Event Comment: [Miss Frodsham was from the Manchester theatre.]

Event Comment: Benefit for Miss George. Afterpiece: Not acted these 2 years [not acted since 3 Aug. 1784]. Public Advertiser, 4 Aug.: Tickets to be had of Miss George, No. 23, King-street, Soho

Event Comment: [Miss Morris is identified in European Magazine, Nov. 1792, p. 379.] Receipts: #287 8s

Event Comment: [Miss Mansel is identified in European Magazine, Oct. 1795, p. 274.] Receipts: #134 3s. 6d. (127.19.6; 6.4.0)

Event Comment: [Miss Molini is identified in MS list in Kemble playbills of new performers for this season.] "Mrs Jordan...has taken considerable pains with a young lady of the name of Moline [sic], who, under her tuition, has frequently performed at Richmond theatre" (Monthly Visitor, Feb. 1798, p. 175). Receipts: #209 (120.15.6; 85.1.6; 3.3.0)

Event Comment: [Miss Stephens is identified in MS list in Kemble playbill s of new performers for this season. Afterpiece in place of The Liar, advertised on playbill of 28 Nov.] Receipts: #102 17s. 7d. (27.8.1; 74.15.6; 0.14.0)

Event Comment: Miss Hayward her first appearance on this Stage a pretty figure Some Requisites & very wild-time must discover what she will be-well received (Hopkins Diary). Calista, Miss Hayward first Time (Cross)

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Event Comment: [Miss Walpole was from the Crow Street Theatre, Dublin.] Receipts: #178 19s. 6d. (146.17.0; 31.13.6; 0.9.0)

Event Comment: [Miss Twist is identified in Morning Post, 9 Jan.; she was from the hay.] Receipts: #190 13s. (189.13; 1.0)

Event Comment: [Miss Thornton is identified by MS annotation on Kemble playbill.

Event Comment: [Miss Storer is identified by MS annotation on Kemble playbill.] Receipts: #118 11s. (117.13.6; 0.17.6)

Event Comment: [Miss George was from the HAY.] Receipts: #174 19s. (123/3; 3/51/16; 0/0)

Event Comment: [Mainpiece in place of Lord Russel, announced on playbill of 30 Aug. It was deferred on account of Miss Woollery's illness {Public Advertiser, 31 Aug.).] Afterpiece [1st time; P 1, by Carlo Antonio Delpini. MS: Larpent 706; not published]: The Overture and Music composed by Dr Arnold. The Scenes painted by Rooker

Event Comment: [Miss Collett was from dl. Burton is listed in the afterpieces at both dl and the hay.

Event Comment: [Miss Chapman was from the Margate theatre. Account-Book, 27 Oct.: Paid Miss Chapman, expenses from Margate #5 5s.] Receipts: #246 (242.13.6; 3.6.6)

Event Comment: [Miss Broadhurst is identified in Oracle, 17 Jan.] Receipts: #306 18s. (302.6; 4.12)

Event Comment: Benefit for Burton, Fawcett, Phillimore, Miss Tidswell & Miss Hagley. Receipts: #516 6s. 6d. (57.19.0; 16.11.0; 4.2.0; tickets: 437.14.6) (charge: #159 1s. 8d.)

Event Comment: "Miss Mellon possesses good comic powers, but they are rather of the hoyden cast; and there was a want of judgment in those who assigned this character [one recently acted by Miss Farren] to her" (True Briton, 19 Apr.). Receipts: #195 9s. (143.0.6; 48.15.0; 3.13.6)

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Event Comment: [Miss Brown had eloped. See 3 Jan. 1776.

Event Comment: [Miss Farren was from the hay. And see dl, 8 Oct.

Event Comment: [Miss Harper was from the HAY.] Receipts: #149 6s. 6d. (147/17/6; 1/9/0)

Event Comment: [Miss Cleland, who was from the Edinburgh theatre, is identified in Lysons, Collectanea. Cleland was a stage name; her real name was Buttery.] Afterpiece [1st time; P 2, by James Messink]: To conclude with an exact Representation of the Procession at an Eastern Marriage [based on sketches made in India by Tilly Kettle, the portrait painter (Theatre Notebook, VIII, 6)]. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton and others. The Music composed by [Michael] Arne. The Pantomime by Messink. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. Public Advertiser, 12 Jan. 1782: The Openings between every Scene and all internal parts of the Theatre are now so crouded by people absolutely necessary in one character or another that were they not judiciously arranged and marshalled, they would stand in each other's way, and create inextricable confusion. All that appears before an Audience as moving with the ease, regularity and promptitude of clock-work is the result of much Contrivance and many exertions of bodily Labour. Ibid, 16 Feb. 1782: This Day is published The Choice of Harlequin (1s.). Receipts: #270 19s. (265/15; 5/4)