SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mme Bolla"/1) | (@(roleclean,performerclean) "Mme Bolla")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 376 matches on Performance Comments, 241 matches on Performance Title, 96 matches on Event Comments, 7 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: A Grand Sacred Selection 0; Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Performance Comment: Part I. Overture- (Occasional Oratorio); Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; Lord what is man?-Miss Poole [Semele]; Total eclipse-Braham; O first created beam-Chorus [Samson]; The mighty power-Chorus [Athalia]; O worse than death, Angels ever bright and fair-Mme Mara [Theodora]; Fixed in his everlasting seat-Chorus [Samson].Samson].

Afterpiece Title: A Grand Sacred Selection 2

Performance Comment: Part II. Ye Sons of Israel-Chorus; Shall I in Mamre's-Bartleman; For all these mercies-Chorus [Joshua]; My Faith and Truth-Miss Poole, Master Elliot; Return O God of Hosts-Sga Galli [Samson]; First concerto Op. 3 Geminiani-G. Ashley; Deeper and deeper still, Waft her angels-Braham [Jephtha]; Thy right hand O Lord-Chorus [Israel in Egypt]; Holy Holy Lord-Mme Mara [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: A Grand Sacred Selection 3

Performance Comment: Part III. Overture and Dead March- (Saul); Great Jehovah's awful-Master Elliot [Israel in Egypt]; In sweetest Harmony-Mme Mara; O fatal Day-Chorus [Saul]; Gentle Airs-Braham; [accompanied on the violoncello-C. Ashley [Athalia]; Fallen is the Foe-Chorus [Judas Maccabaeus]; O magnify the Lord-Miss Poole [Chandos Anthems]; The Lord shall reign-Chorus; For the Horse of Pharoah, Sing ye to the Lord-Mme Mara; The Horse and his Rider-Double Chorus [Israel in Egypt].Israel in Egypt].

Music: End I: concerto on pedal harp-Miss Dupree (1st appearance in public)

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Performance Comment: Bellona-Mme Banti; Tamigi-Viganoni; Apollo-Rovedino; Genio d'Africa-Didelot; Genio d'Asia-Gentili; Genio d'America-Mlle Parisot.
Cast
Role: Bellona Actor: Mme Banti
Role: Tamigi Actor: Viganoni
Role: Apollo Actor: Rovedino
Role: Genio d'Africa Actor: Didelot
Role: Genio d'Asia Actor: Gentili
Role: Genio d'America Actor: Mlle Parisot.

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

Performance Comment: Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg.
Cast
Role: Doris Actor: Mme Rose
Role: Nerid Actor: Didelot
Role: Ocean Actor: Gentili
Role: Amphitrite Actor: Mlle Parisot
Role: Thetis Actor: Mme Hilligsberg.

Performances

Mainpiece Title: Merope

Performance Comment: Principal Characters by Rovedino, Bonfanti, Viganoni, Mme Banti. Cast from Larpent MS 1174: Polifonte-Rovedino; Euriso-Bonfanti; Egisto-Viganoni; Adrasto-Braghetti; Merope-Mme Banti; Ismene-Sga Pastorelli.
Cast
Role: Polifonte Actor: Rovedino
Role: Euriso Actor: Bonfanti
Role: Egisto Actor: Viganoni
Role: Adrasto Actor: Braghetti
Role: Merope Actor: Mme Banti
Role: Ismene Actor: Sga Pastorelli.

Dance: As17961220

Performances

Mainpiece Title: Nina

Performance Comment: Principal Characters by Rovedino, Viganoni, Mme Banti. Cast adjusted from libretto (J. Davenport, 1797): Conte-Rovedino; Lindoro-G. Viganoni; Giorgio-L. Bonfanti; Nina-Mme Banti; Elisa-Sga Colombati.
Cast
Role: Conte Actor: Rovedino
Role: Lindoro Actor: G. Viganoni
Role: Giorgio Actor: L. Bonfanti
Role: Nina Actor: Mme Banti
Role: Elisa Actor: Sga Colombati.

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Evelina

Performance Comment: Principal Characters by Rovedino, Viganoni, Mme Banti. Cast adjusted from libretto (DaPonte, 1797): Arviro-Rovedino; Irvino-Viganoni; Vellino-Bonfanti; Modred-Braghetti; Messala-DeGiovanni; Evelina-Mme Banti.
Cast
Role: Arviro Actor: Rovedino
Role: Irvino Actor: Viganoni
Role: Vellino Actor: Bonfanti
Role: Modred Actor: Braghetti
Role: Messala Actor: DeGiovanni
Role: Evelina Actor: Mme Banti.

