Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c
Performances
Mainpiece Title: The Triumph Of Honour
Afterpiece Title: The Receipt Tax
Performance Comment: Principal Characters by Parsons, Wilson, Bannister Jun., Blissett, Egan, Edwin; Miss Morris, Mrs Webb. [Cast from text (J. Stockdale, 1783): General Heartfree-Parsons; Sir Harry Henpeckt-Wilson; Colonel Foible-Bannister Jun.; Doctor Puzzle-Blissett; Frill-Egan; Mr Cook-Edwin; Clump-Gaudrey; Mr Jacobs-Barrett; Farmer Flame-Painter; Postillion-Miss Painter; Maria Goodall-Miss Morris; Lady Henpeckt-Mrs Webb; Trippit-Mrs Love.] New Prologue spoken by Wilson . New Prologue spoken by Wilson .Afterpiece Title: The Dead Alive
Afterpiece Title: Chrononhotonthologos
Performance Comment: Chrononhotonthologos (King of Queerumania)-Wilson; Aldiborontiphoscophornio-Wewitzer; Bombardinian-Blissett; Herald-Riley; Captain of the Guards-Massey; Doctor-Painter; Cook-Barrett; King of the Fiddlers-Gaudrey; King of the Antipodes-Rayman; Rigdum-Funnidos (the Tragical Comical Courtier)-Parsons; Tatlanthe (the Queen's Favourite)-Mrs Brett; Venus-Miss Rowson; Cupid-Miss Painter; Maids of Honour-Miss Morris, &c.; Fadladinida (Queen of Queerumania)-Mrs Lefevre .Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass