SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mme Bossi"/1) | (@(roleclean,performerclean) "Mme Bossi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 385 matches on Performance Comments, 256 matches on Performance Title, 105 matches on Event Comments, 9 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Performances

Mainpiece Title: Antigona

Cast
Role: Antigona Actor: Mme Brigida Banti

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Event Comment: Benefit for Mme Rose. The Opera [will be performed] instead of Antigona, already announced in the papers of yesterday, it having been found impossible to get ready the machinery of the new Ballet after the performance of the Serious Opera. Mme Rose having been presented with an Engraving Ticket for her night, she proposes to give one with each Ticket, separately from the Ticket which will be admitted at the door. The Nobility and Gentry are respectfully entreated not be on that part of the stage where the mountain stands, as the machinery of the Ballet will be attended with danger. Tickets to be had of Mme Rose, No. 9, Hay-market. "The most bewitching dance we ever witnessed, for novelty of idea, charm of fancy, and delicacy of passion was performed last night. Not content with the common praise, the audience called forward the author, Didelot, and paid to him the tribute due to original and inventive talents. The ballet was entitled L'Amour Vange. The invention, which was perfectly new, was that of bands of Cupidsv floating in air-suspended seemingly on their own wings, without the intervention of any grosser medium" (Morning Chronicle, 3 June)

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End II: [a new Ballet Episodique (in the style Anacreontique), in 2 acts, composed by Didelot with music by Bossi] L'Amour Vange- [;ou, La MetamorphoseMme Rose, Mme Hilligsberg, Mlle Parisot, Mme Bossi, Didelot, Gentili

Ballet: End I: a new Indian Divertisement by Didelot, The Caravan at Rest. Cast from Morning Herald, 27 May: Nair (Malabar Officer)-Didelot; Moor-Gentili; Arab (Chief of the Caravan)-Fialon; Malabar Woman-Mme Rose; Negro Caffre (of the natural country)-Mme Hilligsberg; Arab Woman-Mlle Parisot; Young Woman, Wotyake-Mme Bossi; Two Audalisques-Mlles Cabanel

Performance Comment: Cast from Morning Herald, 27 May: Nair (Malabar Officer)-Didelot; Moor-Gentili; Arab (Chief of the Caravan)-Fialon; Malabar Woman-Mme Rose; Negro Caffre (of the natural country)-Mme Hilligsberg; Arab Woman-Mlle Parisot; Young Woman, Wotyake-Mme Bossi; Two Audalisques-Mlles Cabanel.
Cast
Role: Malabar Woman Actor: Mme Rose
Role: Negro Caffre Actor: Mme Hilligsberg
Role: Wotyake Actor: Mme Bossi

Performances

Mainpiece Title: Antigona

Cast
Role: Antigona Actor: Mme Brigida Banti

Dance: Flore et Zephire, as17960707 but _Fialon, _Lahante, _Hamoir, _Giani, _Roffey, _Simpson, Master _Menage, Mme _Vidi, Mlle _Cabanel; L'Heureux Naufrage, as17960707 but _Fialon, _Lahante, _Hamoir, _Giani, _Roffey, _Simpson, Master _Menage, Mme _Vidi, Mlle _Cabanel

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 10, St. Alban's-street

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

Event Comment: Benefit for Mme Morichelli. Afterpiece: An Heroic Entertainment in one act, consisting of Songs and Dances with Chorusses, and never performed upon any public Stage, but composed for the private Theatre of a Nobleman at Venice [in 1789]. The words by Count Alexander Pepoli; the music by Cimadoro; the pantomime and dances by Noverre. Tickets to be had of Mme Morichelli, No. 127, Pall Mall

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Performance Comment: Principal Characters by Mme Morichelli, Mme DelCaro. Cast from libretto (C. Clarke, 1795): Ati-Mme DelCaro; Cibele-Mme Morichelli.
Cast
Role: Ati Actor: Mme DelCaro
Role: Cibele Actor: Mme Morichelli.

