SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible most Horrible\' "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible most Horrible\' ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15843 matches on Performance Comments, 5895 matches on Event Comments, 5338 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [On this evening the following performers appeared both at dl and at the hay: Suett, Palmer, Miss DeCamp, Miss Heard.

Performances

Mainpiece Title: The Mock Doctor Or The Dumb Lady Cured

Performance Comment: Gregory (The Mock Doctor)-Palmer (1st appearance in that character); Sir Jasper-Waldron; Leander-Caulfield; Dr Hellebore-Burton; Davy-Waldron Jun.; James-Palmer Jun.; Harry-Abbot; Sq. Robert-Lyons; Charlotte-Miss Heard; Maid-Mrs Jones; Dorcas-Mrs Harlowe.
Cast
Role: Charlotte Actor: Miss Heard

Afterpiece Title: The Agreeable Surprise

Performance Comment: Lingo-Fawcett; Sir Felix Friendly-Suett; Compton-Bannister; Eugene-Davies; Chicane-Usher; Thomas-Burton; John-Trueman; Cudden-Waldron Jun.; Stump-Ledger; Laura-Miss Leak; Mrs Cheshire-Mrs Booth; Fringe-Miss DeCamp; Cowslip-Mrs Kemble.
Cast
Role: Laura Actor: Miss Leak
Role: Fringe Actor: Miss DeCamp

Afterpiece Title: Bannian Day

Event Comment: Benefit for Miss Phillips. Tickets to be had of Miss Phillips, at the West-End of Dorville's-Row. Afterpiece: Written by O'KeefFe, set to music by Shield, and performed with greatest applause at the Theatre-Royal, Covent-Garden

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth -Yatesmore; Sir Harry Sycamore-Waldron; Fairfield-Smith; Ralph-Wright; Mervin-Hill; Giles-Price; Fanny-Mrs Waldron; Theodosia-Mrs Clarke; Lady Sycamore-Mrs Johnston; Patty-Miss Phillips (1 st appearance in that character); Gipsies-The rest of the Company .
Cast
Role: Patty Actor: Miss Phillips

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick (the Poor Soldier)-Simpson; Dermot-Price; Captain Fitzroy-Smith; Father Luke (the Irish Priest)-Watts; Monsieur Bagatelle-Benson; Darby-Waldron; Kathleen-Mrs Waldron; Norah-Miss Phillips .
Cast
Role: Norah Actor: Miss Phillips
Event Comment: Benefit for Miss Woollery. Mainpiece: Never acted here. [In mainpiece the playbill assigns Clifford to Browne, but he "declined playing the pathetic part of Clifford, although the bills contained his name: Williamson therefore supplied his place" (unidentified clipping in Enthoven Collection).] Public Advertiser, 19 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster

Performances

Mainpiece Title: Henry The Second Or The Fall Of Rosamond

Performance Comment: King Henry-Bensley; Clifford-Williamson; Abbot-Kemble; Salisbury-Gardner; Verulam-Johnson; Leicester-Usher; Prince of Wales-Bannister Jun.; Queen-Mrs Whitfield; Ethelinda-Mrs Poussin; Rosamond-Miss Woollery (1st appearance in that character).
Cast
Role: Clifford Actor: Williamson
Role: Rosamond Actor: Miss Woollery

Afterpiece Title: The Dead Alive

Performance Comment: Motley-Edwin; Edward-Davies; Plume-Baddeley; Sheers-Burton; Degagee-Wewitzer; Sir Walter Weathercock-Moss; Miss Hebe Wintertop-Mrs Webb; Comfit-Mrs Brown; Caroline-Mrs Bannister.
Cast
Role: Miss Hebe Wintertop Actor: Mrs Webb
Event Comment: Benefit for Miss Brunton. Mainpiece: Written by Sheridan. Public Advertiser, 13 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #260 18s. 6d. (156.12.0; 7.1.6; tickets: 87.5.0)

Performances

Mainpiece Title: The Rivals

Performance Comment: Faulkland-Lewis; Captain Absolute-Bernard; Sir Anthony Absolute-Fearon; Sir Lucius O'Trigger-Johnstone; Fag-Brown; David-Wewitzer; Coachman-Thompson; Acres-Quick; Julia-Miss Brunton; Mrs Malaprop-Mrs Webb; Lucy-Miss Stuart; Lydia Languish-Mrs Pope.
Cast
Role: Julia Actor: Miss Brunton
Role: Lucy Actor: Miss Stuart

Afterpiece Title: The Poor Soldier

Performance Comment: As17870917, but Norah-Miss Rowson.
Cast
Role: Norah Actor: Miss Rowson.

