy, as the images rose in succession, were beyond measure delightful. He made his audience for the time as intelligent as himself" (Boaden, Siddons, I, 124-25). Receipts: #170 15s. 6d. (168/8/6; 2/7/0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Performance Comment: Sir John Falstaff-Henderson; King-Clarke Prince of Wales-Lewis; Blunt-W. Bates; Sir Richard Vernon-Whitfield; Worcester-Fearon; Northumberland-Webb; Sheriff-J. Wilson; Poins-Robson; Francis-Edwin; Bardolph-Booth; Douglas-L'Estrange; Westmoreland-Thompson; Carriers-Egan, Jones; Hotspur-Wroughton; Hostess-Mrs Pitt; Lady Percy (1st time)-Mrs Inchbald .
Cast
Role: Northumberland Actor: Webb
Role: Westmoreland Actor: Thompson

Afterpiece Title: The Son in Law

Dance: End of Act II of mainpiece, as17811101

Event Comment: Afterpiece [1st time; P 2, author unknown. MS not in Larpent; synopsis of action in Public Advertiser, 8 and 9 Jan.]: With new Scenes, Dresses and Decorations. To conclude with a Representation of the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Music partly new [by William Shield, with overture by Carl Friedrich Baumgarten] and partly compiled from the best Masters. The Scenes designed and executed by Greenwood. Nothing under Full Price will be taken. Books of the Pantomime to be had at the Theatre. Account-Book, 4 June: Paid the Author of Harlequin Junior a Compliment on the Success #30. Receipts: #261 5s. 6d. (257/10/0; 3/8/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Conscious Lovers

Cast
Role: Mr Sealand Actor: Aickin
Role: Luanda Actor: Miss Wheeler
Role: Mrs Sealand Actor: Mrs Love

Afterpiece Title: Harlequin Junior or The Magis Cestus

Performance Comment: Characters by Wright, Williamson, Burton, Staunton, Williames, R. Palmer, Waldron, Chaplin, Phillimore, Wilson, Alfred, Spencer, Kenny, Grimaldi; Mrs Burnett, Miss Burnett, Miss Tidswell, Miss Barnes, Miss Cranford, Miss M. Stageldoir. [Partial cast from Parker's General Advertiser, 8 Jan.: Old Harlequin-Wright; Magician-Staunton; Sailor-Williames; Clown-Grimaldi; Spirit-Miss Cranford; Colombine-Miss M. Stagedoir. Playbill of 10 Nov. 1788 lists the other parts: Harlequin, German Officer, French Gentleman, Valet, Miller, Landlord, Cook, Daemon, Taylor; Old Colombine, French Ladies.] hathi. Old Colombine, French Ladies.] hathi.

Song: In Act II of mainpiece a song by Miss Phillips