SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes and machinery of the Pantomime pretty"/1) | (@(roleclean,performerclean) "Miss Vincent The scenes and machinery of the Pantomime pretty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14669 matches on Performance Comments, 4822 matches on Performance Title, 3399 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.

Afterpiece Title: The Miller of Mansfield

Cast
Role: Peggy Actor: Miss Platt
Event Comment: A New Serious Opera. The Music by several eminent composers under the direction of Giordani. Dances under the direction of Lany. New Scenes by Colomba, with magnificent Dresses and Decorations for the Opera and Dances. Tickets Pit and Boxes put together at Half a Guinea. Gallery 5s. Second Gallery 3s. By Command of their Majesties no person whatsoever to be admitted behind the scenes or into the Orchestra. Doors to be opened at 6, to begin at 7:00 p.m. Vivant Rex et Regina. In order to prevent inconveniencies to the ladies in getting to and from their carriages, they are requested to order their coachmen to set down with their horses heads towards Pall Mall, and to take up with their heads towards Picadilly. The door in Market Lane and the King's door for Chairs only

Performances

Mainpiece Title: Armida

Related Works
Related Work: Armida Author(s): Jacopo Durandi
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Dance: I: Grand Ballet Pirhame et Thisbe-Simonin Vallouis, Mad. Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera

Performance Comment: Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera.

Ballet: II: A Grand Ballet Le Baillet de Fleur. La Rose-Mlle Bacelli; Le Zephir-Lany; Boree-Fay; with an Entree-Simonin Vallouis, Mad. Vallouis

Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: Parts by Smith, Palmer, Aickin, Packer, Brereton, Davies, Hurst, Usher, Wright, Keen, Wrighten, Wheeler, Griffiths, Norris, Reddish, Mrs Johnston, Mrs Yates. With Prologue and Epilogue. Velasquez-Smith; Ribiro-Palmer; Almada-J. Aickin; Ramirez-Packer; Mendoza-Brereton; Pizarro-Davies; Corea-Hurst; Lemos-Usher; Roderick, 1st Citizen-Wright; Officer-Keen; Antonio-Wrighten; Mello-Wheeler; 2nd Citizen-Griffiths; Ferdinand-Norris; Duke-Reddish; Inis-Mrs Johnston; Duchess-Mrs Yates; Prologue-Palmer; Epilogue-Mrs Yates (Genest, V, 448).
Cast
Role: Ferdinand Actor: Norris

Afterpiece Title: The Anatomist

Event Comment: Benefit for Mrs Smith, Mainpiece: By Particular Desire. [The change in benefit piece from Cymbeline and the Wish remains unexplained. (See 22 and 27 April.) Larpent MS 387 is the Wish, scene a Sultan's Gardenv. Parts: Ammath; Nourjahad; Mandana; Zelia and Sanbeg. It seems never to have been performed.] Paid licenses for Bob Ton & Inflexible Captive, & Book #4 5s. 6d. Receipts: #119 1s. Charges: #67 12s. Profits to Mrs Smith: #51 9s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Margery Actor: Miss Pope
Role: Lucinda Actor: Miss Jarratt, first time.

Dance: II: The Pirates, as17750422

Event Comment: Benefit for Branson and Booth. Tickets deliver'd for Thursday the 18th will be admitted. Doors open at half past 5. To begin at half past 6 o'clock. [The Public Advertiser assigns Doctor-$Fox.

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Lewis; Jachimo-Bensley, first time; Cloten-Booth; Cymbeline-L'Estrange, first time; Pisanio-Wroughton; Bellarius-Clarke; Guiderius-DuBellamy; Arviragus-Whitefield; Lucius-Fearon; French Gent.-Davis; Philario-Chaplin; Doctor-Thompson; Queen-Mrs Hull; Imogen-Mrs Lessingham; In Act II a Masquerade Scene-; with dancing and Singing-Mrs Baker (playbill).

