SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible most Horrible\' "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible most Horrible\' ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15843 matches on Performance Comments, 5895 matches on Event Comments, 5338 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Valentinian

Performance Comment: Valentinian-Thurmond being the first Time of his Acting since his Arrival from Ireland; AEtius-Keene; Maximus-Smith; Pontius-Husband; Comic Parts-Bullock Sr, Knap, Hild. Bullock; Lucina-Mrs Rogers; Eunuch-Mrs Garnet.

Song: As17150521; Dialogue-Leveridge, Pack

Dance: Grand Spanish Entry-duPre, Moreau, Boval, Mrs Bullock; Entry, Dutch Skipper-delaGarde, Mrs Bullock; A new Chacone-Mrs Bullock

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Cassius-Ryan, being the first time of his performing on that Stage; Antony-Quin; Caska-Corey; Julius@Caesar-J. Leigh; Portia-Mrs Rogers; Calphurnia-Mrs Knight; Brutus-Keene.

Song: As17171226

Dance: Moreau, Mrs Bullock, Miss Smith

Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Performance Comment: AEneas-Mrs Crouch; Iarbas-Kelly; Almidah-Sedgwick; Abdallah-Dignum; Dido-Mme Mara; Anna-Miss Barclay (1st appearance on any stage [see17920224]); Chorus-Alfred, Aylmer, Boyce, Brown, Cooke, Danby, Denman, Dorion, Dorion Jun., Fawcett, Hobler, Horsfall, Lyons, Maddocks, Phillimore, Reynoldson, Shaw, Tett, Wilkin, Willoughby, Mrs Bramwell, Mrs Butler, Mrs Gawdry, Miss Gawdry, Mrs Shaw, Mrs Davis, Miss Edwin, Miss Kirton, with the Assistance of additional Voices.

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Performance Comment: Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard.

Afterpiece Title: The Miller of Mansfield

Cast
Role: Peggy Actor: Miss Collins
Role: Kate Actor: Miss Heard
Role: Phebe Actor: Miss Palmer.
Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Hart?; First Constantia-Rebecca Marshall?.
Event Comment: Both pieces by particular Desire, the Afterpiece not acted these 4 years [see 29 April 1742] being the most Tragical Tragedy that was ever Tragedized by any company of Tragedians

Performances

Mainpiece Title: The Fair Penitent

Cast
Role: Lucilla Actor: Miss Minors.
Role: Lavinia Actor: Miss Budgell

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos-Philips; Aldiborontiphoscophornia-Cross; Rigdum Funidos-Blakes; Bombardinion-Green; King of Fidlers-Simpson; King of Antipodes-Berkley; Capt of Guards-Woodburn; Dumb Master of Ceremonies-Vaughan; Doctor-Leigh; Cook-Usher; First Lady-Miss Cole; Second Lady-Mrs King; Cupid-Miss Yates; Tatlanthe-Mrs Yates; Venus-Miss Bradshaw; Fadladinida-Miss Budgell; In the Farce The Early Horn-Lowe.
Cast
Role: First Lady Actor: Miss Cole
Role: Cupid Actor: Miss Yates
Role: Venus Actor: Miss Bradshaw
Role: Fadladinida Actor: Miss Budgell

Song: I: a Cantata-Lowe

Dance: II: Muilment; III: Sga Bettini

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. There is considerable uncertainty as to when the first performance occurred, but it appears to have been acted first at court. See Boswell, Restoration Court Stage, pp. 131-34. The first Prologue, written by Lord Mulgrove, and the second, written by Lord Rochester, are in A Collection of Poems Written upon several Occasions by several Persons (1673). Roger North: And now we turne to the Publik theatres. It had bin strange if they had not observed this promiscuous tendency to musick, and not have taken it into their scenes and profited by it. The first proffer of theirs, as I take it, was in a play of the thick-sculd-poetaster Elkanah Settle, called The Empress of Morocco; which had a sort of masque poem of Orfeus and Euridice, set by Mr M. Lock, but scandalously performed. It begins The Groans of Ghosts, &c. and may be had in print (Roger North on Music, ed. John Wilson [London, 1959], p. 306)