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

Event Comment: Benefit for Sga Bossi DelCaro. 2nd ballet: 1st time; composed for the occasion by Dupret; the music by Bossi, composer and leader of the Band at the Opera House. Of Age To-morrow [advertised on playbill of 30 May] is obliged to be deferred on account of the indisposition of Bannister Jun. Morning Chronicle, 30 May: Tickets to be had of Sga Bossi DelCaro, No. 1, Great Suffolk-street, Charing-cross. Receipts: #327 5s. (212.10.0; 61.13.6; 2.18.0; tickets: 50.3.6) (charge: #215 13s. 7d.)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: No Song No Supper

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

Performance Comment: Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet.
Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Performance Comment: Hilligsberg, Mrs D'Egville, Mme Rose Didelot.
Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Performance Comment: Principal Characters by Rubinelli, Calvesi, Balelli, Cremonini, Sga Schinotti, Mme Mara. [Cast from Larpent MS 751: Alceste-Rubinelli; Fenicio-Calvesi [in MS: Mengozzi]; Olinto-Balelli; Mitrane-Cremonini; Barsene-Sga Schinotti; Cleonice-Mme Mara.
Cast
Role: Cleonice Actor: Mme Mara.

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Performance Comment: Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette.
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 115, Jermyn-street. 2nd ballet: With new Scenery by Belenger and new Dresses by Sestini. The greater part of the music by Mazzinghi

Performances

Mainpiece Title: Semiramide

Cast
Role: Semiramide Actor: Mme Brig. Banti

Dance: End I: New Divertisement, in which the Pas Russe-Mme Hilligsberg, Mme Hilligsberg's sister in men's clothes; End II: a new Grand Dramatic Pantomime Ballet, in 3 parts, composed by Onorati, Paul et Virginie-Gentili, Aumer, Lahante, Simpson, Mme DelCaro, Miss J. Hilligsberg, Mme Rossi, Mme Hilligsberg who will perform in men's clothes and dance a Scotch Reel in that character

Performance Comment: Hilligsberg, Mme Rossi, Mme Hilligsberg who will perform in men's clothes and dance a Scotch Reel in that character.
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 2nd ballet: Music by J. Mazzinghi

Performances

Mainpiece Title: Elfrida

Cast
Role: Elfrida Actor: Mme Banti

Dance: End I: Le Triomphe de Themis, as17971226; Pas Russe-Laborie, Mme Hilligsberg; End Opera: a new Pastoral Ballet in 4 acts, composed by S. Gallet, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie

Performance Comment: Gallet=, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie.
Event Comment: "The company [of spectators] was so numerous that there was hardly room on the stage for the performers to go through their pans . . . Mme Simonet displayed all that power of acting for which she has been so justly celebrated since the first introduction of the ballets called 0?Action when first Vestris held the sceptre of Terpsychore at the King's Theatre [in 1780-81]" (Public Advertiser, 18 Feb., which also has a synopsis of the action)

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II an entirely new ballet of Serious, Comic, and Demi-characters, composed by Lepicq, Les spouses Persanes; or, The Persian Wives, by Lepicq, Mme Rossi, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Simonet. [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.]

Performance Comment: [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.] hathi. hathi.
Cast
Role: Hircana Actor: Mme Rossi
Role: Fatima Actor: Mme Simonet
Event Comment: Benefit for Mme Mara. 2nd piece: Compressed into 2 Acts. The Words of the new Song to be had at the Theatre. Morning Herald, 21 May: Tickets to be had of Mme Mara, No. 57, Edgeware-road. Account-Book: Paid the Duke of Bedford one years Rent for the Theatre due Ladyday 1794 #456 4s.; Account-Book, 10 June: Paid the Duke of Bedford one years Rent due Ladyday 1795 #456 4s. Receipts: #339 10s. (250.1.6; 2.2.0; tickets: 87.6.6)

Performances

Mainpiece Title: Comus

Afterpiece Title: Artaxerxes

Cast
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel

Afterpiece Title: The Doldrum

Cast
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

Performance Comment: Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself.written for the Occasion, and set to music by Herself.
Event Comment: Benefit for Mme LeBrun. Tickets to be had of Mme LeBrun, No. 36, Great Suffolk-street. "In the year 1781, Pacchierotti had been heard so frequently, that his singing was no impediment to conversation, or even to animated narrative and debate; but while the elder Vestris was on the stage, if during a pas seul, any of his admirers forgot themselves so much as to applaud him with their hands, there was an instant check put to his rapture by a choral hu-sh! For those lovers of music who talked the loudest when Pacchierotti was singing a pathetic air, or making an exquisite close, were now thrown into agonies of displeasure, lest the graceful movements du dieu de la dance, or the attention of his votaries, should be disturbed by audible approbation" (Burney, II, 893)

Performances

Mainpiece Title: Zemira And Azor

Cast
Role: Zemira Actor: Mme LeBrun.