Afterpiece Title: The Upholsterer

Cast
Role: Harriet Actor: Miss Valois

Dance: III: The Enchantress, as17750201

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Performance Comment: End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.
Event Comment: A new Comic Opera; the Music by Paisiello [and "other eminent Composers" (libretto)]; under the Direction of Giordani. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office, Union Court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Coffee Room will be open with Tea, Coffee, Lemonade, Orgeat, Ice, Creams, &c. which will be furished by Weltje, of St. James's Street. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are respectfully intreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. [Public Advertiser, 13 Feb. 1778, prints a letter outlining a scheme-never realized-of having occasional plays at king's on non-opera nights acted by performers from both dl and cg, and by "the young Nobility of both Sexes."

Performances

Mainpiece Title: Le Due Contesse

Dance: With New Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #224 1s. (221.11; 2.10)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Norwood Gypsies

Dance: As17771125

Song: In I: a song-Leoni

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder
Event Comment: A new Comic Opera; the Music by several celebrated Composers [chiefly Scolari], and conducted Ii.e. arranged] by Bianchi. With new Scenes, new Dresses and Decorations. Public Advertiser, 27 Nov.: L'Arcifanfano was performed for the first time on Saturday, and universally disapproved of. It will not be repeated Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season, except for L'Omaggio (see 5 June 1781)]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses' Heads towards Pall-mall. The Door in Market Lane for Chairs only

Performances

Mainpiece Title: Larcifanfano

Performance Comment: Principal Characters by Trebbi, Manzoletto, Gherardi, Micheli, Mrs Barthelemon, Sga Prudom, Sga Sestini. Cast from Larpent MS 538: Arcifanfano-Trebbi; Tagliacantoni-Manzoletto; Dottore Matteo-Gherardi; Malgoverno-Micheli; Gloriosa-Mrs Barthelemon; Garbata-Sga Prudom; Semplicina-Sga Sestini.
Cast
Role: Gloriosa Actor: Mrs Barthelemon

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

Performances

Mainpiece Title: The Belles Stratagem

Cast
Role: Miss Ogle Actor: Mrs Morton
Role: Letitia Actor: Miss Younge.

Afterpiece Title: A Fete

Performance Comment: As17810425, but SCENE VI as SCENE VII on 3 Apr., Medley-_; Catches and Glees-_; Come honest Friends and jovial Souls-; Chorus-; Dance-.

Afterpiece Title: Poor Vulcan

Cast
Role: The Squire Actor: Mattocks

Song: As17810425

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Performances

Mainpiece Title: Il Convito

Related Works
Related Work: Il Convito Author(s): Antonio AndreiFerdinando Bertoni

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

Event Comment: A Serious Opera [1st time; ser 3, by Giovanni de Gamerra; a pasticcio, with music by Anfossi, Gluck, Alessandri, Martini, Sarti, Giordani]; the Music under the Direction of Anfossi. With new Scenes, painted by Novosielski, new Dresses and Decorations, both for the Opera and Dances. By their Majesties Command, no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Subscribers' Tickets are ready to be delivered at the Office in Unionstreet. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses Heads towards Pall-Mall. The Door in Market-lane for Chairs only

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi

Event Comment: A Comic Opera (1st time [in London; 1st performed at Rome, 1777]); the Music entirely new, by Anfossi. With new Scenes, painted by Novosielski; new Dresses and Decorations by Sestini, both for the Opera and Dances. By their Majesties Command No Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00, and begin exactly at 7:00 [see 7 June 1785]. Subscriptions are received at Messrs Ransom, Moreland and Hammersley's, bankers, No. 57, Pall-mall; who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-House, are respectfully intreated to send for them, as, in order to prevent future mistakes, no body can be admitted without producing a Ticket

Performances

Mainpiece Title: Il Curioso Indiscreto

Performance Comment: Principal Characters by Tasca, Cremonini (1st appearance), Schinotti, Franchi; Sga Schinotti, Sga Pollone, Sga Rachele Dorta. [Cast from Larpent MS 677: Il Marchese Calandrano Curioso-Tasca; Aurelio-Cremonini; Prospero-Schinotti; Il Conte di Ripaverde-Franchi; Emilia-Sga Schinotti; Serpina-Sga Pollone; Clorinda-Sga Dorta.] hathi. hathi.