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Edition of 1673: The first Prologue at Court-Lady Elizabeth Howard; The second Prologue at Court-Lady Elizabeth Howard; Prologue at the Play House-; Muly Labas-Harris; Muly Hamet-Smith; Grimalhaz-Batterton; Hametalhaz-Medbourne; Abdelcador-Crosby; Laula-Mrs Batterton; Mariamne-Mrs Mary Lee; Morena-Mrs Johnson; Epilogue-.
Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower or The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.
Cast
Role: Connor Actor: Miss Sims
Event Comment: Benefit for Increase of a Fund establish'd for the support of Decayed Musicians, or their families. Pit and boxes to be admitted without Tickets, which will be delivered this day, at the Office, at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. The Galleries will be open'd at Four o'clock, Pit and Boxes at Five. To begin at exactly Six o'clock. Tickets deliver'd out to the subscribers of this Charity will admit one person into any part of the House

Performances

Mainpiece Title: Music

Performance Comment: Part I Overture to Samson-; Airs: Total Eclipse in Samson-Beard; Preso al Caro amato Cido in Meraspe-Sga Galli; Return O God of Hosts from Samson-Miss Robinson; Myself I Shall Adore in Semele-Sga Francesina; Del Minacciar del Vento in Otho-Reinhold; Part II Concerto-Weideman; Airs: Per Pieta nell' Incostanza Delusa-Sga Frasi; O Ruddier than the Cherry in Acis and Galatea-Reinhold; O Sleep in Semele-Sga Francesina; Concerto-Sga Caporale; Air: Dirti ben Mio in Alexander in Persia-Miss Robinson; Part III Concerto-Miller; Airs: Tremende oscure atroci in Meraspe-Sga Galli; Why does the God of Israel Sleep in Samson-Beard; Scherza Quest' Alma Mia del Sig Lampugnani-Sga Frasi; Concerto-Vincent; Trio in Acis and Galatea-Sga Francesina, Miss Robinson, Reinhold; Handel's Grand Sonata-.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Obrien, first time; Jack Meggot-Vernon; Clarinda-Miss Yates, first time; Jacintha-Miss Plym, first time; Strictland-Love; Mrs Strictland-Mrs Davies; Frankly-Palmer; Bellamy-Packer; Lucetta-Mrs Bennet; To conclude with a Country Dance-.
Cast
Role: Ranger Actor: Obrien, first time
Role: Clarinda Actor: Miss Yates, first time
Role: Jacintha Actor: Miss Plym, first time

Afterpiece Title: The Rites of Hecate

Event Comment: Mainpiece: Not acted these 5 years. [See 21 March 1768.] Paid Mr Davies's note to Dennis #6 6s.; ditto to Lacy, #3 6s. 3d.; Rec'd Mr Condill for Fruit Office (1st payment) #20. (Treasurer's Book). Receipts: #197 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Ventidius-Aickin, first time; Antony-Barry; Dolabella-Palmer; Cleopatra-Miss Younge, first time; Octavia-Mrs Barry, first time; Alexas-J. Bannister; Iras-Miss Platt; Serapion-Bransby; Charmion-Mrs Johnston; Mysis-Keen; Romans-Ackman, Wrighten.
Cast
Role: Ventidius Actor: Aickin, first time
Role: Cleopatra Actor: Miss Younge, first time
Role: Octavia Actor: Mrs Barry, first time
Role: Iras Actor: Miss Platt

Afterpiece Title: The Elopement

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3177, 20-23 April 1696, suggests that it was first performed not later than March 1696. Preface, Edition of 1696: This Comedy by the little success it met with in the Acting, has not at all deceived my Expectations....Give me leave to thank the Well-natur'd Town for Damning me so suddenly; They would not suffer me to linger in suspence, nor allow me any degrees of Mortification; neither my Sex, Dress, Musick and Dancing, cou'd allow it a three Days Reprieve. A Comparison Between the Two Stages (1702), p. 17: Ramble: I never heard of that. Sullen: Oh this is a Lady's