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

Event Comment: Benefit for Miss Farren. Tickets delivered for the 18th instant will be admitted. Mainpiece: With Permission of the Author

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King (of dl); Crabtree-Parsons; Sir Oliver Surface-Aickin; Sir Benjamin Backbite-Burton; Joseph Surface-Palmer; Moses-Baddeley; Rowley-Wrighten; Careless (with a song)-Davies; Trip-Iliff; Snake-Phillimore; Charles-Bannister Jun.; Mrs Candour-Miss Prideaux; Maria-Mrs Forster; Lady Sneerwell-Mrs Inchbald; Lady Teazle-Miss Farren.
Cast
Role: Mrs Candour Actor: Miss Prideaux
Role: Maria Actor: Mrs Forster
Role: Lady Teazle Actor: Miss Farren.

Afterpiece Title: The Dead Alive

Performance Comment: Sir Walter Weathercock-Moss; Edward-Davies; Plume-Baddeley; Sheers-Burton; Degagee-Wewitzer; Motley-Edwin; Miss Hebe Wintertop-Mrs Webb; Comfit-Miss Collett; Caroline-Mrs Bannister.
Cast
Role: Miss Hebe Wintertop Actor: Mrs Webb
Role: Comfit Actor: Miss Collett
Event Comment: [Duke of York-$Miss Besford in Public Advertiser.] Afterpiece: By Particular Desire

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Gibson; Richmond-Clarke; Buckingham-Hull; Catesby-Fox; Ratcliff-Lewes; Norfolk-Wignell; Stanley-Gardner; Lieutenant-R. Smith; Tyrrel-Bates; Prince Edward-Mas. Harris; Duke of York-Miss Cockayne; Tressel-Dyer; Lady Anne-Mrs Vincent; Duchess of York-Mrs Barrington; Queen-Mrs Ward (playbill).
Cast
Role: Duke of York Actor: Miss Cockayne

Afterpiece Title: Midas

Performance Comment: Midas-Shuter; Damaetas-Barnshaw; Pan-Dunstall; Apollo-Mattocks; Sileno-Baker; Jupiter-Legg; Juno-Miss Pearce; Daphne-Mrs Baker; Nysa-Mrs Mattocks; Mysis-Mrs Thompson.
Cast
Role: Juno Actor: Miss Pearce
Event Comment: Mainpiece: A Comedy [by Bickerstaffe, altered from Cibber's Non-Juror]never performed there. [The Young Lady indentified by Kemble note on playbill. The Westminster Magazine commented unfavorably on her action: "Charlotte requires many fine qualities to represent her, none of which Miss Wilde possessed."] Receipts: #112 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Kniveton; Darnley-Bensley; Sir John Lambert-Hull; Col. Lambert-Lewes; Seyward-Wroughton; Maw@Worm-Quick; Lady Lambert-Miss Sherman, first appearance; Old Lady Lambert-Mrs Green; Charlotte-a Young Lady[, who never appeared on any Stage [Miss Wilde]., who never appeared on any Stage [Miss Wilde].

Afterpiece Title: Midas

Performance Comment: As17730927, but Nysa-Miss Valois.
Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Apollo-Du-Bellamy; Sileno-Massey; Jupiter-Griffiths; Damaetas-Blissett; Pan-Bannister; Juno-Mrs Poussin; Mysis-Mrs Love; Daphne-Mrs Hitchcock; Nysa-A Young Gentlewoman (1st appearance on any stage [Miss Twist]).Miss Twist]).
Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood (1st time)-Farren; Saville-Aickin; Flutter-Macready (1st appearance on this stage); Villers-Hull; Courtall-Davies; French Valet-Wewitzer; Porter-Fearon; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood (1st time)-Mrs Wells; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Miss Ogle Actor: Mrs Lewis
Role: Kitty Willis Actor: Miss Stuart

Afterpiece Title: Love in a Camp or Patrick in Prussia

Performance Comment: Principal Characters-Johnstone, Quick, Edwin, Davies, Booth, Cubitt, Brown, Gardner, Mrs Webb, Miss Rowson, Mrs Martyr. [For assignment of parts see17861125] .For assignment of parts see17861125] .
Event Comment: [In mainpiece the playbill assigns Yarico to Mrs Billington, but "The Director is extremely sorry to be under the Necessity of making such frequent Apologies for unavoidable Disappointments [see 18, 20 Feb.]; Mrs Billington being this Afternoon taken extremely ill, it is hoped Miss Chapman will be honoured this Evening with the usual Indulgence of the Public, in the Part of Yarico" (printed slip on BM playbill, cg, Vol. VI).] Receipts: #196 9s. (185.6; 11.3)

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Yarico Actor: Miss Chapman

Afterpiece Title: The Positive Man

Performance Comment: Sir Toby Tacet-Quick; Bellcamp-Davies; Lake-Macready; Grog-Blanchard; Maurice-Rock; Sam Stern-Fearon; Rupee-Edwin; Cornelia-Mrs Martyr; Florimel-Mrs Inchbald; Nancy-Miss Stuart; Lady Tacet-Mrs Webb.
Cast
Role: Nancy Actor: Miss Stuart

Dance: As17890101

Event Comment: [In mainpiece the playbill retains Mrs Goodall and Mrs Kemble, but "Mrs Barresford [was] the substitute for Mrs Kemble in Margaret, and Mrs Taylor [read] Adelaide [sic] in the absence of Mrs Goodall" (London Chronicle, 16 Sept.). In afterpiece the playbill retains Mrs Kemble as Cowslip, but "Miss George supplied Mrs Kemble's place" (Public Advertiser, 16 Sept.).] The last Night [of the Season]

Performances

Mainpiece Title: The Battle Of Hexham

Performance Comment: As17890813, but Principal Characters-Mrs _Goodall, Mrs Taylor, Mrs +Barresford, Mrs _Kemble, _Baddeley, _Iliff, _Milbourn; Other Vocal Parts-_Lyons, Miss _Francis.

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17890829, but Cowslip-Miss George.
Cast
Role: Cowslip Actor: Miss George.
Role: sic] Actor: Miss Brangin
Role: Baron de Fortsheim Actor: Kemble
Role: Baroness de Fortsheim Actor: Mrs Webb
Event Comment: [In mainpiece the playbill retains Miss Brunton as Lady Anne, but she "who attended, and was dressed for her character...was suddenly taken ill...The part was read by Mrs Rock" (Public Advertiser, 24 Oct.).] Receipts: #197 1s. (195.15; 1.6)

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Oxford Actor: Evatt

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Sileno-Davies; Pan-Reeve; Damaetas-Rock; Jupiter-Darley; Apollo-Johnstone; Daphne-Mrs Martyr; Mysis-Mrs Webb; Juno-Miss Stuart; Nysa-Mrs Mountain.
Cast
Role: Juno Actor: Miss Stuart
Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Performances

Mainpiece Title: Zara

Cast
Role: Zara Actor: Miss Younge

Afterpiece Title: Lord Mayors Day or A Flight from Lapland

Performance Comment: Cast not listed. [Cast from London Chronicle, 26 Nov.: Captain-Bannister; Sailor-Brett; Gobble-Wilson; Ballad Singer-Wewitzer; Serjeant-Davies; Barber-Mills; Glazier-Darley; Vintner-Booth; Hatter-Doyle; Clod-Edwin; Whalebone-Stevens; Lucretia-Mrs Wilson; Polly-Miss Morris; Aerial Spirit-Mrs Martyr. Larpent MS adds the following parts: Harlequin, O'Flannegan, Ulan, Man with Books, Doctors, Taylors, Servants, Mob; Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi. Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi.
Cast
Role: Polly Actor: Miss Morris
Event Comment: Benefit for Holland. Part of Pit laid into Boxes. Afterpiece: Not acted these three years. [See 8 Oct. 1763.

Performances

Mainpiece Title: King John

Performance Comment: King John-Powell, first time; Bastard-Holland[, first time; Hubert-Havard; King of France-Lee; Dauphin-Cautherley[, first time; Pembroke-Aickin; Chatillon-Vernon; English Herald-Moody; Constance-Mrs Yates; Queen Elinor-Mrs Bennet; Blanch-Miss Plym; Salisbury-Packer; Prince Arthur-Miss Rogers; Cardinal Pandulph-Bransby; Lady Faulconbridge-Mrs Hopkins. [See17610402.]See17610402.]
Cast
Role: King John Actor: Powell, first time
Role: Blanch Actor: Miss Plym
Role: Prince Arthur Actor: Miss Rogers

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Baddeley; Young Philpot-King; Young Wilding-Lee; Maria (with a new occasional prologue)-Miss Elliott (that Night Only); Sir Jasper-Burton; Beaufort-Packer.
Cast
Role: Maria Actor: Miss Elliott
Role: Beaufort Actor: Packer.

Dance: End: New Tambourine, as17660123

Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock marriage

Performance Comment: Edition of 1696: Prologue-Miss Cross; Epilogue-Mrs Knight; Lord Goodland-Disney; Fairly-Horden; Willmot-Powell; Belfont-Verbruggen; Sir Simon Barter-Johnson; Sir Arthur Stately-Lee; Lady Barter-Mrs Knight; Marina-Mrs Rogers; Clarinda-Mrs Verbrugen; Flavia-Mrs Finch; Betty-Mrs Newman; Alice-Mrs Clark; Landlady-Bullock; Quaker-Mrs Powell; Daughter-Mrs Urwin.
Cast
Role: Prologue Actor: Miss Cross
Role: Marina Actor: Mrs Rogers
Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: With Alterations and a new Prologue after the Italian Manner. Admission 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

Performance Comment: See17311125, but Harlequin-Baxter, the first Time of his Appearance since his Arrival from France; Inchanter-Ridout; Colombine-Mrs Walter; Mezzetin Man and Woman-Lally Jr, Miss Mears; Scaramouch Man and Woman-Houghton, Miss Williams; Punch Man and Woman-Thurmond, Miss D'Lorme; Jupiter-Essex; Perseus-Lally; Medusa-Charke; Mercury-Essex; Andromeda-Mrs Booth; Hours of Sleep-Mrs D'Lorme, Mrs Roger, Miss Williams, Miss Mears; Tritons-Essex, Thurmond, Houghton; Cupid-Miss Brett; Followers of Perseus-Thurmond, Houghton, F. Tench, Charke; Attendants on Andromeda-Mrs Walter, Mrs D'Lorme, Miss Mears, Miss Williams; Cepheus-Ridout; Cassiopea-Mrs Shireburn; Mars-Cross; Bacchus-Leigh; Pan-H. Tench; Hercules-Grey; Gorgons-Lally Jr, F. Tench; Pierrot-Cibber Jr; Doctor-Berry; Priest-Hallam Sr; Pierot's Servants-Leigh, Cross; Doctor's Servants-R. Wetherilt, Grey; Bride@Men-Lally Jr, F. Tench, Evans; Bride Maids-Miss Ambrose, Mrs Roger, Miss Oates.

Performances

Mainpiece Title: The Double Gallant

Cast
Role: Sylvia Actor: Miss Norsa

Afterpiece Title: The Rape of Proserpine With the Birth and Adventures of Harlequin

Performance Comment: Ceres-Mrs Wright; Proserpine-Miss Hillyard; Jupiter-Stoppelaer; Mercury-Vincent; Sylvans-Miss Rogers, Mlle De L'Orme, Mrs Ogden, Miss Baston, Mlle Villepierre; Pluto-Leveridge; Demons-Lally, S. Lally, Le Sac, De la Garde, Duke; Yeoman-Boval; Clodpole-Hippisley; Harlequin-Lun; Old Man-Smith; Colombine-Mlle Quinault, the first time of her appearance on this stage; Countrymen and Lasses-Du Pre, Bencraft, Ferguson, Mrs Forrester, Miss Horsington, Miss Brunette; Savoyard-Mullart; Gardeners-Smith, De la Garde; Elements: Earth-S. Lally; Air-Glover; Fire-Le Sac; Water-Lally; Females-Miss Baston, Miss Rogers, Mrs Ogden, Mrs De L'Orme .
Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS or The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Guardian

Performance Comment: Sir Charles-Parsons; Harriet-Miss Rogers; Lucy-Miss Pope; Young Clackit-Dodd; Guardian-Reddish. [All but Reddish appeared for the first time in these characters.]All but Reddish appeared for the first time in these characters.]
Cast
Role: Harriet Actor: Miss Rogers
Role: Lucy Actor: Miss Pope

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano-Love; Trincalo-Baddeley; Caliban-Sparks; Sebastian-Keen; Antonio-Hurst; Alonzo-Bransby; Gonzalo-J. Aickin; Francisco-Wright; Master of Ship-Ackman; Boatswain-Booth; Hyman-Kear; Ceres-Mrs Dorman; Ariel (with songs)-Mrs Scott; Miranda-Miss Rogers, first time; With a Grand Dance of Fantastic Spirits-; The Other Dances-Daigueville.
Cast
Role: Miranda Actor: Miss Rogers, first time
Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Dashwell-Shuter; Wiseacre-Collins; Doodle-Marten; Linkboy-Bennet; Tom-R. Smith; Townly-Gibson; Watchman-Holtom; Chimneysweep-Blakey; Loveday-Anderson; Jane-Mrs Pitt; Anne-Miss Copin; Engine-Miss Helm; Roger-Cushing; Eugenia-Mrs Barrington; Peggy-Miss Mullart; Lady No-Mrs Vincent.
Cast
Role: Anne Actor: Miss Copin
Role: Engine Actor: Miss Helm
Role: Peggy Actor: Miss Mullart

Afterpiece Title: The Double Disappointment

Cast
Role: Isabella Actor: Miss Young

Dance: As17581016

Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue to Bonduca refers to She Ventures and He Wins. As Bonduca was advertised in the London Gazette, No. 3126, 24-28 Oct. 1695, the play was certainly not acted later than early October 1695, probably not later than September 1695. The Edition of 1696 includes on the titlepage: With A New Entertainment of Musick, Vocal and Instrumental. [The music was composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI, vii-xiii.] Those songs for which a performer is named are as follows: O lead me to some peaceful gloom, sung by Miss Cross, and Sing ye Druids, all your voices raise, sung by Mrs Ayliff, both in Songs in the Tragedy of Bonduca, ca. 1696. To arms, sung by Freeman and Edwards, is in Thesaurus Musicus, The Fifth Book, 1696

Performances

Mainpiece Title: Bonduca Or The British Worthy

Performance Comment: Edition of 1696: Prologue-Mr Powel; Suetonius-Verbruggen; Petilius-Harland; Junius-Hill; Decius-Eldred; Macer-Mic. Lee; Caratach-Powel Jr; Venutius-Horden; Hengo-Miss Allison; Nennius-Mills; Macquaire-Simpson; Bonduca-Mrs Knight; Claudia-Mrs Rogers; Bonvica-Miss Cross; Epilogue-Miss Dennychock (But Six Years Old).
Cast
Role: Hengo Actor: Miss Allison
Role: Claudia Actor: Mrs Rogers
Role: Bonvica Actor: Miss Cross
Role: Epilogue Actor: Miss Dennychock

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]
Event Comment: The United Company. The date of the first performance is not known, but it had been acted by the time the January 1692@3 issue of the Gentleman's Journal appeared in March (on page 1 of that issue, the editor states that We are now in March): Mr Southerne's New Comedy, call'd, The Maid's last Prayer, or Any rather than fail, was acted the 3d time this evening, and is to be acted again to morrow. It discovers much knowledge of the Town in its Author; and its Wit and purity of Diction are particularly commended (p. 28). The first song in the play, Tho you make no return to my passion, composed by Henry Purcell, was sung, according to the printed play, by Mrs Hodgson; by Mrs Dyer, according to Thesaurus Musicus, First Book, 1693. The second song, composed by Samuel? Akeroyd, was sung by Mrs Ayliff (Thesaurus Musicus, The First Book, 1693). Another song, No, no, no, no, resistance is but vain, written by Anthony Henley, composed by Henry Purcell, and sung by Mrs Ayliff and Mrs Hodgson, Act IV, is in Purcell's Works, Purcell Society, XX (1916), xiv-xv. A song, Tell me no more I am deceiv'd, written by William Congreve, set by Henry Purcell, and sung by Mrs Ayliff, is in Works, XX (1916), xv-xvi. According to the London Gazette, No. 2852, 9-13 March 1692@3, the play was published "this day" (13 March 1692@3)

Performances

Mainpiece Title: The Maids Last Prayer Or Any Rather Than Fail

Performance Comment: Edition of 1693: Prologue-Mrs Barry; Granger-Powell; Gayman-Boman; Garnish-Alexander [Verbruggen]; Lord Malepert-Doggett; Sir Ruff Rancounter-Bright; Sir Symphony-Bowen; Capt. Drydrubb-Underhill; Jano-Betty Allinson; Lady Malepert-Mrs Barry; Lady Trickitt-Mrs Bracegirdle; Lady Susan Malepert-Mrs Montford; Maria-Mrs Rogers; Wishwell-Mrs Betterton; Siam-Mrs Leigh; Florence-Mrs Kent; Judy-Mrs Rachel Lee; Christian-Perin; Footman, Porter-Pinkyman.
Cast
Role: Lady Susan Malepert Actor: Mrs Montford
Role: Maria Actor: Mrs Rogers

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Vernon; Merlin-Bannister; Dorus-Parsons; Daemon of Revenge-Champnes; Linco-King; Urganda-Mrs Baddeley; Fatima-Mrs Abington; Shepherdesses-Mrs Jefferies, Miss Burton; Dorcas-Mrs Bradshaw; Sylvia-Miss Radley, first time; Dances-Grimaldi, Giorgi, Leppie, Mrs King, Sga Dagueville, Miss Rogers, Miss West, Miss Collet; With a Grand Procession of the Knights of the Different Orders of Chivalry-.

Afterpiece Title: The Ghost