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

Performances

Mainpiece Title: Virginia

Performance Comment: Announced, but not performed. "On Saturday night the opera was that King's scene of confusion and distress that no serious opera, with all its cantabile faintings, rapes, battles and murders ever produced. On the drawing up of the curtain it was not a Roman legion in marshal array that caught the eye. No, it was a corps of the sons of the feather and fashion—British bucks—British beaus . . . Off! Off! was the cry from every part of the house. To this admonishing shout they were all Atlases ... By no efforts could the opera be put in train. The manager and his friends exerted themselves in vain to appease the fury ... This scene of tumult and disorder continued for upwards of three hours and a half, when the audience retreated, some discontented, and others more pleased than ever they were at a regular entertainment" (Morning Herald, 15 May) .
Event Comment: "In his first scenes [Kemble] was judicious, but too studiously so; and though most critically correct in his address to the Senate, evidenced he was more anxious to do justice to the text of his author than the feelings of Othello. But in the subsequent scenes he made ample recompense, and most successfully combined accuracy of expression with spirit of character...We much approve his dressing Othello in the Moorish habit...[but] is it necessary the Moor should be as black as a native of Guiney?" (Public Advertiser, 29 Oct.). Receipts: #117 16s. (102.6; 15.5; 0.5)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Kemble; Roderigo-R. Palmer; Cassio-Barrymore; Brabantio-Aickin; Lodovico-Packer; Duke-Chaplin; Montano-Benson; Gratiano-Fawcett; Iago-Bensley; AEmilia-Mrs Hopkins; Desdemona-Mrs Siddons.
Cast
Role: Othello Actor: Kemble

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17870929

Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Duke of Buckingham-Wroughton; Cranmer-Aickin; Duke of Norfolk-Whitfield; Duke of Suffolk-Williames; Lord Surry-Barrymore; Lord Chamberlain-R. Palmer; Cromwell-Kemble; Lord Sands-Baddeley; Winchester-Suett; Cardinal Campeius-Packer; Sir Henry Guilford-Lamash; Sir ThomasLovel-Fawcett; Doctor Butts-Waldron; Surveyor-Benson; Cardinal Wolsey-Bensley; Anne Bullen-Mrs Farmer; Lady-Mrs Love; Queen Katharine-Mrs Siddons.
Cast
Role: Lord Sands Actor: Baddeley

Afterpiece Title: The Humourist

Cast
Role: Diana Actor: Miss Collins.
Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Performances

Mainpiece Title: Ifigenia In Aulide

Related Works
Related Work: Ifigenia in Aulide Author(s): Ferdinando Moretti

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi

Event Comment: 2nd ballet: With new Dresses, Scenes and Decorations. "The Simonets were very unexpectedly introduced as vocal performers; they sung a duet in the Seraglio Scene, accompanied on the harp by young Meyer, which was very pleasing" (Morning Herald, 16 Apr.)

Performances

Mainpiece Title: La Discordia Conjugale

Dance: End I: Divertisement, as17920214

Ballet: End Opera: [an entire new Grand Pantomimic Ballet (1st time; composed by D'Auberval music by Mazzinghi]), La Foire de Smirne; ou, Les Amans Reunis. Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage

Performance Comment: Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage.
Cast
Role: Theodora Actor: Mme D'Auberval
Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus Or A World Discovered

Performance Comment: Principal characters-Lewis, Quick, Holman, Pope, Farren, Munden, Harley, Macready, Cubitt, Powel, Thompson, Evatt, Mrs Esten, Mrs Pope. Cast from text (W. Miller, 1792): Harry Herbert-Lewis; Doctor-Quick; Alonzo-Holman; Columbus-Pope; Orozimbo-Farren; Bribon-Munden; Solasco-Harley; Roldan-Macready; Moscoso-Cubitt; Catalpo-Powel; Valverdo-Thompson; Cuto-Evatt; Captain-Farley; Nelti-Mrs Esten; Cora-Mrs Pope; Prologue-Holman; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 12 performances only (see17930101).]These were spoken, as here assigned, at the 1st 12 performances only (see17930101).]