Performances

Mainpiece Title: The Lost Lover Or The Jealous Husband

Performance Comment: Edition of 1696: Prologue-Mr Horden; Epilogue-Miss Cross; Sir Rustick Good Heart-Johnson; Wilmore-Verbrugen; Wildman-Horden; Sir Amorous Courtall-Powell; Smyrna-Cibber; Pulse-Penkethman; Knowlittle-Haynes; Lady Young Love-Mrs Kent; Marina-Mrs Rogers; Belira-Mrs Knight; Orinda-Mrs Cibber; Olivia-Mrs Verbrugen; Isabella-Mrs Cole; Phoebe-Mrs Mills.
Cast
Role: Epilogue Actor: Miss Cross
Role: Marina Actor: Mrs Rogers
Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performance Comment: In Two Parts. Edition of 1700: Prologue-Mr Pinkethman [holding a Paper with Prick'd Notes, in his Hand; Epilogue-Mrs Rogers; Part II [1699 edition]: Prologue to the Second Part-; Epilogue for Miss Campian-.
Cast
Role: Epilogue Actor: Mrs Rogers
Role: Epilogue for Miss Campian Actor: .
Event Comment: [By John Gay.] Never Acted before. Receipts: #169 12s. Probable attendance: boxes, 247 paid and 3 orders; stage, 8 paid; balcony, 7 paid; pit, 301 paid and 1 order; slips, 56 paid and 5 orders; first gallery, 437 paid and 7 orders; second gallery, 191 paid. For the first night, see Schultz, pp. 1-5

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Edition of 1728 lists: Peachum-Hippisley; Lockit-Hall; Macheath-Walker; Filch-Clark; Jemmy Twitcher-H. Bullock; Crookfinger'd Jack-Houghton; Wat Dreary-Smith; Robin of Bagshot-Lacy; Nimming Ned-Pit; Harry Paddington-Eaton; Mat of the Mint-Spiller; Ben Budge-Morgan; Beggar-Chapman; Player-Milward; Mrs Peachum-Mrs Martin; Polly Peachum-Miss Fenton; Lucy Lockit-Mrs Egleton; Diana Trapes-Mrs Martin; Mrs Coaxer-Mrs Holiday; Dolly Trull-Mrs Lacy; Mrs Vixen-Mrs Rice; Betty Doxy-Mrs Rogers; Jenny Diver-Mrs Clarke; Mrs Slammekin-Mrs Morgan; Sukey Tawdry-Mrs Palin; Molly Brazen-Mrs Sallee.
Cast
Role: Polly Peachum Actor: Miss Fenton
Role: Betty Doxy Actor: Mrs Rogers
Event Comment: MMr W. Palmer, made his first appearance this Night in Hymen. a Tolerable Voice; but Extremely Aukward & the worst Speaker I ever heard (Hopkins). This night Mr W[ingfield] Palmer (son of Mr Palmer who married Miss Pritchard) made his first appearance on this stage in the character of Hymen,--a tolerable voice,--but the most aukward, and the worst speaker I ever heard (Hopkins Diary--MacMillan). Receipts: #174 17s. 6d. (MacMillan)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Stephano-King; Trinculo-Yates; Caliban-Love; Ariel (songs)-Miss Young; Hymen-Wingfield Palmer; Miranda-Mrs Palmer; Ferdinand (songs)-Vernon; Ceres-Mrs Vincent; With a Grand Dance of Fantastic Spirits, Pastoral Danceproper to the Masque,-Grimaldi, Miss Baker.

Afterpiece Title: The Deuce Is in Him

Dance: TThe Provancalle, as17631014

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17711025, but Townly-Barry; Miss Jenny-Miss Rogers, 1st time.
Cast
Role: Miss Jenny Actor: Miss Rogers, 1st time.
Role: Myrtilla Actor: Miss Platt.