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Evelina

Dance: End I: L'Offrande a Terpsichore-, as17971202; End Opera: [a new grand Ballet, composed by Gallet with music by Bossi], Constante et Alcidonis- [but review in Morning Chronicle, 7 Feb., refers to Didelot, Mme Rose, Laborie, Mme Laborie, Mme Hilligsberg

Performance Comment: , refers to Didelot, Mme Rose, Laborie, Mme Laborie, Mme Hilligsberg.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Esther); The Dettingen Te Deum, Holy holy Lord-Mme Mara.
Cast
Role: Overture Actor:
Role: Holy holy Lord Actor: Mme Mara.

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Come all noble souls who skill'd in music's art- (composed by Dr Rogers, 1673); The smiling dawn-Miss Dufour (Jephtha); Honour and arms-Reinhold (Samson); O Magnify the Lord-Miss Poole (Chandos? Anthems); O Baal-Chorus (Deborah); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); My faith and truth-Miss Poole, Master Elliot (Samson); Ye sacred priests, Farewell ye limpid-Mme Mara (Jephtha); He gave them hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Ye men of Gaza-Miss Poole (Samson); Softly rise-Incledon; accompanied on the bassoon-Parkinson (Boyce's Solomon); Mad Bess, Let them come if they dare, Genius of England from thy pleasant bower of bliss arise-Mme Mara, Chorus (Purcell); To arms Britons strike home-Incledon, Reinhold, Full Chorus.

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love, as17980428

Ballet: End Opera: Le Deserteur. composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie

Performance Comment: composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie.
Cast
Role: Henry Actor: Didelot
Role: Louisa Actor: Mme Laborie
Role: Jenny Actor: Mme Hilligsberg
Role: Skirmish Actor: Laborie.

Performances

Mainpiece Title: Antigona

Performance Comment: Principal Characters-Viganoni, Benelli, Mme Banti. [Cast adjusted from libretto (W. Glindon, 1796): Creonte-Viganoni; Emone-Benelli; Adrasto-Braghetti; Nearco-DeGiovanni; Antigona-Mme Banti; Ismene-Sga Pastorelli.]
Cast
Role: Principal Characters Actor: Viganoni, Benelli, Mme Banti.
Role: Creonte Actor: Viganoni
Role: Emone Actor: Benelli
Role: Adrasto Actor: Braghetti
Role: Nearco Actor: DeGiovanni
Role: Antigona Actor: Mme Banti
Role: Ismene Actor: Sga Pastorelli.

Dance: As17980614

Ballet: Le Deserteur. As17980614

Cast
Role: Henry Actor: Didelot
Role: Louisa Actor: Mme Laborie
Role: Jenny Actor: Mme Hilligsberg
Role: Skirmish Actor: Laborie.

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]): Adelvolto-Viganoni; Orgando-Rovedino; Egardo-Benelli; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.
Cast
Role: Adelvolto Actor: Viganoni
Role: Orgando Actor: Rovedino
Role: Egardo Actor: Benelli
Role: Siveno Actor: Braghetti
Role: Osmondo Actor: DeGiovanni
Role: Elfrida Actor: Mme Banti
Role: Evelina Actor: Sga Pastorelli.

Dance: As17981226

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Rovedino, Viganoni, Mme Banti. Cast from libretto (Da Ponte [1799]: Rodrigo-Rovedino; Don Pietro-Viganoni; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.
Cast
Role: Rodrigo Actor: Rovedino
Role: Don Pietro Actor: Viganoni
Role: Alfonso Actor: Benelli
Role: Fernando Actor: DeGiovanni
Role: Ines Actor: Mme Banti
Role: La Regina Actor: Sga Pastorelli.

Dance: As17990101

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Cast
Role: Rodrigo Actor: Rovedino
Role: Don Pietro Actor: Viganoni
Role: Alfonso Actor: Benelli
Role: Fernando Actor: DeGiovanni
Role: Ines Actor: Mme Banti
Role: La Regina Actor: Sga Pastorelli.

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Cast
Role: Ariadne et Bacchus Actor:

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: Messiah 1

Performance Comment: He was despised-Mme Mara; Morning Chronicle, 14 Feb. also refers to Comfort ye my people-Incledon; The trumpet shall sound-Bartleman; I know that my Redeemer liveth-Mme Mara.