Afterpiece Title: Love in a Camp

Cast
Role: Father Luke Actor: Rock
Role: Norah Actor: Miss Francis

Performances

Mainpiece Title: The Road To Ruin

Cast
Role: Sophia Actor: Miss Grist

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930401, but Oh what a charming thing's a battle-Darley in Scene IV in place of Incledon; retained: The Temple of Mars. retained: The Temple of Mars.

Afterpiece Title: The Midnight Wanderers

Performance Comment: As17930225, but Miss Barnett_.
Cast
Role: Bercilla Actor: Miss Broadhurst
Role: 2nd Biscayan Actor: Miss Barnett

Entertainment: Monologue. End: a new Occasional Address, as17930323

Event Comment: A new Grand Serious Opera, with Chorusses; the Music by Bianchi, under the direction of Federici. With entirely new Scenes designed by Marinari, Dresses composed and executed by Sestini, and Decorations. "[Banti] I must ever consider as far the most delightful singer I ever heard . . . Her first appearance in this country was in the opera of Semiramide, and all her part in it was of the most beautiful description. In addition to the songs belonging to the opera, she introduced a remarkably fine air by Guglielmi, from the Oratorio of Deborah, with an accompaniment for a violin obligato, originally played by Cramer, afterwards by Viotti and others. This song, though long and one of great exertion, was so prodigious a favourite that it never failed of being encored, not only in its novelty, but in every subsequent revival. Her acting, and recitative were excellent, and in the last scene, where Semiramide dies, was incomparably fine" (Mount-Edgcumbe, pp. 82, 84)

Performances

Mainpiece Title: Semiramide O La Vendetta Di Nino

Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: End of Act I New Divertisement, as17940311End of Act II Les Ruses de l'Amour, as17940401, but omitted: Mlle Guirdele

Event Comment: Powell: Love a-la-Mode rehearsed at 10 (King two scenes); Gamester at 11 (Mrs Siddons one scene; Mrs Heard). Receipts: #283 7s. 6d. (225/16/0; 52/5/0; 5/6/6)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

Cast
Role: Beaufort Actor: Bland
Role: Tom Actor: EvansMaria-Miss Farren
Role: EvansMaria Actor: Miss Farren
Role: Corinna Actor: Miss Tidswell
Event Comment: ["Boyce absent from this Evening's Performance" (Powell).] Powell: Much Ado about Nothing rehearsed at 10 (Barrymore ill; Farren and Dignum one scene each; Caulfield two scenes) [but this play was not acted this season]. Receipts: #209 19s. (120/16/6; 80/2/0; 9/0/6)

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: Mainp1ece [1st time; T 5, by Frances D'Arblay. Prologue by the author (see text). Author of Epilogue unknown]. "It did not fail to keep [the audience] in the height of good humour, by frequent irresistible claims on their risible faculties; a particular instance of this was in Elgiva 's dying scene, when a passing stranger, in a fine tragic tone, says, 'Let us carry her to the other side of the hedge.' This hedge, which is supposed to be remotely situated from any dwelling, nevertheless proved to be a very accomodating retreat; for, in a few minutes after, the wounded lady is brought from behind it on an elegant couch, and, after dying in the presence of her husband, is carried off and placed once more 'on the other side of the hedge.' The laughter which this scene occasioned, although supported by the dying words of Mrs Siddons, was inconceivable" (Morning Herald, 23 Mar.). Powell, 20 Mar.: Edwy and Elgiva rehearsed at 10; 21 Mar.: Edwy and Elgiva rehearsed at 10. Receipts: #350 19s. (296.4.6; 51.9.0; 3.5.6)

Performances

Mainpiece Title: Edwy And Elgiva

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel