SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5146 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [By John Hughes.] Never Acted before. The Orphan Reviv'd or Powell's Weekly Journal, 20 Feb.: On Wednesday last, the Ingenious Mr John Hughes, Author of the Tragedy call'd the Siege of Damascus, died without seeing it acted

Performances

Mainpiece Title: The Siege Of Damascus

Event Comment: [By Charles Coffey.] Never Acted before. Consisting of Variety of English, Scotch, and Irish Ballads. To which will be acted several comic and diverting French Pieces, to be perform'd by Monsieur Morrell

Performances

Mainpiece Title: The Beggar's Wedding

Event Comment: Mainpiece: Never Acted before. An Historical Play. [Apparently not published. Possibly by Mrs Haywood.] Afterpiece: A Ballad Farce of one Act. [Author unknown. Apparently not published.] With New Habits and all proper Decorations. London Daily Post and General Advertiser, 21 Jan.: We hear there had like to have been a Disturbance at the Rehearsal of. . . The Contract. . . . Some Persons suppos'd to be sent by the Governor of a certain Baronet, endeavour'd first to intimidate the Actors from the Representation of it; and finding that ineffectual, have since attempted to spirit-away some of the principal Performers

Performances

Mainpiece Title: Arden Of Feversham

Afterpiece Title: The Contract; or, The Biter Bit

Event Comment: Mainpiece: Never Acted before. [By John Hewitt.] Preface to edition of 1737: This Comedy made it's Appearance under many Disadvantages:...It was read for the first Time to the Performers, Tuesday the 15th, and acted Monday the 21st. Mrs Giffard, who had been Ill the Whole Season, undertook the Character of Lady Betty Manly, but finding herself indisposed, returned the Part on Thursday Evening. It was then given to Mrs Hamilton, who on Saturday about one in the Afternoon declared she could not do it unless it was cut, which the Nature of that Part not admitting, there was a Necessity to ask the Favour of Miss Hughes to undertake it, who with a great deal of good Nature, studied and played it perfect, tho' at so short a Warning

Performances

Mainpiece Title: A Tutor For The Beaus; Or, Love In A Labyrinth

Afterpiece Title: Hymen's Triumph

Event Comment: By Henry Fielding. Never acted before. On 25 Jan. Lady Hertford wrote to her son: Mr Fielding has wrote a comedy which has been refus'd by the Licenser, not as a reflecting one, but on account of its immorality. On 19 Feb. she wrote again: Mr Fielding by suffering the bawd to be carted, tho she is his favorite character in the new play, has obtained a license to have it acted, and it was perform'd on thursday for the first time, but so much dislik'd that it is believ'd that it will be impossible to prevail with a second audience to hear it through.-Hughes, Hertford, p. 242. The Larpent MS. shows many question marks, and deletions of suggestive, passionate, and physiological references

Performances

Mainpiece Title: The Wedding Day

Event Comment: The farce never acted before [by James Ralph]. Two acts taken from The Spanish Curate, by Beaumont and Fletcher. Macklin's Reply to Garrick's Answer published

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lawyer's Feast

Song: II: Song-Morland (his 1st appearance)

Dance: V: Italian Masquerade, as17431126

Event Comment: A New Comedy never acted Before. [By John Stevens.] Formula as 15 April. Prices 2s., 1s. [Published in 1745 by John Stevens, with the announcement As it was acted Gratis, at the New Theatre at the Haymarket, By a Company of Gentlemen for Diversion. No record of such a production has been found.

Performances

Mainpiece Title: The Modern Wife; Or, The Virgin Her Own Rival

Dance: As17450415

Event Comment: By Particular Desire. Farce never acted before, taken from Moliere. Cross: Farce damn'd: bef: 1st Act over. Powel: N.B.: This Farce was disaprov'd of by the Town. Receipts: #140 (Cross); #146 1s. (Powel)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: George Dandin

Dance: PPolish Dance, as17471102

Event Comment: Benefit for Mrs Macklin. Mainpiece [by John Ford]: Reviv'd not acted these Hundred years. Afterpiece: A New Farce never acted before by Charles Macklin. Note: Tickets deliver'd out for 22 April will be taken. Tickets to be had of Mrs Macklin in Bow St., and of Hobson at the Stage door. Cross: The play lik'd--farce not. Receipts: #93 (Cross); house charges, #60 (Powel); cash, #80 19s. 6d.; tickets, #12 15s. (Clay MS)

Performances

Mainpiece Title: Lover's Melancholy

Afterpiece Title: The Club of Fortune Hunters; or, The Widow Bewitch'd

Dance: III: Savoyards, as17471215; V: Pastoral Dance, as17480326

Event Comment: Mainpiece: A Tragedy [by John Moncrieff] never acted before. [The Biographia Dramatica states it was brought on by Moncrieff's friend Sheridan, who altered it to suit his purposes and lopped off the whole fifth act.

