SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Wilford"/1) | (@(roleclean,performerclean) "Miss Wilford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13748 matches on Performance Comments, 4402 matches on Performance Title, 1737 matches on Event Comments, 352 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Paid salary list #513 17s. 6d.; Mr Davies's draft to Gapper, #4 7d.; Miss Mansell's salary in full to this day #7 17s.; Rec'd stopages #19 18s. (Treasurer's Book). Receipts: #153 17s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Fathers

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Miss Fuz Actor: Mrs Davies

Dance: V: Comic Dance-Daigville, Mas. Holland, Miss Armstrong, his scholars

Performance Comment: Holland, Miss Armstrong, his scholars.

Entertainment: End Dance: , for second time, and by way of Epilogue will deliver The Wishing Cap-King. [See17730323]

Performances

Mainpiece Title: The Macaroni

Performance Comment: Parts-Cresswick (from the Theatre Royal in York), Fearon, Bolton, Farren, Davis, Williams LeMarch, Lloyd, Jacobs, a Young Lady, first time; Miss Atkinson, Mr Palmer, Mrs Dyer, Mrs Williams; Epilogue-to be spoken in the character of the Macaroni.

Afterpiece Title: The Apprentice

Cast
Role: Charlotte Actor: Miss Atkinson.

Song: III: O What a Charming Thing's a Battle-Bannister

Event Comment: Mainpiece: A new Comedy [by Francis Gentleman, first perform'd at Chester, 1760 (Biographia Dramatica)]. By Permission. Benefit for Mrs Williams. Note: For performances at dl and cg 18 and 20 September, see Season of 1773-1774, p. 1745

Performances

Mainpiece Title: The Modish Wife; Or, Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.

Afterpiece Title: The Irish Widow

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Deuce Is in Him

Dance: III: The Lamplighter, as17731207; End: The Old Ground Young-Aldridge, Mas. Harris, Miss Twist. [See17720928.

Performance Comment: Harris, Miss Twist. [See17720928.]
Event Comment: [Lucio Vero intended but deferr'd by the death of Miss Davies' father.

Performances

Mainpiece Title: Il Puntiglio Amoroso

Dance: As17731130

Performances

Mainpiece Title: She Stoops To Conquer

Dance: End: A Dutch Dance [see17720925]-Mas. Blurton, Miss Besford

Performance Comment: Blurton, Miss Besford.

Performances

Mainpiece Title: The Man Of Business

Performance Comment: Principal parts by Woodward, Shuter, Lewis, Kniveton, Davis, Owenson, Fox, Bensley, Lewes, Dyer, Quick, Cushing, Gardner, Thompson, Hamilton, Mrs Bulkley, Mrs Pitt, Miss Helme, and Mrs Green. With a Prologue and an Epilogue. Tropic-Woodward; Golding-Shuter; Beverly-Lewis; Capias-Kniveton; Lord Riot-Davis; Col. Rakish-Owenson; Sir Helter Skelter-Fox; Fable-Bensley; Denier-Lewes; Handy-Dyer; Check-Quick; Hazard-Cushing; Scanty-Gardner; Snap-Thompson; Cash-Hamilton; Lydia-Mrs Bulkley; Mrs Carlton-Mrs Pitt; Mrs Flounce-Mrs Helme; Mrs Golding-Mrs Green; With a Prologue-Woodward; Epilogue-Mrs Bulkley (Edition of 1774).

Afterpiece Title: The Chaplet

Event Comment: Benefit for Aickin. The Tragedy of All for Love, which was to have been performed this evening, is oblig'd to be changed, on account of the indisposition of Mrs Barry and Miss Younge; therefore Mr Aickin humbly hopes that his friends will accept of the Tempest in its stead. Tickets deliver'd for All for Love will be taken. Paid extra flute and hautboy 10s. (Treasurer's Book). Aickin did not act (Winston MS 10). [This month published The Sentimental Spouter; or, Young Actor's Companion. The whole comprising the essence of theatrical delivery, and the beauties of dramatic poetry. Price 1s. 6d. Printed for Wheble (Gentleman's Magazine Register).] Receipts: #123 14s. 6d. Charges: #74 14s. Profit to F. Aickin: #49 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Elopement

Event Comment: A new Serious Opera. The Music by Giordani and other eminent composers. With alterations and new songs for Miss Davies

Performances

Mainpiece Title: Artaserse

Dance: I: New Serious Ballet-; in which aChaconne composed by Jomelli-Fierville; II: La Bagatelle, as17740505; III: L'Embarass du choix, as17740505

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Author

Cast
Role: Arabella Actor: Miss Ambrose

Dance: I: Tambourine Dance, as17740603 End: A Minuet, Allemande-Mas. and Miss Byrn

Performance Comment: and Miss Byrn.
Event Comment: This Comis Opera is Written by the Revd Mr Bate. It is very Pleasant & the Music pretty. It is admirably Perform'd & was receiv'd with very great Applause (Hopkins Diary). The Music of the Afterpiece by Mr Carter. New Scenes, Dresses, Decoartions for afterpiece. Paid for Licences of Matilda & Rival Candidates #4 4s.; Mr Baddeley on note #10 10s.; Miss Berkley #2 2s. on note (Treasurer's Book). [A long rewiew of the plot of the afterpiece appeared in the Feb. Westminster Magazine, concluding: "In point of dialogue, poetry or music, it is inferior to few, if any, of the modern attempts of a similar kind; amongst which number, however, we desire to be understood not to include the ribald, unmeaning, sing-song compilations of the monotonous Mr Dibdin. The Fable, indeed, is too light and trival to endure the severity of a critical analysis; but it is at least sufficiently important to serve as a vehicle for the music; and the catastrophe has peculiar vivacity and theatrical spirit. Upon the whole the author has fully answered the end he proposed of introducing a deserving young composer whose name, it seems is Carter, to the public and who more than promises to be a composer of taste and genius. In this his first performance he both received and deserved the greatest encouragement and applause. Mr Weston spoke a humorous Epilogue accompanied by a large dog named Dragon, which had a very good effect, but as it was poor Dragon's first time of appearing on the stage, he, like all young performers of true feeling, seemed a good deal frightened...but having conquored his fears, and recovered himself a little, he performed his part very chastely and to the entire satisfaction of all present." Epilogue ends with a satirical remark upon Sg Rossignol, the "bird imitator" at Covent Garden. See 6 Jan. cg.] Receipts: #204 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Rival Candidates

Event Comment: By Command of their Majesties. [From the Westminster Magazine for March: "On Friday the third instant the Entertainments peculiar to this season commenced. Messrs Bach and Abel were first, and have been at each successive Oratorio since (one night excepted when the King and Queen favored Mr Stanley, with bringing the only good House he has hitherto had), honoured with the presence of their Majesties, who have been accused, we think justly, of partiality to these foreigners, in overlooking Mr Stanley's past services and great personal merits. Justice, however, requires us to observe, that both in point of vocal and instrumental performers, the former have displayed a striking superiority over the latter. The singers at Messrs Bach and Abel's are, Parry, Corse, Mrs Weichsel, Miss Brown and Sga Corri. At Drury Lane, Norris, Reinhold, Mrs Mattocks, Mrs Barthelemon, and a young Lady from the Founding Hospital."

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Performance Comment: Parts by Bannister, Waldron, Dibdin, Davies, Wrighten, Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard, Mrs Scott, Mrs Love, and a Young Gentlewoman. Steady-Bannister; Lubin(?)-Dibdin; Solomon(?)-Waldron; Easy-Wrighten; Countrymen-Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard; Floretta(?)-Mrs Scott; Cicely-Mrs Love; Gillian-A Young Gentlewoman (Miss Wilde) first appearance on this stage (Genest, V, 452).

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Performance Comment: Parts-Jackson (from Dublin), Dimond, first time on that stage; Whitefield, Lane, Davis, Chaplin, Miss Ambrose, Mrs Jackson (from Dublin); Prologue-Jackson; Epilogue-Mrs Jackson.

Afterpiece Title: The Mock Doctor

Dance: The Medley-

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Parts by Woodward, Lewis, Dunstall, Wroughton, Quick, Lee Lewes, Mrs Mattocks, Mrs Bulkley, Mrs Booth, and a Young Lady, first appearance. Jodelett-Woodward; Don John-Lewis; Don Fernando-Dunstall; Don Lewis-Wroughton; Sancho-Quick; Stephano-Lee Lewes; Bettris-Mrs Mattocks; Lucilla-Mrs Bulkley; Laura-Mrs Booth; Isabella-a Young Lady, first appearance this stage (Miss Leeson) (Edition of 1775).

Afterpiece Title: The Two Misers

Cast
Role: Harriet Actor: Miss Brown.

Dance: End: The Pilgrim, as17750927

Event Comment: Places for Boxes to be taken of Fosbrooke at the Stage Door. Paid salary list #626 16s. 6d.; Miss Robins in full of #16 13s. 4d. Receipts: #191 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: The Duenna

Cast
Role: Clara Actor: Miss Brown

Afterpiece Title: A Duke and no Duke

Cast
Role: Prudentia Actor: Miss Ambrose.

Dance: End Opera: A New Pantomimical Dance, call'd The Irish Wedding-Aldridge, Mas. Jackson, Miss Besford, others

Performance Comment: Jackson, Miss Besford, others.

Performances

Mainpiece Title: The Duenna

Cast
Role: Clara Actor: Miss Dayes.

Afterpiece Title: A Duke and no Duke

Cast
Role: Prudentia Actor: Miss Ambrose.

Dance: End Opera: A New Comic Dance call'd Mirth and Jollity-Aldridge, Mas. Jackson, Mas. Langrish, Miss Besford

Performance Comment: Jackson, Mas. Langrish, Miss Besford.

Performances

Mainpiece Title: Semiramis

Performance Comment: Principal Characters by Smith, Bensley, Grist, Farren, Hurst, Chaplin, R. Palmer, Reddish, Mrs Reddish, Mrs Yates. [Cast from text (J. Dodsley, 1776), and Town and Country Magazine, Dec. 1776, p. 659: Ninias (known first as Arzaces)-Smith; Assures-Bensley; Mithranes-Grist; Otanes-Farren; Ghost of Ninus-Hurst; Cedarus-Chaplin; Oroes-Reddish; Azema-Mrs Reddish (in text: Miss Hopkins [see17761216]); Semiramis-Mrs Yates; R. Palmer [is unassigned; Prologue-Reddish; Epilogue-Mrs Yates. [These were spoken, as here assigned, at the first 9 performances only (see17770201.)]These were spoken, as here assigned, at the first 9 performances only (see17770201.)]

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: Morning Chronicle, 8 May: The audience had been much better satisfied with less noise behind the scenes, while Miss Davies was singing. During her first song there was such a noise that Savoi was obliged to go off the stage, by orders from some gentlemen in the pit, to request silence three several times

Performances

Mainpiece Title: Telemaco

Dance: As17770419

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Henderson (1st appearance in this play [in London]); Justice Shallow-Blissett; Sir Hugh Evans-Parsons; Dr Caius-Jackson; Mr Page-Fearon; Master Slender-Bates; Fenton-R. Palmer; Host-Massey; Bardolph-Kenny; Pistol-Stevens; Robin-Master Hitchcock; Simple-Master Pulley; Ford-Palmer; Mrs Page-Mrs Davies; Ann Page-Mrs Colles; Hostess-Mrs Love; Mrs Ford-Mrs Lisley (late Miss Barsanti).

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Invasion

Dance: End: La Soiree a la Mode, as17781023, but Mast. Dagueville, Miss +Simonet, _Harris

Performance Comment: Dagueville, Miss +Simonet, _Harris.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Annette Actor: Miss Brown.

Afterpiece Title: The Invasion

Dance: End I: The Embarkment for Cytherea, as17781125, but Master _Dagueville, Langrish; End: +The Villagers-Aldridge, Langrish, Mast. Jackson, Miss Valois

Performance Comment: Jackson, Miss Valois.