Afterpiece Title: The Institution of the Garter

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Performance Comment: Edition of 1700: Prologue by Mr Farquhar-Mr Powell; Epilogue-Will. Pinkethman; Sir John Winmore-Powel; Capt. Bellair-Wilks; Sir Anthony Addle-Norris; Dick Addle-Pinkethman; Freelove-Mills; Alderman Chollerick-Johnson; Ned Chollerick-Toms; Willie-Bullock; Scowrer-Fairbank; Flora-Mrs Rogers; Melintha-Mrs Moor; Decoy-Mrs Powel; Timandra-Mrs Temple; Lucy-Mrs Kent; Betty-Mrs Baker.
Cast
Role: Flora Actor: Mrs Rogers
Related Works
Related Work: Courtship a la Mode Author(s): David Crauford

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Woodward; Townly-Palmer (first time of his appearing in any character); Loveday-Blakes; Wiseacre-Yates; Doodle-Taswell; Dashwell-Neale; Roger-James; Tom-Master Cross; Constable-Ray; Linkman-Raftor; 1st Watch-Bransby; 2nd Watch-Simpson; 1st Chimney Sweeper-Vaughan; 2nd Sweeper-Marr; Peggy-Mrs Green; Eugenia-Mrs Mills; Engine-Mrs Cross; Jane-Mrs Havard; Aunt-Mrs James; Arbella-Mrs Pritchard.

Afterpiece Title: Tom Thumb

Performance Comment: Tom-Miss Yates.
Cast
Role: Tom Actor: Miss Yates.

Dance: II: Savoyards, as17480920; End of Play: A New Dance call'd The Sailor's Revels-Mathews

Music: III: Scotch Sonata on Flute, as17481025

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Barry; Randolph-Ridout; Glenalvon-Smith; Norval-Sparks; Officer-Bennet; Anna-Mrs Vincent; Lady Randolph-Mrs Bellamy, 1st time.

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Mr G. Play'd most Divinely (Hopkins Diary). Receipts: #232 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; Frederick-Jefferson; Duke-Packer; Petruchio-J. Aickin; Antonio-Parsons; Peter-W. Palmer; Antony-Wheeler; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Younge; Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Kinswoman-Miss Platt; Nurse-Mrs Love; Second Constantia-Mrs Abington.
Cast
Role: First Constantia Actor: Miss Younge
Role: Kinswoman Actor: Miss Platt

Afterpiece Title: The Mayor of Garratt

Cast
Role: Mrs Bruin Actor: Miss Platt
Role: Mrs Sneak Actor: Miss Pope.

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Lewis, first time; Capulet-Clarke, first time; Friar Lawrence-Hull; Mercutio-Woodward; Benvolio-Whitefield; Escalus-Fearon; Paris-Booth; Tibalt-Lewes; Peter-Quick; Lady Capulet-Mrs Hull; Nurse-Mrs Pitt; Juliet-Miss Dayes, 2nd time in that character; In I, a Masquerade Scene-incident to the play; End IV, The Funeral Procession-of Juliet; with the Solemn Dirge-; Vocal Parts-Mattocks, Reinhold, DuBellamy, Baker, Leoni, Fox, Mrs Baker, Miss Valois, Miss Brown, Miss Wilde, Mrs Willems, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Sylphs

Cast
Role: Principal Sylph Actor: Miss Brown
Role: Colombine Actor: Miss Valois.
Event Comment: Benefit for Palmer. House charges #66 3s. 6d. [Profit to Palmer #74 18s. 6d.] Afterpiece: Not acted for 14 years. [See 11 Feb. 1748.] Last till after the holidays. Paid George Garrick on account #50 and French on account #20; Salary list #290 12s. 8d. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Holland; Richmond-Palmer; Buckingham-Bensley, 1st time; Duke of York-Miss Collett; Tressel-Cautherly, 1st time; King Henry-Havard; Prince Edward-Miss Rogers; Norfolk-Burton; Stanley-Bransby; Lord Mayor-Baddeley; Catesby-Packer; Ratcliffe-Strange; Lieut.-Moody; Duchess of York-Mrs Bennet; Lady Anne-Mrs Palmer; Queen-Mrs Pritchard.
Cast
Role: Duke of York Actor: Miss Collett
Role: Prince Edward Actor: Miss Rogers

Afterpiece Title: Flora or Hob in the Well

Performance Comment: Hob-Yates; Friendly-Vernon; Testy-Burton; Old Hob-Parsons; Dick-Baddeley; Countrymen-J. Palmer, Strange, Watkins; Hob's Mother-Mrs Bradshaw; Betty-Mrs Lee; Flora-Miss Young.
Cast
Role: Flora Actor: Miss Young.