Performances

Mainpiece Title: Appius

Event Comment: At the Desire of several Persons of Quality. By Authority....By Bayes's New-raised Company of Comedians....All other parts [of mainpiece] to be attempted by the new Company; Most of whom never appeared on any stage before. Particularly, the part of Miranda , by a Young Gentlewoman. Being positively her first Essay in a Theatrical Capacity. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6:30 P.m. [No concert formula.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Cibber; End of Farce: an Occasional Ballad call'd An Act of Grace-; or, the Unhappy's Release; After which by Desire anEpilogue-Nobody.

Song: I: The Lover's Rapture-

Dance: II: A New Pierot's Dance-; IV: The Drunken Peasant-; End: A Country Dance-the Characters in the Comedy

Event Comment: [The Farce A Fairy Tale in 2 acts by Dr Hawkesworth never acted before. Epilogue by Garrick. Spoken by Mrs Yates. The Fairy announced as Miss Marten in advance bills (Winston MS 9).

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Edgar and Emmeline

Performance Comment: Actors only: Obrien, King, Master Kennedy, Miss Rogers, Miss Wright (1st appearance any stage), Mrs Yates; Epilogue-; Edgar-O'brien; Florimond-King; Emmeline-Mrs Yates; Elfina-Master Kennedy; Grotilla-Miss Rogers (Genest, IV, 608); Fairy-Miss Wright (Winston MS 9).
Event Comment: Benefit for Holland. Farce never before acted. Part of Pit laid into boxes. Farce written by the author of Lionel and Clarissa

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Barry; Ventidius-Holland; Dolabella-Aickin; Octavia-Mrs Hopkins; Alexas-Packer; Serapion-Bransby; Charmion-Mrs Johnston; Romans-Ackman, Strange; Iras-Mrs Hippisley; Cleopatra-Mrs Dancer; In Act II, a Dance- incident to the play.

Afterpiece Title: The Absent Man

Dance: V: The Wake, as17680220

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Performance Comment: Comus-Cautherly; Euphrosyne-Mrs Barree, first appearance this stage; Spirit-Davies; Brothers-Lamash, Wheeler; Lady (With Song, Sweet Echo)-Mrs Baddeley; Bacchanals-Vernon, Bannister, Fawcett, Kear, Legg, Carpenter, Blanchard, Master Blanchard; Bacchants-Mrs Davies, Mrs Love; Pastoral Nymph, Sabrina-Mrs Scott; In Act II, a Dance- incident to the piece.

Dance: I: The Grand Provencalle Dance, as17750202

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for R. Palmer. 1st piece: Not acted these 2 years [not acted since 16 Sept. 1791]. Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Palmer; Manager-Davies; Gentleman in Balcony (with several Imitations never given before)-Caulfield; Actresses-Mrs Cuyler, Mrs Hale, Mrs Bland (who will introduce Sweet Little Taffine).

Afterpiece Title: The Jew

Performance Comment: Sheva-Wewitzer (1st appearance in that character); Sir Stephen Bertram-Aickin; Charles Ratcliffe-Palmer Jun.; Jabal-Suett; Frederick-Palmer; Mrs Ratcliffe-Mrs Hopkins; Eliza-Miss Heard (1st appearance in that character).

Afterpiece Title: The Follies of a Day

Event Comment: Benefit for King. 2nd piece: Not acted for more than 20 years [acted 14 May 1782]. The Dialogue by Garrick and King. The Music by Michael Arne and Vernon. Tickets delivered for Friday May 5 [for which day the benefit was first announcedP will be admitted. True Briton, 6 May: Tickets to be had of King, No. 56, New Store-street, Bedford-Square. Receipts: #290 9s. 6d. (111.5.6; 58.4.6; 4.16.0; tickets: 116.3.6) (charge: #211 18s.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Performance Comment: Don Manuel-King (1st appearance in that character); Don Philip-Barrymore; Octavio-C. Kemble; Trappanti-Bannister Jun.; Soto-R. Palmer; Hippolita-Mrs Jordan; Rosara-Miss Heard; Flora-Mrs Goodall; Viletta-Miss Pope.

Afterpiece Title: Linco's Travels

Afterpiece Title: The Smugglers

Entertainment: Monologue. End I: Kitty Conolly and Jack the Painter (Very lately Versified, and never before presented to the Public)-King

Performance Comment: End I: Kitty Conolly and Jack the Painter (Very lately Versified, and never before presented to the Public)-King.
Event Comment: Milwood Mrs King So, so, Barnwell first time by Mr Brereton very well. The Jubilee is reviv'd with Alterations and Additions in the Pageant It was receiv'd with vast Applause (Hopkins Diary). [The Westminster Magazine for Dec. remarked on The Jubilee: "It appeared with still greater splendor [than in its original performance in 1769] from the introduction of more pageants and characters. Romeo and Juliet made a different appearance in this procession, and their was likewise a new Pageant for the Tragedy of Coriolanus, which was not introduced before. The scenes were either all new painted, or quite new."] Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Jubilee

Performance Comment: Dramatic Entertainment in honor of Shakespeare in two parts- Dancing-; Dramatic Entertainment-[, introducing a pageant. [No cast listed in playbill but each of the subsequent thirty-three bills mentions "In Honour of Shakespeare."]
Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Performances

Afterpiece Title: Taste

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Performance Comment: Principal Characters by Smith, Kemble, Aickin, Packer, Fawcctt, Phillimore, Palmer; Mrs Siddons. [Cast from text (C. Dilly and G. Nicol, 1784): Saint Valori-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; Gyfford-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons.] Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi. Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi.

Afterpiece Title: The Spanish Rivals

Event Comment: William Blaythwaite to Sir Robert Southwell, 4 Sept. 1679 [describing a visit made on 3 Sept. 1679 by Sir Edward Dering, Mrs Helena Percival, Miss Helena, Miss Betty, and himself]: What we saw was the dancing on the ropes performed first by Jacob Hall and his company, then by a Dutch dancer, who did wonderful feats. From thence we went to the Elephant, who I think was more terrible than pleasant to the young spectators (Morley, Memoirs of Bartholomew Fair, p. 192)

Performances

Mainpiece Title: Entertainments

Event Comment: Afterpiece: A New Pantomime (never performed). The Music entirely new, by Fisher, New Scenes, Machines, Dresses, and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Nothing under FULL PRICE will be taken. [The note about full prices and availability of books of songs, &c. accompanies each subsequent bill for Sylphs this season. The Westminster Magazine (Jan. 1774) fears the afterpiece may have been composed by Woodward. The reviewer recounts the story in some detail, likes the paintings and scenery, but states categorically: "We do not hesitate to pronounce it the worst Harlequin entertainment we remember to have seen...The music too is very insipid and pilfered from other masters."] Receipts: #237 3s. 2d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Ratcliff Actor: Davis

Afterpiece Title: The Sylphs; or, Harlequin's Gambols

Performance Comment: Harlequin-Lewes; Principal Sylph-Miss Brown; Other characters-Quick, King, Wignell, Fox, Baker, Thompson, Banks, Wild, Harris, Davis, Hollingsworth, Mrs Pitt, Mrs Willems, Mrs Helme, Mrs White; Colombine-Miss Twist; The Dances-Fishar, Miss Valois, Miss Capon; To Conclude with a Capital Scene- never exhibited by Servandoni.
Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Parts by Powell, Clarke, Smith, Hull, Bensley, Mrs Lessingham, Mrs Yates. With a Prologue-; Epilogue-; Cyrus-Powell; Cambyses-Smith; Mithranes-Bensley; Astyages-Clarke; Harpagus-Hull; Mandane-Mrs Yates; Aspasia-Mrs Mattocks (1768 edn. The edn. lists Mirza-Davis, but Davis does not appear on the playbill, which lists Mrs Lessingham, though no part appears for her in the 1768 edn.). Mrs Lessingham played Aspasia according to the listing in Lloyd's Evening Post, 2 thru 5 Dec.

Afterpiece Title: Country Wife

Cast
Role: Dorilant Actor: Davis
Event Comment: Benefit for Davis and Perry. Charges #64 5s. Deficit to actors #25 7s. 6d. covered by income from tickets: Davis #77 7s. (Box 80; Pit 291; Gallery 137); Perry #53 19s. (Box 27; Pit 158; Gallery 235) (Account Book). Receipts: #38 17s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17690405 but Gloster-Clarke; Shore-Perry; Catesby-Fox; Belmour-Davis; Ratcliffe-R. Smith; Derby-Wignell.
Cast
Role: Belmour Actor: Davis
Role: Ratcliff Actor: Davis

Afterpiece Title: Miss in Her Teens

Performance Comment: Flash-Davis; Fribble-a Gentleman (who never appeared on this stage); Rhodophil-Perry; Jasper-Holtom; Puff-Dunstall; Tag-Mrs Green; Miss Biddy-Miss Ogilvie.
Cast
Role: Flash Actor: Davis

Dance: End: The Merry Sailors, as17680920

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music [of his Veracini's] own Composing-; [viz. several Solos for the Violin [, never yet perform'd before-

Performance Comment: several Solos for the Violin [, never yet perform'd before-.
Cast
Role: never yet perform'd before Actor: .

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Palmer-Johnson who never perform'd it before.

Song: As17151028

Dance: Dupre, Boval, Dupre Jr, Prince, Birkhead, Mrs Santlow, Mrs Bicknell; particularly The Original Dance of Linkmen-