SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Misses Scot"/1) | (@(roleclean,performerclean) "Misses Scot")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13835 matches on Performance Comments, 4588 matches on Performance Title, 1750 matches on Event Comments, 2 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Beggars Opera

Dance: I: A new Comic Ballet by Nivelon and Mlle De L'Isle. II: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: Glover's Scot's Dance

Performance Comment: II: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: Glover's Scot's Dance .

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lover His Own Rival

Dance: III: Richmond Maggot by Le Sac and Mrs Woodward. IV: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Danc e by Houghton, Mrs Bullock, &c

Performance Comment: IV: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Danc e by Houghton, Mrs Bullock, &c .

Song: II: By Mrs Chambers

Performances

Mainpiece Title: The Indian Emperor Or The Conquest Of Mexico By The Spaniards

Afterpiece Title: The Lover His Own Rival

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c

Performance Comment: V: Scot's Dance by Haughton, Mrs Bullock, &c .

Song: I: Warriours Song (King Arthur) and III: Watchman's Song (Britannia) by Two Masters Hamilton. IV: By Mrs Chambers

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Honest Yorkshireman

Dance: II: Richmond Maggot by Le Sac and Mrs Woodward. IV: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c

Performance Comment: IV: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c .

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lottery

Dance: II: Richmond Maggot by Le Sac and Mrs Woodward. III: Pierrots by Vallois and Delagarde. IV: Scot's Dance by Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock

Performance Comment: III: Pierrots by Vallois and Delagarde. IV: Scot's Dance by Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock .

Performances

Mainpiece Title: A Fond Husband

Afterpiece Title: The Lovers Opera

Dance: II: Scotch Sailor by a Gentleman for his Diversion. V: Scot's Dance by Haughton, Mrs Bullock, &c

Performance Comment: V: Scot's Dance by Haughton, Mrs Bullock, &c .

Song: I: An Italian Song by Kelly. III: By Touchbury. IV: In Italian by Mrs Chambers

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Livery Rake and Country Lass

Music: Select Pieces between the Acts, composed by Arne, particularly the March in Zara

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Scot's Dance by Mr and Mrs Davenport. III: Drunken Peasant by Phillips. IV: Minuet by Villeneuve and Mrs Anderson. V: Grand Ballet by Essex, Mrs Walter, &c

Performance Comment: II: Scot's Dance by Mr and Mrs Davenport. III: Drunken Peasant by Phillips. IV: Minuet by Villeneuve and Mrs Anderson. V: Grand Ballet by Essex, Mrs Walter, &c .

Song:

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Cheats of Scapin

Dance: FFrench Sailors-Lalauze, Mlle Roland; Two Pierrots-Lalauze, Nivelon; Punch in Love with Dame Ragonde: Punch-Lalauze; Dame Ragonde-Nivelon; both in Wooden Shoes. Peasant-Nivelon, Mrs LeBrun; Scots Dance-Glover, Mlle Roland

Performance Comment: Peasant-Nivelon, Mrs LeBrun; Scots Dance-Glover, Mlle Roland.
Cast
Role: Scots Dance Actor: Glover, Mlle Roland.
Event Comment: A new Scots Opera. As it was acted by a Select Company of Comedians near Westminster Hall (edition of 1748)

Performances

Mainpiece Title: The Double Traitor Roasted

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Country Farmer Deceivd or Harlequin Statue

Dance: Dennison, Settree; scholars of Lalauze, being the second time of their performing on that stage. Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington

Performance Comment: Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington.
Event Comment: A Scots' Pastoral Comedy. A Concert, &c. By desire. To begin at 5 p.m. Prices Boxes 5sPit 3s. Gallery 2s. [Time and prices repeated in subsequent bills.

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Event Comment: A Scots Pastoral Comedy by Allan Ramsey. For one night only. Boxes 5s. Pit 3s. Gallery 2s. To begin at 7 p.m

Performances

Mainpiece Title: The Gentle Shepherd

Song: Lauder

Event Comment: Play Never acted there before. The Characters new dress'd. [See comment in London Chronicle, March 8-10, 1757, which quotes the lengthy Admonition and Exhortation of the Scots Presbytery to be read from all pulpits, against stage plays. "This Exhortation," writes the London Chronicler, "was probably occasioned by the greatness of the crowds who flocked for many successive nights to see the tragedy of Douglas acted" It had been played in Edinburgh 14 Dec. 1756.

Performances

Mainpiece Title: Douglas

Event Comment: To the Public: An Impartial Account of Cibber's Impromptu, by a Spectator: @In a frolicsome humour I went t'other day@To see the Diversions collected by THE',@When seen -from Amazement I could not refrain@That such an odd Oglio should come in his brain;@That from Chaos, Confusion and Visible night@He could bring such a queer group of figures to light:@I went-with a critical spleen that disdained@This project -but found myself well entertained.@For the English there's ships; for the Scots a good song;@[what] He sought to provide for Hibernia was Wrong@When this I observ'd to aworthy dear Honey -@He reply'd -"Blurr and Houns? there's enough for your money.@But to state the affair without laughter or fun@All agreed -my shift was superior to none;@With new Scenes, new Machines, Music, Dancing and all,@To risk our Diversions THE' ventured a fall@And if his last trump should unluckily fail,@[Brain?] must lay a scheme to keep out of a jail.@A few trivial errors we ought to forgive@Pay to Merit reward and let Industry live,@For your Candor alone must determine his fate@For the sake of Old Coll', let Theophilus eat.@ His Benefit tomorrow, Wednesday, the 14th Instant, at the Theatre in The Haymarket

Performances

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.
Cast
Role: Scots Songs Actor: Lauder

Afterpiece Title: Britannias Triumph

Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a la Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: Benefit for Lauder. To begin at 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. A Scots Musical Pastoral

Performances

Mainpiece Title: Patie And Roger

Song: Two Masons Songs-Lauder

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: With an Alteration in the performers. In which Lauder will introduce several favourite Scots Songs.

Dance: Middlemist

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Introduce several favourite Scots songs, two Mason's songs-Mr Lauder.

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder (with favorite Scots songs); Prologue-Lauder.

Entertainment: The Cries of Edinburgh-Lauder

Dance: McClean, 1st appearance on the stage

Performances

Mainpiece Title: Patie And Roger Or The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder (who will introduce several Scots Songs); Prologue, Epilogue by Smollett-.

Dance: Middlemist

Event Comment: By Authority and particular Desire for the Benefit of Middlemist and the Widow and child of the deceased Lauder, a Scots Musical Pastoral. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at 6

Performances

Mainpiece Title: Pattie And Roger Or The Gentle Shepherd

Event Comment: Being desired, for one night only under thr direction of Dr Arne at the Theatre Royal...will be performed the celebrated Catches and Glees, after which by Authority will be performed a new Burletta...alter'd and plann'd for Music from a favourite piece written by Henry Fielding, Esq. Music entirely new composed by Dr Arne, with a new Irish and Scots Medley Overture. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Books of both performances to be had together at the Theatre at 1s. 6d

Performances

Mainpiece Title: Squire Badger

Event Comment: By Permission of the Lord Chamberlain, for one night only. A Scots Musical-Pastoral Comedy. Not acted this season. Benefit Walker and Stewart. [The Hartrys from Theatre Royal, Edingburgh.

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Entertainment: End I: Song-Hartry; II: Tarewoo-M'Donald; III: Hornpipe-; End: A burlesque Tinker's Travels-Hartry