Dance: End: The Vintage, as17661011

Event Comment: By Command of Their Majesties. Paid Mr Nicols for Rope line #5 17s; Printer's Bill #8 19s. (Treasurer#s Book). Receipts: #233 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Miss Sterling Actor: Miss Pope

Afterpiece Title: The Deuce Is in Him

Performance Comment: Col. Tamper-Palmer; Prattle-King; Mlle Florival-Miss Rogers, 1st time; Major Belford-Packer; Bell-Mrs Reddish; Emily-Miss Pope.
Cast
Role: Mlle Florival Actor: Miss Rogers, 1st time
Role: Major Belford Actor: Packer
Role: Emily Actor: Miss Pope.

Dance: I: The Sailors Revels, as17711008; V: Comic Dance, as17711021

Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Cargill; Peachum-Mrs Lefevre; Lockit-Mrs Webb; Mat o' the Mint-Miss Lyon; Ben Budge-Miss Wood; Jemmy Twitcher-Miss Francis; Nimming Ned-Mrs W. Palmer; Crook@finger'd Jack-Miss Painter; Waiter-Miss Hale; Filch-Mrs Wilson; Lucy-Mr Edwin; Mrs Peachum-Mr Wilson; Jenny Diver-Mr Wood; Mrs Coaxer-Mr Stevens; Mrs Slammekin-Mr Blissett; Sukey Tawdry-Mr Webb; Dolly Trull-Mr R. Palmer; Molly Brazen-Mr Kenny; Mrs Vixen-Mr Massey; Betty Doxy-Mr Painter; Diana Trapes-Mr Wewitzer; Polly-Mr Bannister (1st time of their appearing in any of those characters).

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Master Byrn; Furies (in the character of Chimney Sweepers)-Rossi, Nicolini; Captain of the Guard-Master Edwin; Jason (in the character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Children-Miss Painter, Master Clarke; Medea (in the character of Mother Shipton)-Mme Dagueville.
Cast
Role: Creusa Actor: Miss Byrn
Role: Children Actor: Miss Painter, Master Clarke

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Performance Comment: , and see17810810) This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Hacket first time on any stage; Cassio-Quelch; Brabantio-Marshall; Roderigo-Charles; Iago-Cibber first time in that part; Duke-Carr; Montano-Parker; Lodovico-Metteer; Emilia-Mrs Price; Desdemona-Miss Barton first time in a Tragedy.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Quelch; Gayless-Parker; Dick-Blakey; Trippet-Turner; Melissa-Miss Davies; Guttle-Metteer; Mrs Gadabout-Mrs Midnight; Kitty-Miss Barton; Hornpipe-Walker.
Cast
Role: Melissa Actor: Miss Davies
Role: Kitty Actor: Miss Barton

Dance: LLa Dance du Village-Settree, Sga Fiorentina, Walker

Event Comment: [M$Miss Miller identified on the bill for 13 Nov.] Receipts: #169 16s

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Smith, first time; Polydore-Wroughton[, first time; Chamont-Bensley[, first time; Acasto-Gibson; Chaplain-Hull; Serina-Mrs DuBellamy; Florella-Mrs Pitt; Monimia-A Young Gentlewoman[, never on any stage before [Miss Miller, according to Kemble note on the playbill]., never on any stage before [Miss Miller, according to Kemble note on the playbill].
Cast
Role: Castalio Actor: Smith, first time

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors-Aldridge. [See17691009, 1767.