Music: End II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Wise men flattering-Miss Capper; Sound an alarm-Incledon; We hear-Chorus; Pious orgies-Mme Mara (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; The morning lark-Mrs Atkins (Semele); In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); O liberty-Incledon; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Lord remember David-Mme Mara (Sosarme); He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); He was eyes unto the blind-Master Elliot (Redemption); How willing my paternal love-Bartleman (Samson); Fallen is the foe-Chorus; Tune your harps-Mrs Atkins, Master Elliot (Judas Maccabaeus); Agitata-Mme Mara; Zadock the Priest-Chorus (Coronation Anthems); God save the King-.

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Come, come, all noble souls-Incledon, Page, Sale (Rogers); Tune your harps-Mrs Atkins; Every day will I give thanks-Incledon (Chandos Anthems); The Mighty power-Chorus; Rejoice O Judah-Sale (Athalia); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Berenice)-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); From mighty kings-Mrs Atkins (Judas Maccabaeus); Come if you dare-Incledon, Chorus (Purcell); Oh had I Jubal's lyre-Miss Waters (Joshua); The soldier tired-Mme Mara (Arne's Artaxerxes); Fixed in his everlasting seat-Chorus (Samson).

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Performance Comment: Principal Vocal Performers-Incledon, Sale, Denman, Page, Bartleman, Mme Mara, Miss Capper, Miss Waters, Miss Poole.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; My cup is full, Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Ye men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Honour and arms-Bartleman (Samson); What though I trace-Mme Mara (Solomon); Sound an alarm-Chorus (Judas Maccabaeus).
Cast
Role: Overture Actor:
Role: Shall I in Mamre's Actor: Sale
Role: For all these mercies Actor: Chorus
Role: Ye men of Gaza Actor: Miss Poole
Role: Hear Jacob's God Actor: Chorus
Role: Honour and arms Actor: Bartleman
Role: What though I trace Actor: Mme Mara
Role: Sound an alarm Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Raimondi's celebrated Piece descriptive of a Battle-; concluding with God save the King-full Chorus; Thou shalt bring them in-Miss Waters (Israel in Egypt); Dulce Domum (by desire of several Wykehamists)-Mme Mara, with a grand Chorus , composed by J. Reading, 1680; Wise men flattering-Miss Capper (Judas Maccabaeus); Tears such as-Bartleman (Deborah); Agitata-Mme Mara; He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: The Water Music-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); He was eyes unto the blind-Miss Poole (Siroe); Total eclipse-Incledon; O first created beam-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Chorus (Saul).

Music: As17990306

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; Come ever smiling liberty-Miss Capper (Judas Maccabaeus); Lord of eternity-Chorus; Behold the nations-Sale; O Baal-Chorus (Deborah); Mirth admit me-Bartleman; Haste thee nymph-Incledon, Chorus (L'Allegro); My faith and truth-Miss Poole, Master Elliot (Samson); Lord, remember David-Mme Mara (Sosarme); For unto us a child is born-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Fifth Concerto (Martini)-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Softly sweet-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He was despised-Sga Galli, who is in her 77th year and in the greatest distress, and most humbly hopes for the protection of the Public on the occasion (The Messiah); Disdainful of danger-Incledon, Page, Bartleman (Judas Maccabaeus); Oft on a plat-Incledon; Let me wander-Mme Mara; Or let the merry bells-Chorus (L'Allegro).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; The prince unable-Miss Poole (Alexander's Feast); Return O God-Miss Waters; Justly these evils, Why does the God of Israel-Incledon (Samson); Dulce Domum-Mme Mara, Chorus (Reading); The soldier tired-Mme Mara (Arne's Artaxerxes); How willing-Bartleman (Samson); Hallelujah-Chorus (The Messiah).

Music: As17990215

Performances

Mainpiece Title: An Act Of Elfrida

Afterpiece Title: I Due Svizzeri

Performance Comment: [Principal Parts by Morelli, Viganoni, Rovedino, Mme Banti. Cast from libretto (Da Ponte [1799]): Lanzman-Morelli; Brunello-Viganoni; Frans-Rovedino; Giletta-Mme Banti.
Cast
Role: Lanzman Actor: Morelli
Role: Brunello Actor: Viganoni
Role: Frans Actor: Rovedino
Role: Giletta Actor: Mme Banti.

Dance: As17990330

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: La Serva Padrona

Performance Comment: Principal Parts-Morelli, Mme Banti. [Cast from libretto (C. Clarke [1794]): Uberto-Morelli; +Serpina-Mme Banti. Also listed, here unassigned, a mute character, +Vespone.]
Cast
Role: Principal Parts Actor: Morelli, Mme Banti.
Role: Uberto Actor: Morelli
Role: Serpina Actor:

Dance: As17990617

Performances

Mainpiece Title: Semiramide

Performance Comment: [Principal Characters by Rovedino, Roselli (1st appearance these 4 years; Mme Banti. Cast from libretto (Da Ponte [1800]: Seleuco-Rovedino; Arsace-Roselli; Mitrane-DeGiovanni; Oroe-Braghetti; Semiramide-Mme Banti; Azema-Sga Clara.
Cast
Role: Seleuco Actor: Rovedino
Role: Arsace Actor: Roselli
Role: Mitrane Actor: DeGiovanni
Role: Oroe Actor: Braghetti
Role: Semiramide Actor: Mme Banti
Role: Azema Actor: Sga Clara.

Dance: End I: A New Divertisement, as18000204; End Opera: Hylas et Temire, as18000128

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (Da Ponte [1800]: Don Pietro-Viganoni; Rodrigo-Rovedino; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.
Cast
Role: Don Pietro Actor: Viganoni
Role: Rodrigo Actor: Rovedino
Role: Alfonso Actor: Benelli
Role: Fernando Actor: DeGiovanni
Role: Ines Actor: Mme Banti
Role: La Regina Actor: Sga Pastorelli.

Dance: As18000304

Cast
Role: and see18000322 Hyppomenus Actor: Deshayes
Role: Adrastus Actor: Laborie
Role: Pelus Actor: Didelot
Role: Atalante Actor: Mlle Parisot
Role: Zelie Actor: Mme Laborie
Role: Clitie Actor: Mme Hilligsberg
Role: Sererine Actor: Mlle J. Hilligsberg.

Performances

Mainpiece Title: Elfrida

Performance Comment: Principal Characters-Benelli, Rovedino, Viganoni, Mme Banti. [Cast adjusted from libretto (E. Jackson 1798]): Egardo-Benelli; +Orgando-Rovedino; +Adelvolto-Viganoni; +Siveno-Braghetti; +Osmondo-DeGiovanni; +Elfrida-Mme Banti; +Evelina-Sga Rovedino.
Cast
Role: Principal Characters Actor: Benelli, Rovedino, Viganoni, Mme Banti.
Role: Egardo Actor: Benelli
Role: Orgando Actor: Rovedino
Role: Adelvolto Actor: Viganoni
Role: Siveno Actor: Braghetti
Role: Osmondo Actor: DeGiovanni
Role: Elfrida Actor: Mme Banti
Role: Evelina Actor: Sga Rovedino.

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Caius Actor: Stoppelaer.
Role: Falstaff Actor: Stephens
Role: Ford Actor: Ryan
Role: Mrs Ford Actor: Mrs Horton
Role: Shallow Actor: Chapman
Role: Slender Actor: Woodward
Role: Page Actor: Cashel
Role: Fenton Actor: Gibson
Role: Dr Caius Actor: Mullart
Role: Host Actor: Rosco
Role: Pistol Actor: James
Role: Simple Actor: Bencraft
Role: Mrs Page Actor: Mrs Bellamy
Role: Anne Page Actor: Mrs Vincent
Role: Mrs Quickly Actor: Mrs Mullart
Role: Sir Hugh Actor: Hippisley.

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17420308 but 1st Nymph-Mme Bonneville; Villagers-Mrs Wright, Mrs +LeBrun.

Performances

Mainpiece Title: L'opera Du Gueux

Performance Comment: See17490502, but Capt Dubutin-Coustos; Delateur-Fern; Tourneclef-Smith; Mme Delateur-Mrs Knight; Mannon Delateur-Miss Davis; Lucie-Mrs Cushing; Hornpipe-Smith.
Cast
Role: Capt Dubutin Actor: Coustos
Role: Delateur Actor: Fern
Role: Tourneclef Actor: Smith
Role: Mme Delateur Actor: Mrs Knight
Role: Mannon Delateur Actor: Miss Davis
Role: Lucie Actor: Mrs Cushing
Role: Hornpipe Actor: Smith.

Dance: DDance a la Ronde-

Performances

Mainpiece Title: Les Amans Reunis

Performance Comment: Parts-Desormes, Mauly, Hamond, Bureau, Toscano, M Durancy, Mme Durancy, Parant, Terodat, Kelly, Villiers, Chateauneuf, Dujoncel, Champville, StAmand.

Afterpiece Title: Le Coq du Village