Dance: End I: The Pert Country Maid, as17810113; End II Grand Serious Ballet, as17801216, but Mlle _Baccelli, Mme Simonet; with a +Pas@Solo-Vestris Sen.; accompanied with the oboe-LeBrun; a Pas de Deux-Vestris Sen., Mme Simonet; to finish with a Grand Chaconne-Vestris Jun.; End Opera: The Rural Sports, as17810123

Performance Comment: ; accompanied with the oboe-LeBrun; a Pas de Deux-Vestris Sen., Mme Simonet; to finish with a Grand Chaconne-Vestris Jun.; End Opera: The Rural Sports, as17810123. End Opera: The Rural Sports, as17810123.

Music: II: a concerto on the piano forte-Mme LeBrun

Song: a song by LeBrun-Mme LeBrun; accompanied with the hautboy-

Performances

Mainpiece Title: Antigona

Dance: End II: L'Amour Vange, as17960604

Ballet: End I: The Caravan at Rest. As17960602

Cast
Role: Malabar Woman Actor: Mme Rose
Role: Negro Caffre Actor: Mme Hilligsberg
Role: Wotyake Actor: Mme Bossi

Performances

Mainpiece Title: Antigona

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

Cast
Role: Malabar Woman Actor: Mme Rose
Role: Negro Caffre Actor: Mme Hilligsberg
Role: Wotyake Actor: Mme Bossi

Performances

Mainpiece Title: Il Tesoro

Performance Comment: Principal Characters by Viganoni, Morelli, Bonfanti, Rovedino, Sga Fabrizzi. Cast from Larpent MS 1136: Buonafede-Viganoni; Filotimo-Morelli; Don Papavero-Bonfanti; Leonardo-Rovedino; Verigola-Braghetti; Mordicone-De Giovanni; Limpida-Sga Fabrizzi; Donna Zaveria-Sga Bigi; Fiammetta-Sga Pastorelli.
Cast
Role: Fiammetta Actor: Sga Pastorelli.

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

Cast
Role: Malabar Woman Actor: Mme Rose
Role: Negro Caffre Actor: Mme Hilligsberg
Role: Wotyake Actor: Mme Bossi

Performances

Mainpiece Title: Il Tesoro

Cast
Role: Fiammetta Actor: Sga Pastorelli.

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

Cast
Role: Malabar Woman Actor: Mme Rose
Role: Negro Caffre Actor: Mme Hilligsberg
Role: Wotyake Actor: Mme Bossi

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

Cast
Role: Malabar Woman Actor: Mme Rose
Role: Negro Caffre Actor: Mme Hilligsberg
Role: Wotyake Actor: Mme Bossi

Performances

Mainpiece Title: Il Tesoro

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

Cast
Role: Malabar Woman Actor: Mme Rose
Role: Negro Caffre Actor: Mme Hilligsberg
Role: Wotyake Actor: Mme Bossi

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

Performance Comment: ], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon .

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Performance Comment: Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg.

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17840207, but Henry in place of Mme Simonet, and omitted: Cossack; End of Opera L'Amitie conduite a L'Amour by Vestris [Jun.], Mme Rossi, Mme Theodore [and see17831206]

Performance Comment: ], Mme Rossi, Mme Theodore [and see17831206] .

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II an entirely New Divertissement in the Serious and Demi Character, composed by D'Auberval, by Lepicq, Mme Rossi, Vestris [Jun.], Mme Theodore, Mme Simonet; End of Opera Divertissement, as17840415

Performance Comment: ], Mme Theodore, Mme Simonet; End of Opera Divertissement, as17840415.
Event Comment: [Mme Krumpholtz's 1st appearance in London was at the Hanover Square Rooms, 2 June 1788.

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: A Miscellaneous Concert

Performance Comment: Air on the Recovery of the King-, by Handel Reinhold; Concerto Bassoon-Parkinson; Sweet Bird-[L'Allegro] Mrs Ambrose; accompanied on the violin-Shaw; Sound an Alarm [Judas Maccabaeus]-Kelly; concerto hautboy-W. Parke; Se non avate O Dio![, by Sacchini-Mrs Crouch; Lungi del caro bene [Giulio Sabino, by Sarti-Mrs Ambrose; accompanied on the harp-Mme Krumpholtz; God save Great George our King-; 1st Violin-Shaw.

Music: End I: serenata solo on harp-Mme Krumpholtz (2nd appearance in this Kingdom)

Performances

Mainpiece Title: La Bella Arsene

Cast
Role: Arsene Actor: Mme Banti

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.